Dichotomy In Toni Morrison's Beloved

In Toni Morrison’s novel, Beloved there is a mother-daughter relationship in which Sethe out of motherly love, murders her daughter Beloved to free and protect her from the harshness of slavery. Through this, the ghost of her deceased daughter haunts her conscience and later further haunts Sethe about her act of love. From the time she slits the throat of her infant daughter and until the end of the novel, Morrison presents justifications of Sethe's actions and understanding of her use of this conflict to recreate history in relaying the harshness of slavery in this time period. Morrison uses tactics which incorporates Beloved and slavery making them synonymous and depicting the importance of the bittersweet ice skating scene.

Destruction of identity, another theme of the novel, relates to the violent scenes. In the second part of Beloved, Sethe takes a stand and expresses her feeling on the violent acts being performed on her. “Nobody will ever get my milk no more except my own children. I never had to give it to nobody else—and the one time I did it was took from me—they held me down and took it. Milk that belonged to my baby” (Morrison 200). Sethe finally comes to terms with her past and vows to never let such a horrendous act happen to her again. Beloved’s reincarnation occurs because Sethe needs to face her dark past head on and free herself from living in shame. It took time, but, Sethe eventually overcomes the odds and begins to live freely and peacefully in her house.

Sethe understands that her history, filled with the pain of slavery, grief over losing her children, and guilt over Beloved's death, and tries to hide from all the anguish. However, she admits that the past seems to "always be there waiting," thereby emphasizing the idea that past horrors of life continue to haunt forever. It appears as though the power of her experience in slavery influences her so greatly that the memory triggers great pain, causing the horrifying incidents to "happen again." Even though Sethe understands that she cannot ever fully escape her history as it will come back to trouble her, she still tries to avoid them and thus attempts to shield her daughter from the horrors of history: "As for Denver, the job Sethe had of keeping her from the past that was still waiting for her was all that mattered" (45). It seems as though Sethe tries to deny the fact that history does not simply disappear. She still tries to protect Denver "from the past" even though history "waits," prepared to cause trouble and inflict the pain Sethe tries to repress. It appears as though Sethe continuously tries to fight against her memories and ignore her past in part one. For example, after she wakes, she begins "Working dough. Working, working dough. Nothing better than that to start the day's

Morrison’s frantic tone and syntax portray the long-term, overwhelming effects of rape. In Beloved, after Paul D discloses to Sethe that Halle had witnessed Schoolteacher’s nephews rape her, Sethe expresses her frustration with her memories. Time may pass to dull the clarity of traumatizing experiences, but time may not prevent memories from continuing to harbor, if not increase, the emotional impact of

Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house

Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from

Repression of memories is a psychological concept that has haunted modern psychology for years. Repression of memories also known as “rememory” defined by the mind pushing away traumatic or shocking experiences into a dark corner of a person’s unconscious. As this idea developed and began to be studied more thoroughly, slavery became an institution in which researchers saw promise in drawing conclusions about the dangers of repressing memories. In Toni Morrison’s novel, Beloved, the character narratives of Paul D and Sethe exemplify the dangers of repressing memories. Both disconnect from and push away unwanted emotional traumas or experiences from their past. However, this effort doesn’t pay off and their repression of memories is not successful. Through the use of symbols such as Paul D’s tobacco tin and Sethe’s scars and lost child, Morrison demonstrates how repression of the past isn’t effective and how it always comes back to haunt a person who doesn’t correctly cope with their trauma. Paul D and Sethe live unfulfilled lives as a result of repressed memories.

The theme of isolation as in many of the other pieces of literature that we have read this year can been seen in this novel Beloved. The theme can be seen in the isolation of Sethe and her inner self. It can also be seen with Denver and her separation from society because of the children at school. There is also the detachment of Sethe’s family from the rest of the world because of her past and what people think of the house and

In Beloved, Morrison discusses the power that the past can hold over a person. Sethe murdered her daughter and was stopped before she had the chance to murder her other children. However, the murders did not occur out of malicious intent. After escaping her owner, Sethe is terrified that someone will catch her and her children and force them into slavery. She feels that the worst thing in the world is

Memories, however, persist. They remain, lurking in places like 124 and Sweet Home to remind Sethe that the punishment she suffers is self inflicted and self perpetuating. First as a poltergeist and later as a mysterious young woman, the memory of Beloved remains unrequited. Beloved's appetite is insatiable. She "never got enough of anything... the more she took, the more Sethe began to talk, explain.." (240-1). No effort, no amount, no explanation is adequate. Sethe gives her face to Beloved and still she demands more. Beloved eventually becomes bloated with Sethe's loving excesses, but her thirst remains unquenched. Paul D. understands the dangers inherent in this kind of love when he warns Sethe, "Your love is too thick" (164). Beloved has no distinct identity separate from Sethe. Without Sethe, Beloved is ultimately left "crouching in a dark, dark place, forgetting to smile" (252). Likewise, Sethe's own identity is nearly lost or completely surrendered in her fusion with Beloved.

Sethe says she believes she won't even have to explain her motives for killing her (a love so great she can't let her be taken into a life of slavery). "I don't have to remember nothing," Sethe tells herself on page 183. "I don't even have to explain. She understands it all." Sethe believes the one true way she will find restitution and understanding with Beloved, is by knowing the mark she has left on her daughter. "I only need to know one thing. How bad is the scar?" Sethe feels that by knowing the scar, by touching the "memory of a smile under her chin," she can feel her daughter's pain and connect with her.

In Toni Morrison’s novel, Beloved is a character whose identity is primarily unknown. She retains some of her memories, although they are mostly obscure and symbolic. Even though she become increasingly obsessed with Sethe, her true objectives are only later revealed, when Sethe realizes that she is most likely the reincarnation of the daughter she killed to protect from slavery. Beloved uses Sethe’s guilt to subjugate her, she forces her mother to give, and then forfeit, everything she has to her, including her own sanity. “Beloved didn’t move; said, ‘Do it,’ and Sethe complied. She took the best of everything – first” (Morrison 277). Beloved starts wearing her mother’s clothes and mimicking her behaviors; Beloved becomes the mother, and Sethe the child. “The bigger Beloved got,

 When Sethe finally arrives at 124 Bluestone Road, she is greeted with her loving mother-in-law, Jenny Whitlow, known to her as Baby Suggs.  A second healing takes place when Baby Suggs tends to her mutilated body.  “She led Sethe to the keeping room and bathed her in sections, starting with her face…Sethe dozed and woke to the washing of her hands and arms…When Sethe’s legs were done, Baby looked at her feet and wiped them lightly.  She cleaned between Sethe’s legs…”(Morrison, 93).  The methodical washing of Sethe’s body emphasizes the sympathy and love that fills Baby Suggs’ heart.  Putting her trust in Baby Suggs for the relief of physical and emotional torment, is the only way Sethe is able to relieve herself of her haunted past and suffering body.  Baby Suggs knows as well as Sethe, the haunting miseries of black men and women who have been brought low by slavery, yet she urges her daughter-in-law to keep going and be strong.

In Beloved, Toni Morrison frequently alternates between telling stories from Sethe's past, to telling events in the present. Morrison introduces Beloved, who serves as the link between Sethe and Paul D's past at "Sweet Home" as slaves, and the present, living in Ohio as a free family of three: Sethe, Paul D. and Denver. The character of Beloved allows Morrison to explain the experiences and characteristics of the three characters, and how they are reactions to their pasts. Up to Beloved's arrival, Sethe and Denver lived in a "spiteful house.", which created a state of uneasiness. The ghost of Beloved had driven off Sethe's two sons, yet the mother and daughter continued to live at 124. With the arrival of Paul D., some of Sethe's

To survive, one must depend on the acceptance and integration of what is past and what is present. In her novel Beloved, Toni Morrison carefully constructs events that parallel the way the human mind functions; this serves as a means by which the reader can understand the activity of memory. "Rememory" enables Sethe, the novel's protagonist, to reconstruct her past realities. The vividness that Sethe brings to every moment through recurring images characterizes her understanding of herself. Through rememory, Morrison is able to carry Sethe on a journey from being a woman who identifies herself only with motherhood, to a woman who begins to identify herself as a human being. Morrison