Duncan's Relationship In Macbeth

Even though they associate themselves through contradictory manners, they demonstrate what a prince should avoid when ruling. After receiving the crown, Macbeth rules with characteristics that belong to a tyrant which created fear in his people. In Act 3, Scene 6, Lennox refers to MacBeth as a tyrant, “His presence at the tyrant’s feast” (Shakespeare 115). At this point, the lords have become to hate him. This foreshadows his downfall according to Machiavelli, “...one of the most efficacious remedies that a prince can have against conspiracies is not to be hated and despised by the people, for he who conspires against a prince always expects to please the by his removal” (1). He can also be compared to Antoninus, a Roman emperor who killed so many people that in return he was killed. A prince who commits “such-like deaths, which are deliberately inflicted with a resolved and desperate courage, cannot be avoided...because any one who does not fear to die can inflict them”(4). This suggested by Machiavelli that he should rule so that his state respects him with a healthy dose of fear but has surpassed that showing the lordes resentment.

Shakespeare effectively focuses on the cynical repercussions of ambition in 'Macbeth' and how it can lead to one's failure. Macbeth is shown as a wellborn protagonist after being regarded as "Noble Macbeth" by the King of Scotland, King Duncan after slaying the Thane of Cawdor and winning

Throughout the play we see the character of Macbeth change, not only from the way he thinks and speaks, but from his actions as well. Killing Banquo and having Lady Macduff and her children murdered show the insecurity that is present in Macbeth’s character.  After the murder of Duncan, Macbeth becomes paranoid.  This paranoia leads to his killing the guards to help secure the place that he has found for himself.  Macbeth is also very superstitious, which becomes evident when he allows the witches’ prophecy to convince him that Banquo’s offspring would become Kings.

Macbeth is a victim of his own self. He killed Duncan. He killed his best friend Banquo. He could've stopped and look at himself. Macbeth knows he is killing innocent people and becoming so paranoid that his own mind became clouded to the point of no return.

    In the third scene of the first act, Banquo** asks, "...have we eaten on the insane root that takes the reason prisoner?" in response to the witches' prophecies.  Banquo is partly right in the assumption that Macbeth's mind is not pure.  When Macbeth says "The Prince of Cumberland!  That is a step/ On which I must fall down, or else o'erleap" (Act 1, Scene 4, 48-49), we see that Macbeth may have already the idea of killing Duncan.  Macbeth's ultimate goal is to become king; he does this with a certain amount of ease, but the process somehow awakens his tragic flaw, the ruthlessness with which he destroys his own reign.  After he kills the dead king's servents, his targets are Banquo and Fleance, who have heard or are involved in the third prophecy.  Macbeth sends the three murderers who stab the famous dying words out of Banquo's mouth: "Fly, good Fleance, fly, fly, fly! (Act 3, Scene 3, 17).  Macbeth must crush dissent  he kills Macduff's wife and children.  Macbeth's reign of non-stop killing erodes Scotland's confidence in him and he has no chance

With attention to the murder of King Duncan, Macbeth struggles with the morality of his actions. Before the murder takes place, Macbeth begins to believe that the murder will “be the be-all and the end-all” to his clear conscious and would risk him to eternal damnation (Act I, line 5). Yet, the murder would bring him power over Scotland and he “shalt be kind” as told by the Weird Sisters(Act 1, line 50). Macbeth goes off of his ambition to murder King Duncan. The internal struggle of choosing mortality over motives brought forth an intense shift of loyalty to betrayal. The murder caused for Macbeth to turn on Scotland and only care for his own selfish motives. The betrayal causes for the play to become horrific and have a double meaning. Macbeth must put on a face to hide his murder to become the king. The double meaning is how Macbeth looks like a hero to all of Scotland, but only the people on the inside know of his horrific actions. He had to murder to to get the position of King, but the

Macbeth was conscious that his thoughts are used for “only [for] vaulting ambition” and yet he does nothing to correct the situation of his thoughts. Macbeth was not mentally deranged before the killing of Duncan and is able to differentiate good from evil, nevertheless he chose to commit regicide. Macbeth reveals that he knows what he is about to do is immoral, and that that “judgement here…. [will be] taught [to] return to plague the inventor”. This ambition eventually lead Macbeth to greed and paranoia; making him willing to do anything necessary in order to secure his position of power. It also becomes easier and easier for Macbeth to commit heinous crimes. Without thinking twice, he orders the murders of Macduff's family, including his children. Macbeth's selfishness and reckless ambition lead him to his own demise.

Shakespeare’s ideas towards kingship can be seen throughout the play. He shows that a king should be chosen by divine right and shows the attributes of what a good king should be.

going to go back on his word, he doesn't really love her, and he's a

“Macbeth” by William Shakespeare shows the effect of greed/power on a relationship. Is gaining power more important than a relationship? When Macbeth usurps the throne as King of Scotland, he puts aside his relationships to carry out his work as king, and his relationship with Lady Macbeth is, as a result, impacted. Macbeth and Lady Macbeth’s relationship shifts somewhat and yet partly remains the same when Macbeth is crowned king of Scotland. Macbeth’s relationship remains the same in that he shows Lady Macbeth respect and continues to use words of love to call her by, but it shifts in that Macbeth becomes more independent and does not confide his plans to Lady Macbeth as he had previously.

This angers Macbeth and enables him to follow Lady Macbeth's scheme to kill the King easier. Macbeth's first murder is definitely a trying experience for him. However, as the play progresses, killing seems easy and the only solution to maintain his reign of the people of Scotland. Macbeth becomes increasingly ambitious as the play goes on. The witches prophecies and Lady Macbeth's influence intensifies his ambition and drives Macbeth to obtain and maintain his title of Scotland by whatever means, even murdering his best friend, Banquo. "Upon my head they placed a fruitless crown, ...no son of mine succeeding. If't be so, for Banquo's issue have I filed my mind; For them the gracious Duncan I have murder'd; ...To make them kings, the seed of Banquo kings! (Act III. sc.I) At this point Macbeth's passion becomes more and more extreme to the point where no one stands in his way. His greed, violence, and hunger for power drastically declines his character. The witches prophecy, Lady Macbeth's influence, and Macbeth's own ambition all contribute greatly to his deterioration of character which results in his downfall, which was death. All the causes link to one another. If it wasn't for Macbeth's strong will and passion, Macbeth would still be his ordinary self. Because of this, Macbeth's curiosity of possibly becoming king was brought out which led to Lady Macbeth's controlling influence. Macbeth's ambition then builds and causes him to commit a

Macbeth’s mental and moral deterioration throughout the play engages the audience illustrating how guilt overwhelms his conscience He believes he hears voices crying “Macbeth has murdered sleep” this demonstrates how he is battling against his morals and his ambition. His good qualities are battling his bad thoughts and this is the main reason for his mental downfall which makes for a deeply engaging plot. Macbeth goes from being a man of bravery, strength, honour yet he slowly loses these qualities. He once believed that killing a good man was an evil, un-worthy thing to do yet by the end of the play he is killing the people he once had close relationships with to get himself out of the mess that was dragging him deeper into despair and tragedy. This process is enthralling for the audience who cannot resist watching him go to any length to save himself as his morals go into deep decline. Ambition has completely taken over him in the soliloquy in which he states; “I have no spur to prick the sides of my intent, but only Vaulting ambition, which o’erleap itself and falls on the other.” In this instance Macbeth is interesting because he realises that the only thing that is making him want to kill Duncan is

Macbeth is easily tempted into murder by his wife to fulfill his ambitions to the throne. Once he stabs Duncan there is no stopping him. Macbeth then proceeds to kill Banquo, Fleance, Lady Macduff, and her children. Lady Macbeth only manipulated him to kill the king, but the decisions to kill Macduff and Banquo were his own. Banquo was his good loyal friend, after he killed him we know that he was out of his mind. Each person he has killed

The play examines the effects of evil on Macbeth’s character and on his subsequent moral behavior. The later murders flow naturally out of the first. Evil breeds evil because Macbeth, to protect himself and consolidate his position, is forced to murder again (Harbage, 1963). Successively, he kills Banquo, attempts to murder Fleance, and brutally exterminates Macduff’s family. As his crimes increase, Macbeth’s freedom seems to decrease, but his moral responsibility does not. His actions become more cold-blooded as his options disappear. Shakespeare does not allow Macbeth any moral excuses. The dramatist is aware of the notion that any action performed makes it more likely that the person will perform other such actions. The operation of this phenomenon is apparent as Macbeth finds it increasingly easier to rise to the gruesome occasion. However, the dominant inclination never becomes a total determinant of behavior, so Macbeth does not have the excuse of loss of free will. It does however become ever more difficult to break the chain of events that are rushing him toward moral and physical destruction.

Macbeth’s good nature is increasingly defeated by one of his major flaws-ambition. His ambition and desire to become king leads