Gregory used to love action movies… Craig thought, breaking an egg into a waiting skillet with a wistful expression on his face. The thought was almost immediately followed by a sense of disgust, and his wistfulness disappeared just as quickly as it had come, replaced by a dark scowl and a vague but unmistakable twinge of guilt. It was, all in all, not how he’d wanted to start off this morning, but considering how things had been going for him lately, it seemed almost fitting.
Craig sighed, shoving two pieces of bread into his toaster with a great deal of unnecessary roughness. Seriously, what the fuck? He hadn’t thought about Gregory in years — had purposely refused to do so — and now here he was, recalling his ex-partner’s taste in film with something that felt suspiciously like fondness.
He, for one, had always hated action movies. They were too big, too dumb, too loud — but mostly, they were just plain unrealistic, and that was a slight Craig simply couldn’t forgive. In real life, it didn’t matter how well-trained someone was; they couldn’t possibly hope to take on an entire squadron and live. In real life, people didn’t just casually stroll away while a building exploded behind them; they couldn’t, in
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Craig wanted nothing to do with chases and explosions; the rest of the world could kiss his ass, quite frankly. For two years he’d lived a mostly innocuous existence as a glorified security guard, two years of getting paid far too much money to look intimidating in a suit. It was perfect, nice and boring, exactly how he liked things, but ever since Butters had escaped his life had taken a stomach-lurching left turn into increasingly bizarre territory. And now here he was, unapologetically extorting money from a mad scientist in exchange for his friends’ -- (But they’re not your friends, something whispered in his head, nasty as a false rumor, Christophe sure as fuck isn’t your friend and Gregory was just something to do,
Buck lives in Judges Millers estate at the beginning of both the book and the movie. He is then kidnapped by Manuel, the gardener. He is sold to dog salesmen heading to Alaska. He is disciplined by the Law of Club and Fang. The man in the red sweater takes Buck out of the cage and repeatedly beats him. Buck continues to try to attack until he is to week to fight. He then learns the law of Club and Fang.
The first major simalirite was when Byron got his lips stuck to the car, when he was looking at his reflection and kissed it.
The 1992 film, Thunderheart, directed by Michael Apted and written by John Fusco, portrays young FBI agent, Ray Levoi, who is a quarter Sioux Indian, investigating a homicide case on a Native American reserve. The movie incorporates themes of self-acceptance and discovery as Levoi reflects on who he is and discovers not only himself and his culture but the ugly truth about the reserve.
The debate over Casablanca and Citizen Kane has been a classic argument between film critics and historians alike because both of these pieces contain great cinematographic value, and are timeless pictures that have managed to captivate audiences well beyond their era. However, the real question at hand is which film is the greatest? Which film transformed the future of American film making? It is these questions that I as many others have, will attempt to answer in the following essay as I explain why I believe Citizen Kane has achieved the status of greatest film ever made.
Since the beginning of the Industrial Age, Americans have idealized the journey towards economic success. One thing people do not realize, however, is that that journey is not the same for every individual. For Charles Foster Kane (Orson Welles), the main character of Citizen Kane, directed by Orson Welles, the path towards riches and a fulfilled life is being well liked. He serves to please others. He strives for that attention. This view cost him his happiness in the end. In this man’s rise and fall through prosperity, Welles shows the futility of striving solely for likeability.
Father Comes Home from the Wars and the Royale are two productions that had a common theme which was freedom. Throughout both of the productions, they were numerous of racism moments that led the characters to find a ticket to freedom. Freedom was the main theme in the production because the main characters had a difficult time stepping out of their comfort zones due to the lack of confidence they had and both of the theaters had the proper lights and props to represent the characters.
The film Dallas Buyers Club is a biographical drama whose plot is based around the HIV/AIDS epidemic of the 1980s. Early in the history of the illness, cases of a rare lung infection were found in five previously healthy young men. In addition to that, the young men all suffered from various other infections which indicated that their immune systems were not functioning properly. The new illness was so aggressive that before a report by the CDC could be published, two of the five men had succumbed to the illness. Besides the similar rare cases of lung infection amongst the five, there was one other shared characteristic; they were all gay men. By years’ end, there were 270 reported cases in gay men with the same disease; of that 270 however, 121 of those individuals had passed (Timeline of HIV/AIDS,2011). It was now clear that there was a new threat to gay men besides social ostracizing; HIV/AIDS had made its presence known.
The book, "Being There," is about a man named Chance, who is forced to move out of the house he lived in his whole life and his experience in the outside world. Based on the success of the book, the movie, "Being There," was made. The author of the book, Jerzy Kosinski, also wrote the screenplay for the movie. I think the major difference between the book and the movie is that in the book, we get to read what Chance is feeling and thinking, but in the movie, we only get to see his actions.
He says he says he loves his sister Sarah, His Mother, and Father. His little sister Sarah suspects something is wrong due to his behavior because it is unlike him to say, “I love you.” to his family because he is distant towards them for a good portion of the book. Craig asks his mom if he can sleep in her bedroom tonight because he feels more comforted in his mom's room when he is feeling really depressed “bad” is how Vizzini phrases it in the book. Craig decides he is going to do it very late at night preferably early morning. He cannot sleep the night before and his mother is awake as well and makes him a nice bowl of cereal because he mentioned when they both cannot sleep they will eat cereal. After Craig and his mom both finish their cereal he still cannot sleep. He is looking around and finds a book titled, “How to survive a loss of a love” and finds the suicide hotline number and he does the right thing and call them and is transferred to another line called, “Brooklyn anxiety management” because the suicide hotline was occupied and filled. They direct him to the hospital which asks if he would think if it would be best if he institutionalized himself he agrees and says
The last of the Mohicans was a movie that really appealed to me from the beginning because of the heroism and the action into it. The main characters in this movie were Daniel day- Lewis as Nathanial Poe (Hawkeye) and Madeline Stowe as Cora Munro. The movie could be described as a romantic action like a Spiderman or a superman movie always needs the girl to give motivation to the main character but it is a historical drama.
Topic sentence: Throughout the film the 5 major themes change drastically, with life generally improving for Spartacus the themes all change drastically except for the nation of Rome.
The film O brother, where art thou? is set in the Great Depression of the 1930’s and emphasizes the struggle between the upper and lower classes by using a variety of cinematic devices. Through the use of these cinematic devices and comedic relief the realities of the Depression are viewed without creating a stark, melancholy, documentary-styled film. Examples in this film of these cinematic devices used to show these realities include:
The movie Lincoln, directed by the infamous Steven Spielberg, is based on the life of Abraham Lincoln and his efforts to pass the Thirteenth Amendment to the United States Constitution, which would abolish slavery completely. With the assumption that the Civil War would end in one month, however, Abraham feels it it is imperative to pass the amendment by the end of January, thus removing any possibility that slaves who have already been freed may be re-enslaved. Radical Republicans believe the amendment will be defeated, due to the support of it not being completely assured, since they prioritize the issue of ending the war. Even if all of them are ultimately brought on board, the
Stockbroker on the verge of turning thirty is on a quest. Set in 1960 New Orleans during Mardi Gras Binx, an upper class southern gentleman sets out to find out about himself. Answer questions that have tugged at his soul. Questions about despair, everydayness, religion and romance. Binx is stuck in a quagmire. He must break out from this cloak of ennui and find the essence of being. But how? How can people, a person with a soul and a world at their fingertips be so inept at finding what makes them alive. Can it be found in religion or on the arm of a southern beauty? Maybe it can be found in the surrealism of a movie, or the excitement of making money. What if an answer is found?
THE GODFATHER, made in 1974, details the Corleone crime family in Manhattan during the mid 1930s. The Don, Vito Corleone, played by Marlon Brando, leads his organization against a relentless narcotics push by a rival family, the Sollozzos. Vito Caleone does not want anything to do with drugs because he believes they will be the downfall of the Mafia. The story, covering a ten year time period, offers a rich tapestry of Mafia life from the inside, drawing the audience into witnessing the transfer of power within a close-knit family