Differences Between The Book And The Phantom Of The Opera

In Carmilla and “The Vampyre” the authors use storytelling and descriptive language to address conventions about sexuality in European culture in the 19th century. The ideas first started in these works helped to define the vampire genre and helped to challenge established religious, cultural, and gender roles of the era. In “The Vampyre”, Polidori

The Phantom of the Opera, a classic play just as known as Romeo and Juliet, because of the love, the hatred and the fights. Little Ms.Christine Daae and her mysterious love triangle between the Phantom and Raoul. The thrilling end scene, where she has to pick for the love of her life to live and marry the Phantom, or to stay with the one she loves and die. Oh the tragedy! The conflict of having to choose between the one you love or your life! Choosing between what is right, and what your heart tells you to choose. The choices made can influence her and the fate of her theatre troupe. She has to make the difficult choice between what is right and what her heart tells you to do. The

The Phantom of the Opera started out as a book written by Gaston Leroux, published January 8th in 1910 (Haining, 1). There have been several adaptations since then, including Andrew Lloyd Webber’s musical. The other adaptations were Das Phantom der Opera, which is also known as Das Gespent im Opernhaus produced during 1916 in Germany as a silent drama film, this is known as a lost film due to no known copies existing at this time. A silent drama horror was produced on November 15th, 1925, a drama thriller was produced during August 27th in 1943, a horror film was produced June 25th during 1962, and an indie thriller, called Phantom of the Paradise was adapted from Phantom of the Opera and then produced in October 31st of 1974.

Gothic tales are dismal and disturbing. “The Feather Pillow”, “Prey”, and “The Black Cat” the main character is broken down by events. The immense pain suffered by each character is intertwined with personal relationship.

Next, Othello saw his handkerchief from Bianca’s hand and overhears Cassio talking about her and thinks he’s talking about Desdemona which get him so worked up that he has seizure and he plans to kill Desdemona. Moreover, Iago talks Roderigo into killing Cassio but he survived and Othello kills desdemona. Finally, after Othello found the truth that Desdemona wasn’t cheating on him and that Iago has been lying to him , he killed himself. In the movie “O” there is a basketball tournament taking place. Odin and Desi are boyfriend and girlfriend and she hid her relationship from her Dad. Odin and Michael gets MVP and Hugo becomes jealous because of bit. Then, Hugo talks to Roger to start a fight with Michael so he can get him off the team. After, Hugo convinces Michael to hang out and talks to Desi most the time so he can get back to the team and talks to Odin to believe that Desi is cheating with Michael . Then, Hugo sends Odin to spy on her and asks Emily to steal the scarf which Odin gave to Desi as a gift. Next, Emily found it on the floor and she gave it to Hugo then he gave it to Michael so he can give it to Brandy. Afterward, Othello is so worried about the thought that Desi might cheating with Michael which caused caused him to get violent he even pushes a kid and get into fight with Michael. After, Odin saw his scarf from Brandy’s hand and overhears Michael talking abou Brandi and thinks he’s talking about Desi which made him want to kill Desi and

Michael Hoffman’s 1999 film version of Shakespeare's midsummer night’s dream was able to modify the audience experience of the play. Michael Hoffman had successfully turned the play into a film and was able to show a visible expression of the characters to the audience. He had also made some changes, like the settings and made his version modernized. Though the film was based on the Shakespeare’s play, the audience’s experience is still different.

The play ‘Othello’ written by Shakespeare in approximately 1603 is a Greek tragedy with the tragic hero as Othello who is associated with the other main characters, Iago, Desdemona, Cassio and Emilia. Similarly, a movie of the 21st century with the same story line that of the Shakespearean play, which was written by Tim Blake had been produced in the late 1990’s and published in 2001. The features of the play ‘Othello’ are delineated by the movie ‘O’ in a more contemporary approach with new characters in order to suit the modern viewers. Both the play and the movie depict the downfall of a good person (Othello and Odin) through some fatal errors or misjudgments, producing suffering and insight on the part of the protagonist and arousing fear

Oliver Parker’s 1995 interpretation of Shakespeare’s 1600’s timeless classic Othello presents a differing construction of Othello from the original play, achieved through uses of a plethora of film devices. Both the play and the film masterfully spin a tale of romance, tragedy and death telling the fall of glory of Othello due to the acts of his ensign Iago, albeit with several differences in the presentation. Both Shakespeare and Parker explore themes of jealousy, power, and racism through the key characters of Othello and Iago. Parker utilises cutting, close-ups, mise-en-scene, music and a variety of others to bring his own in-depth dissection and construction of Othello.

Christine is blonde in the book not in the film (or musical). Raoul has an older brother who has a prominent role within the book but is omitted from the film. When Christine met Raoul (when young) her scarf had blown off into the water and he had retrieved in for her, which is skipped over the film.

The longest running show on Broadway. The Phantom of the Opera was written in 1909-1910 but didn’t become a musical until 1986. Based on the French novel Le Fantôme de l'Opéra by Gaston Leroux. Andrew Webber and Charles Hart both wrote the musical together based off that book, back in 1986. Was first played on West End, in London. Then, played on Broadway in 1988 at the Majestic Theatre. Celebrated the 10,000th Broadway performance on February 11th, 2012. Worldwide gross of $5.6 billion and Broadway gross of $845 million. Has been played in 27 different

What if you had the power to control numbers and words? What if you had to save two magical princesses trapped in a castle in the air? What if you had a little bit amount of time? In this adrenaline filled story, Milo and his friends must save these two mysterious princesses to resolve the conflicts between the kingdoms letters and numbers. Come and join me to this exciting journey where will meet new and old perplexing characters from Milo’s bedroom to a castle in the air. In the “Phantom Tollbooth”, which is a play and a movie, there are many similarities and differences that can be explored.

In examining the libretto The Phantom of the Opera, the interactions and attitudes of the characters, and the language used, I will show how the Phantom’s obsession over Christine, although at times destructive, leads to his change from an evil and selfish villain, to a remorseful and compassionate hero. To understand the psyche of the Phantom, one must first have a brief overview of the play.

Gothic literature’s desire to explore the unknown, the unexplainable, inexplicable and the terrifying can be seen as a reaction to the Enlightenment’s emphasis on the rational and knowable. The Enlightenment rejected the belief in superstition, and religion. Reason, deductive logic, and observation were the methods of examining the world. A clash of these two approaches is noticeable in Otranto. The novel violates 18th century

As one of the most attractive and enduring figures in the Gothic literature, the vampires have moved from being a peripheral element with the genre to a place near the center and are capable of generating its own massive tradition now. In the recent literary history, they have already been adapted to play a role of a rebel against the moral, social, religious, and even sexual taboos. Put simply, the vampires are now a metaphor of human beings in the modern society and life.

     In the novel, Phantom of the Opera, by Gaston Leroux, we are introduced to a character