Dishonesty In Hamlet

Hamlet, unlike Fortinbras and Laertes, did not follow what his advisor told him without questioning why he should take the advice. As time passes, Hamlet still has not acted out the revenge he promised his father. Out of disgust for his irreverence for his father he says, ?why, what an ass am I! This is most brave, that I, the son of a dear father murdered, prompted to my revenge by heaven and hell, must like a whore, unpack my heart with words and fall a-cursing like a very drab? (II.ii.594-598). This statement prompts one to believe Hamlet has been convinced by his father?s words to act, but does not want to do so hastily. Hamlet questions the validity of his revenge by devising a plan to provide evidence of King Claudius? guilt. Hamlet took advantage of his position at the local theater by instructing his actors

In the play, Hamlet, written by Shakespeare, there are many themes that relate to the world. One specific quote from the play that has relevant themes is, “To be honest, as this world goes, is to be one man picked out of ten thousand.” This quote relates to the themes of distrust and dishonesty. In order to have trust for someone, one will take full responsibility and reliability in order to keep true to that person, however this doesn’t happen in Hamlet. To take part in honesty, one is truthful, however there aren’t many characters in the play that are honest. Distrust and dishonesty are used throughout Hamlet and many other cases in people’s day to day lives. There are many experiences of distrust and dishonesty. The quote, “To be honest, as this world goes, is to be one man picked out of ten thousand.”, strongly relates to distrust and dishonesty as it is difficult to trust and find honest people in this world.

In Claudius’s confession, Shakespeare is able to expose a sharp alteration to his character; he goes from being a fraud to a

This, in turn, exploits Hamlet’s similar flaw of ego and furthers the conflict, but what’s more, it illustrates Claudius’ sheer audacity and lack of repentance. He continues to try to cover up the sin and appease Hamlet into complacency rather than confess and ask for forgiveness. In a mark of pure arrogance, Claudius tells Hamlet to “throw to earth / This unprevailing woe and think of us / As of a father”, conceitedly requesting that Hamlet merely forget the murder and replace his father with the murderer himself (I, ii, 110-112). Similarly, instead of directly confronting Hamlet about his mental condition, the king more or less hires Rosencrantz and Guildenstern to spy on the prince, again cementing his smug mindset. The king does not believe he can be caught or, rather, that Hamlet is competent enough to figure out his plan and foil him. Claudius, too, thinks only of himself after Hamlet’s inadvertent killing of Polonius, pondering “how shall this bloody deed be answered? / It will be laid to us” instead of considering the ramifications of the murder with respect to Hamlet (4.1.17-18). The other two paper-thin traps the king hatches only reinforce his failure to see beyond the apparent; his attempt to deport Hamlet to England and have him killed reeks of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a

“A bloody deed – almost as bad, good mother/ As kill a king and marry with his brother”, a statement so bold you would assume it was from a bold man, but the reality couldn’t be further from that assumption. In the play Hamlet, the former king’s son Hamlet attempts to take revenge upon the new king, Claudius. As the readers, though we see how Hamlet is indirect in his action and delays his revenge multiple times. Hamlet is a man of inaction. Hamlet waits to kill his Uncle, Claudius, because he is uncertain of the truth, he is afraid of the afterlife, and he is working to exact the perfect revenge.

In Shakespeare’s play Hamlet, various characters manipulate others in order to gain power and fulfill their personal desires. The character who portrays the most immense manipulation is King Claudius, the brother of the late King Hamlet. Thus far, Claudius advertises himself as a sensible, honorable man who lives to serve the greater good, yet his manipulation exposes his dubious intentions, leaving him with an unfortunate fate.

In the play Hamlet by William Shakespeare, the lack of honesty was utilized frequently through the character’s actions by undermining and lying to each other, demonstrating that honesty is the best route. Throughout the play Horatio is the only one who was honest and kept by Hamlet’s side, while everyone else lied and spied.

Deception is defined as a misleading falsehood. One is usually deceitful when there is a need to conceal the truth, or create a scheme to reveal the truth. This statement can be applied to the play Hamlet, where Shakespeare creates a society that is built upon deceit. Each character in the play experiences or enacts on some form of deceit in order to expose the truth or obscure the truth. There are no characters in the play that feel the need to be straightforward and seek the truth. As a result, the characters feel the need to continually be deceitful to cover up their past errors. Shakespeare displays various examples of deceit in the play such as dishonesty, antic disposition and betrayal. Through these forms of deceit, Shakespeare

One must always be weary of the truth because it is quite often manipulated to serve the needs of any person who requires that the truth be on their side. Quite often, the only way to discern the truth from the fiction is by way of a deceptive act, because an act of deception always exposes both its self and the truth to be two quite different things. Nowhere is this more true than in William Shakespeare's, Hamlet. One of the major themes in the play is in fact, deception. This central theme is expressed throughout the play in three major forms: the fear of being deceived, the act of deception, and the ultimate result of the deceptive act. The first facet of the deceptive

Hamlet had the opportunity to kill Claudius at the chapel but restrained himself, he believed it was too good of a death for Claudius and that if he were killed his sins would be forgiven. This shows his lack of action and proves he is a procrastinator. In his soliloquies he constantly criticizes himself for the obvious avoidance of responsibility saying, "Am I a coward? Who calls me villain? breaks my pate across? Plucks off my beard, and blows it in my face? Tweaks me by the nose? gives me the lie i' the throat, as deep as to the lungs? who does me this?" (Act 2 Sc. 2, 571-575)

     Shakespeare presents Claudius as a character with many faces yet the audience can clearly understand his motives and ambition throughout the play. His character does however change and we clearly see how his evilness and weakness increases as his need to escape discovery and his clandestine nature in doing so, is revealed.

if he will be forgiven. He wants to repent for his sin, but he knows

King Claudius's contribution to the conversation exacerbates the tension in the scene. When he refers to Hamlet as “my son “ Hamlet immediately rebuffs him, saying that he is “a little more kin and a little less kind”. The young prince feels aversion towards his malevolent stepfather who has taken over the role of the king and has also married his mother. Claudius does not try to console Hamlet or offer him any support. Instead he criticises behaviour and treats him like a stubborn ignorant child. In Claudius's long speech, refers to Hamlet’s grief as “unmanly“ suggestion that his actions are and fitting for a man. He also declares that his step-sons behaviour is “It shows a will most incorrect to heaven”. This is very offensive as he is saying that Hamlet is going against God's wishes. The sentences Claudius use in his speech clearly imply that his relationship with Hamlet is very distorted.The antagonist continues by adding “why should we in our peevish opposition/ Take it to heart?”. Claudius is acting in a very philosophical and inhuman as if his brother has not died recently. He sees death as a meaningless phase in life and that Hamlet should move on like he did. Two bold words jump out of his speech “unprevailing well“. He can’t feel the pain Hamlet is enduring and that’s why he thinks Hamlet is overreacting. Shakespeare has successfully sent us the message that Claudius is a very insensitive man and that Hamlet is feeling great aversion towards him and this is a reason why their relationship is very weak.

Lies and deception are some of the many actions that have disastrous consequences. For the most part, they destroy trust and leave the people closest to us feeling vulnerable. In Hamlet, one of Shakespeare's many plays, the theme of lies and deception is very significant. This play shows that every character that lies and practices the act of deception is ultimately punished for doing so by their treacherous deaths. Hamlet has lied and practiced deception several times which has prolonged his primary goal and also causes his death. Additionally, Rosencrantz and Guildenstern’s unskilled acts of dishonesty and disloyalty towards Hamlet have all backfired; as a

Deceit and lies are rampant in William Shakespeare’s The Tragedy of Hamlet. It can be seen in the characters’ actions and words, as well as what they fail to say and do. It comes in various types of relationships -- between husband and wife, parent and child, siblings, and between lovers. Nearly every character in the play either deliberately spins a web of their own lies, uses another person for their trickery, or is used in another person’s deceitful plot. Each has different motives for their deceit -- to maintain power, to achieve their goals, to attain vengeance, or simply because it is necessary to function in this twisted society -- but all of them face a tragic ending no matter their initial intentions. In this play, deceit is so uncontrolled, intertwined, and multidimensional that it becomes impossible for either the characters or audience to ascertain what is true.