Desdemona’s Handkerchief in Othello Essay

Despite her loyalty to Desdemona, Emilia chooses to impress her husband over her mistress not knowing Iago’s master plan. Emilia uses hyperbole to emphasize the amount of times her husband has asked her for this very symbolic handkerchief. Not expecting much harm, she gives the precious handkerchief to Iago who then helps Othello confirm that Desdemona is unfaithful. The lady in waiting takes into consideration the meaning and value of the handkerchief and how “wayward” her husband is but she still trusts Iago. Emilia finally finds out that Iago is the evil mastermind to the death of Desdemona when she finds out her husband framed Cassio and Desdemona’s relationship. Emilia explains to Othello the truth about the handkerchief “ that handkerchief thou speak’st of I found by fortune and did give my husband… he begged of me to steal’t ”(5.2.222-226). Emilia realizes her blindness to Iago's desperate want of the handkerchief costing her mistress's’ life. After Emilia reveals the truth to everyone, Iago stabs his wife and flees. Emilia dies an innocent death due to her blindness to her husband's true nature as she was deceived and manipulated in Iago's plan of revenge.

Emilia contributes greatly to the dramatic action of the play. In the rising action she unwittingly gives her husband the very object that will seal Desdemona’s fate. The handkerchief she hands to Iago becomes the material evidence that convinces Othello of Desdemona’s guilt. There are a couple of opportunities where Emilia is in a position to alter the tragic outcome. In Act III, scene iv Desdemona asks Emilia if she know where she lost her handkerchief. Emilia states, “ I know not, madam.” (III.iv.23). Again, later in the scene Emilia misses another opportunity to foil Iago’s plan. Emilia sees how upset Othello gets about Desdemona not being able to produce the handkerchief yet she does not come forth. Instead, she blames it on men and marriage; “ Tis not a year or two shows us a man. They are all but stomachs, and we all but food…” (III.iv.103-104). She does not see the connection between the jealous husband and the handkerchief. This dramatic device of having the character being naïve to information about which the audience is aware builds tension. The audience knows of Iago’s plan to use the handkerchief

Furthermore, she realizes that she has played an unintentional part in the tragedy by following Iago’s request to steal Desdemona’s handkerchief. It has all been a plot by Iago to destroy Othello, and this is finally revealed to everyone, including Emilia (Kennedy and Gioia, V. II. 179-182, 187-189). To see Emilia come to full awareness is to see first the emotional breakdown caused by this revelation, and then to see it begin to build, as she shows heartbreak, guilt, awareness of betrayal, and recognition of supreme cruelty on the part of someone she has trusted with her life. She finally speaks with the words, “Villainy, villainy, villainy!” (Kennedy and Gioia, V. II. 197), knowing she has to persuade everyone of Desdemona’s innocence. Recognition again occurs in Act V Scene II when Emilia hears Othello mention the handkerchief, after he has killed Desdemona: "With that recognizance and pledge of love / Which I first gave her. I saw it in his hand; / It was a handkerchief, an antique token / My father gave my mother" (Kennedy and Gioia, V. II. 221-224). At the same time, the attending visitors and soldiers, who have been called into action by Emilia’s cries in Act V, Scene II, are also realizing the truth of these terrible events. The reversal occurs as Emilia discloses that it was she who stole Desdemona’s handkerchief, “She give it Cassio? No, alas, I found it, / And I did give’t my husband” (Kennedy and Gioia, V. II 236-237). Immediately Othello knows that

Interestingly, Othello provides two sides of the story of how he got the handkerchief. In his second account he says that his father gave the handkerchief to his mother as a sign of love when beforehand he states that it was actually an Egyptian woman who provided it to his mother. This interpretation reveals

together, and even consummated the marriage through sex, but their views of love differ. Let me explain the opposition of how the audience may view the handkerchief as Symbols and also how the symbols have different meaning between the characters in the play. What did the handkerchief mean to both Othello and Desdemona. Was the handkerchief a symbol of Christianity or paganism of magic. How did the handkerchief effect the moral nature of others as it passes between characters.

She tells him a flat out lie, but again, with good intentions. Desdemona loves Othello and did not want him to get angry. She thought she had just misplaced the handkerchief, and that she would soon find it, but if she told Othello she had lost it, he would become furious.

Coupled with Emilia’s obedience to Iago, his ploy can finally convince Othello of Desdemona’s unfaithfulness. Emilia does not agree with her husband, Iago very much, but she does obey him when she has the opportunity to do so. However, Emilia picks up Desdemona’s handkerchief, with no thought, only that it will please her husband, “what he will do with it /heaven knows, not I; /I nothing but please his fantasy,” (OTH.III.III.297-289). Subsequently, this handkerchief may not have much meaning to Emilia at this moment, but once she finally discovers the truth about her husband, she immediately accuses her husband of being a villain, and dies by his hands. Correspondingly, Emilia is also loyal to her husband, to such an extent as to lie to Desdemona about where her handkerchief has gone. As Desdemona worryingly searches for her handkerchief, Emilia denies knowing where she could have lost it, and suggests a different reason for Othello’s uneasiness, “I know no madam… /Is he not jealous?” (OTH.III.IV.14, 20). Emilia knows where the handkerchief has gone, but remains silent because her husband, Iago has told her to. As a result of Emilia’s loyalty Iago does not need to worry about others discovering where Othello’s handkerchief

In addition, Iago equally deceives Othello, who believes that ‘honest Iago’ is his friend. Othello’s first gift to his wife, Desdemona, was a beautifully embroidered handkerchief, which was supposedly given to his mother by an enchantress, who told his mother that as long as she kept that handkerchief, Othello’s father would remain faithful and loving. But as soon as she

The second event to this process of tragedy is when Iago uses the handkerchief that he had his wife take to create “proof” that Desdemona was cheating on Othello with Cassio. Already ridden with jealousy, Othello demands Iago that he must have “ocular proof” to Desdemona's “deception.” In line with his devilish plan, Iago tells Othello that, “but such a handkerchief—I am sure it was your wife's—did I today see Cassio wipe his beard with” (Shakespeare 1330), knowing full well that the handkerchief was a precious symbol of love between the moor and Desdemona, although he pretended to be oblivious. His plan once again works its “poison” upon Othello as the moor says, “now do I see

William Shakespeare utilizes images as a part of Othello to speak to numerous things, in the endless cluster of images utilized all through the play the handkerchief is one of the principle objects used to mean desire and envy. The cloth contains an alternate significance relying upon the character in the play. The handkerchief was the first gift Othello provided for Desdemona, he symbolizes it as proof of her unfaithfulness. For instance, in act III scene IV Othello states "I have a salt and sorry rheum affronts me; Lend me thy handkerchief", however despite the fact that he gave her the handkerchief as a blessing prior she didn't have it with her. Othello reacts with "That is an issue" and continues to scrutinize Desdemona's dedication.

Her silence causes Othello to become in rage with his wife this leads us to believe that Emilia is a liar. Although Emilia doesn’t intentionally lie to Desdemona she fails to tell her that she took the handkerchief as a token to win praise from Iago. This causes conflict between Desdemona and Othello just as it is the reason for Othello’s jealousy.

One of the biggest approaches that Othello shows in fulfilling his assertion is through the handkerchief scene in Act 3, Scene 3. In this scene, if Othello had not known that Desdemona lost her handkerchief, it might have

However strong Othello's and Desdemona's marriage seems, it begins to deteriorate as a result of Othello's self-pride. At first, Iago convinces Othello that Desdemona is unfaithful. Iago suggests to Othello that Desdemona slept with Cassio. Iago uses a handkerchief given by Othello to Desdemona that he got Emilia to get for him as his proof against

Iago’s line after Cassio’s exit which is shown above presents Desdemona and Cassio as two characters that have something to hide from Othello. Desdemona is presented as a victim at this point. This is because Iago has embedded a sense of doubt in Othello’s mind about Desdemona. Having said this, Desdemona partly contributed towards her victimisation by promising to talk about Cassio to Othello and doing just that. Desdemona says the line “to suffer with him”. By “him” she is referring to her friend in need Cassio. For Desdemona to say the word “suffer” to Othello in relation to Cassio’s sadness indicates a strong sense of passion which holds them together. This could make the audience feel uneasy for Desdemona because her lines are building more tension. This is also dramatic irony because Desdemona is unaware of the trouble her constant mention of Iago is doing to Othello. One of the things that make up a tragic victim is loss. The character Desdemona losses her handkerchief.

How can one small piece of fabric manifest so much havoc? In William Shakespeare’s Othello, there is great significance of a powerful symbol that completely alters the fate of the story. “In the case of the handkerchief, it stands for several things, things that cannot be seen” (Hacht 663). This symbol, the handkerchief, is given to Desdemona by Othello, as a token of his love, and to their new beginnings as husband and wife. However, the meaning of the handkerchief is viewed differently in various characters perspectives. Reaching the hands of most of the characters, this item results in a sense of irony. What was anticipated to be the start of a new beginning, ultimately turns that vision into an abrupt end.