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Duchamp's 'Nude Descended A Staircase'

Decent Essays

Dina Moroz
Professor Al Filreis
English 88
16 October 2014

Nude Descended a Staircase
There are numerous differences between Marcel Duchamp's Nude Descending a Staircase (1912) and X. J. Kennedy's poem (1959-60) bearing the same name. These differences pertain to style, motion, and subject.
Style
Duchamp’s oil painting consists of many elements associated with Cubism. The painting deconstructs a scene through abstract lines and planes. However, while figures in Cubist painting are commonly static, Duchamp depicts his subject in motion, leading the painting to exude energy derived both from his subject’s movement and a novel artistic style. Further, the painting is controversial, as it not only aims to depict a nude, but also because the nudity is not explicit. If Duchamp uses a new approach, Kennedy does precisely the opposite. His poem does not depart from tradition. It consists of three perfect quatrains, and in no way …show more content…

Remove the title of both works, and it will be much more difficult to decipher the subject in Duchamp’s painting than in Kennedy’s poem. Duchamp illustrates each step of motion through static images. The interpretative possibilities are endless — the figure may appear to move linearly, in forward progression, and so on. Thus, the nude can be anywhere, and is therefore, everywhere. While Kennedy alludes to Duchamp’s idea of motion in lines including, “She sifts in sunlight down the stairs,” “A constant thresh of thigh on thigh,” and “One-woman waterfall, she wears/ Her slow descent…” he eventually departs from Duchamp’s idea of motion. While a waterfall flows by nature, Kennedy ends its natural motion in his last two lines, which read, “And pausing, on the final stair/ Collects her motions into shape.” While Duchamp emphasizes a process, Kennedy emphasizes a moment — the singular image of a woman at the bottom of the

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