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Dissociative Identity Disorder In Frankie And Alice

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In the film, “Frankie and Alice,” the viewer is not only able to see the manifestation of Dissociative Identity Disorder (DID) but also its momentary yet lasting effects on the life of a person living with it. The film also serves as a catalyst for discussing the nature of disassociation, why there is such a need for debate on dissociative episodes, and how DID challenges the very existence of a “personal identity.” One’s personal identity can be defined as having continuity and making possible the unification of “earlier and later parts of subjectivity and, viewed from the outside, of persons and lives” (Radden 133). To understand the importance of DID in philosophical debates on personal identity, we must first understand what DID entails. DID is a mental disorder in which the person afflicted with the disorder momentarily “loses” their personal identity through what are known as: dissociative [or disassociation] episodes. Furthermore, this “loss,” which causes a person to take on, or switch to, a “different” identity, occurs when a person with DID is triggered by an action, person, and/or thing that makes a repressed traumatic experience, or at least a part of it, resurface. Yet, this “loss” of personal identity cannot solely be considered a “loss” because it is more of a purposeful defense involuntarily utilized by the mind of someone with DID to prevent the person from becoming aware of the repressed experience that has resurfaced. Moreover, disassociation, some may say, is a way to prevent the resurfaced experience from reaching the shoreline. Through the film, it becomes clear that DID causes for a person to “blackout,” and subsequently switch alters, when triggered as we see in various examples shown in Frankie’s life. One of these examples is when Frankie brings her manager to her home with the intention of sleeping with him. Upon their arrival at her apartment, Frankie hears a strange sound which triggers her into switching identities, which in DID patients are known as “personalities” or “alters,” from “Frankie” to “Alice.” This switch brings about what happens next because “Alice” is an alter who is a Southern, racist, Caucasian woman. Thus, when “Alice” sees that the man in “her” apartment is an

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