Divine Intervention In The Iliad Essay

The Iliad begins with the clash between Achilles and Agamemnon. Agamemnon has little, if any, respect for the gods. This is displayed by his irreverent

Zeus’ affinity for being the main character of a myth is no different in the epic myth about his fight against Cronus and the Titans or the “Titanomachy.” In this larger-than-life battle Zeus has to overthrow his father Cronus and take his predestined place as king of the gods. In this myth however, Zeus has to grow and overcome many challenges that stand in his way to greatness. Zeus has to ask for help from his mother in order to be able to free his sibling from his father Cronus who had swallowed them whole. After Zeus frees his siblings he has to face the mighty Titans, so he asks the Cyclops and the Hecatonchires to aid him in this battle that lasts

In ancient Greek culture the gods were seen as taking a very active role in the development and course of human history.  The entire Olympian pantheon, as well as many other less important divinities, meddles in human affairs to no end.  The people of the many city-states that composed Greece firmly believed that every aberration from normalcy was due to an act of the gods.  Homer, the author of The Iliad, coined the prevalent religious beliefs of the time in his epic poems, showing the gods as temperamental and willful, meddlesome and dynamic.  Homer’s entire poem is replete with instances of divine intervention in mortal lives, and no single major occurrence comes to pass unless it is the will of one of the many Olympian gods.  Few major decisions are made without consulting the gods first, and the handful of instances in which one leader or another takes initiative almost always fails miserably.  Life, according to the Greeks, is almost entirely rooted in their religion, as there is a god or goddess governing every aspect of the universe, and also because the gods so actively involve themselves in the everyday lives of mortals.

This is just one of the many examples of how Achilles is ruled by his emotions, of how him being the son of Zeus and Thetis aids him in his goals and gives him an upper hand. He is favored not only by Athena, but also by Hera, and indirectly by Zeus, who tries to maintain neutrality throughout the course of the Iliad. There are various occasions on which the God’s interfere, each trying to help either the Trojans or the Achaeans. On more than one occasion, Thetis interferes on behalf of her son, trying to gain him some ground by calling in the favors that she

Not anything like this event can be found in the Odyssey. The role of the Gods in the affairs of humanity is much greater in the Iliad then in the Odyssey. In the Iliad, the Olympians are continually interfering in the conflict between the Greeks and the Trojans. At best, they view mortals as hilarious pets to be cared for, played with, and loved. At worst, humans are just trade in to be dragging your feet around, sacrificed, and set against each other in order to resolve inter-Olympian ego-clashes.

This was the rational motive why Zeus' acquired Thetis to marry a mortal, named Peleus. On the other hand, it doesn’t signify that Achilles cannot die; he is still fated to die as he is more mortal than an immortal. Furthermore, if you look at one of the god named, Apollo, he is supplementary, without any questions, inclined toward Trojans and is persistently engaged to help them. Apollo assisted Trojans on numerous occasions in war. For instance, he dispatched a pestilence to Achaean soldiers by responding to the priest’s pray, ‘[1:40-60]’. Apollo also aided Hector in book 15 where Zeus dispatched Apollo to help Hector and blow new air into his lungs so he can fight again, ‘[15:300-310]’. Also in Book 16, Apollo heard Glaucus’ pray and healed his wound to get him to fight again against Achaeans, ‘[16:600-640]’. Apollo’s twin sister, Artemis, also helped Trojans in the battle alongside Apollo. She helped Trojans just because Apollo is engaged against Achaeans. On the other hand, Athena and Hera are inclined towards Achaeans and assist them in the battle in every accomplishable manner. These deities, Hera and Athena, want the Achaeans to triumph the war and pulverize the Troy. Moreover, Thetis cannot see her mortal son Achilles suffering and resources him as much she can. And, Zeus the king of all gods, however, is not on any side and he attempts to stay impersonal during the conflict but somewhere in his intuitions he does not want

Are the deeds of mortal characters in the Aeneid controlled by the gods or by fate? Aeneas must fulfill the will of the gods, while enduring the wrath of other gods, all the while being a worthy predecessor of Augustus and founder of the Roman people. Of course, the Trojan is successful because he gives himself up to these other obligations, while those who resist the will of the gods, Dido and Turnus, die sad deaths.

Thetis goes to Zeus and propositions him, "…if ever amid mortals by word or deed I served you, grant my wish and see my sons honor!" (Book I; 466-68) Zeus in turn responds,

Portions of modern society believe fate to be concrete and unchanging. However, in ancient times, it was believed to be influenced and guided by the actions of the gods. Similarly, in The Iliad by Homer, the actions of the gods influence the life, death, and fate of each and every individual. Gods such as Zeus, Athena and Apollo take great influence in human affairs in The Iliad. These actions cause life, death, sorrow, and triumph to befall various individuals of the story. Achilles’ fate results, solely, from these actions the gods undertake. In particular, the gods influence on Achilles’ fate shows when the gods keep Achilles from killing Agamemnon, staying out of the war, and holding onto his rage.

‘Why did she drive a man famous for his piety to such endless hardship and such suffering?’ [line 11] virgil lets us know that Aeneas is not even at fault but the queen of the gods has such hatred for him.

Through the sampling of readings from The Norton Anthology of World Literature book, one could come to the realization that in a majority of those stories, the deities seem to influence or even control the outcomes of the heroes, often in a negative manner. In the first epic, Gilgamesh encounters the gods at various times, and in The Iliad, the gods manipulate the Greeks and the Trojans for their own desires and wants.

“Remind him of that, now, go and sit beside hime, grasp his knees... see how mad he was to disgrace Achilles, the best of the Achaean” (1, 484-490). This pacifies Achilles’ rage briefly while he goes back to the ships and refuses to help the struggling Achaeans on the battlefield because Agamemnon hurt his pride. Another instance that highlights Achilles flaw of anger is when the great Trojan warrior, Hector, kills Achilles close comrade Patroclus. Achilles bursts from his sulking attitude out of the Achaean ships in a rage of passionate fury that even his pride cannot overcome. “My dear comrade’s dead... Hector’s battered down by my spear and gasps away his life, the blood-price for Patroclus, Menotius’ gallant son he’s killed and stripped” (18, 94-109). This signifies Achilles’ zenith of anger and represents the turning point in the epic, along with the transition into his dramatic reversal as a character.

Religion is a major cultural factor in both epics as gods and goddesses are a daily presence in people's lives and have great influences on them. In the Iliad, the gods were called more to intervene the mortals' affairs than they were in the Odyssey. In the Iliad, the gods are portrayed as deceptive, volatile, and conniving as there were a lot of sneaking behind one another's backs to aid one side over the other. For example, Hera wanted the Achaeans to win, but Zeus tries to remain neutral. In result, some of the god's plot to put him to sleep so they could help the Achaeans win. It appeared as though the battlefield was a theatrical play and the mortals were their puppets. The extent of their generosity was even exposed. The priest of Apollo, Chryses, stated, "Hear me, lord of the silver

Divine intervention was a noteworthy variable in Homer's Iliad. The Gods influenced each part of this poem. While the Gods were said and the viewers were made very much aware that the character’s trust in the Gods, the main God that was physically observed was Thetis, Goddess of the Sea and Achilles' mom. One noteworthy quote from the film was in a discussion amongst Achilles and Briseis, was when Briseis says, Briseis states, “All the Gods are to be feared and respected” (Troy 2004). Achilles responds by saying, “Can I tell you a secret, something they don’t teach you in your temple?

The Iliad, a series of epic poems originated from Homer and rewritten by Robert Lattimore, chronicles three main characters: Achilles, Hector, and Agamemnon. All three of these courageous men share common traits which variate with their roles in the war effort. Of the three, two are clearly heroes whilst one can almost be considered a villain. Therefore, as seen through quotes from the Iliad the real hero becomes quickly identified.