Dehumanization In Beloved

The third section of the novel opens with the line “124 was quiet” (Morrison 281). The house is quiet due to the fact that everyone Sethe has once known has been driven off by either Beloved or the baby spirit. Beloved is free to feed of off Sethe and drives Sethe and Denver apart. After Sethe sees the scar of where she cut Beloved’s throat, she begins to spend time only with her which leaves Denver to be alone by herself. Sethe is engulfed by Beloved and Beloved grows larger by feeding off of Sethe which causes Sethe’s physical state to deteriorate. Their relationship eventually reaches the point where “... Beloved was more important, meant more to her than her own life. That she would trade places any day. Give up her life, every minute and hour of it, to take back just one of Beloved’s tears” (Morrison 284). Beloved has become the only important thing in Sethe’s life and Sethe is willing to do anything for Beloved. Sethe even ignores Denver completely just to spend more time with Beloved. Beloved has taken complete control over Sethe and is unwilling to let her go. Beloved is representative of the past which is preventing Sethe from moving on with her life. The past has taken total control over Sethe’s life, but Sethe has accepted it and is not willing to fight against

is a firm believer that too much love is bad for a person. In order to keep his brutal past behind him, he believes that one should only love a little. After Sweet Home, Paul D. attempts to kill his new owner and is forced into a chain-gang in which he is performs oral sex on white men. He realizes that even a rooster has more importance than him to white men. He has trouble committing to a woman who offers him shelter and eventually finds himself at 124, where he discovers Sethe’s overwhelming love and madness and Beloved’s presence. He keeps his memories and feelings in a rusted tobacco tin. When Beloved has sex with him, possibly in a vision or dream, the past comes rushing back to him. “He didn’t hear the whisper that the flakes of rust made either as they fell away from the seams of his tobacco tin. So when the lid gave he didn’t know it. What he knew was that when he reached the inside part he was saying, ‘Red heart. Red heart,’ over and over again” and then wakes himself up with his screaming (138). Beloved is both Sethe’s daughter and a symbol for the past generations of slaves. She opens Paul D. to love again, a cruelty in an already cruel world. Keeping love at bay has helped Paul D. and others like Ella feel safe from their pasts. At the end of the novel, when Beloved is gone, Paul D. goes back to 124 to help Sethe. Morrison shows the human capacity to love after so much has been taken or removed from the human

One may argue that she does not display much emotion while killing her children, she unquestionably resembles a lunatic. Without this vital scene, Beloved would lack the utterly shocking element that such violence provides. People want to immerse themselves into stories about lunatics, emerge in the drama, and sympathize with the dire pain Sethe feels. Violent scenes, among other elements, allow for this to occur in a novel.

As Sethe's demise and Beloved's mischief become overwhelming, Denver assumes the responsibility to assure the survival of her family. Due to Beloved's presence, Sethe loses her job and soon all of her savings is spent. There is no food, however, Beloved's demands do not cease. Sethe begins to wither away from frustration and a wounded conscience and Denver becomes "listless and sleepy with hunger" (242). Denver realizes that, "she would have to leave the yard; stop off the edge of the world, leave the two behind and go ask somebody for help" (243). Denver must face her terror of a mundane society to keep her sister and mother from starvation.

Throughout Beloved, the past is continually brought forth in the present, both physically and mentally through visual images, particularly those relating to slavery. The life at sweet home is all too real to escape for Sethe, her family, and all the others who once lived there.

Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from

Through recalling her past and having the support of Beloved by her side, Sethe can cleanse the impurities of her history and slip away from the judgement of others. As Beloved accepts Sethe and acknowledges that her actions were for the good of the family, Sethe becomes free and reaches, “a place where you could love anything you chose-not to need permission for desire-well now, that was freedom” (191). Sethe is finally free to love Beloved unconditionally because as a free woman, safety is no longer an aspect of life that she has to worry about. Since Beloved’s birth, Sethe never saw Beloved as her own or someone she was allowed to love, however, now that Beloved has returned and reciprocated her love, Sethe recognizes that she belongs with

Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping

Sethe and her friends and family both witness and experience the atrocious institutionalized wrongs and unethical societal norms of slave culture. However, Sethe eventually escapes Sweet Home plantation, hoping to provide a better life for her and her children. She finds a home at 124 Bluestone Road with her mother-in-law, Baby Suggs. Like Sethe, Paul D escapes Sweet Home, but he subsequently suffers jail time and further mistreatment. Morrison explains how slavery destroyed Paul D’s ability to love and express himself, “Saying more might push them both to a place they couldn’t get back from. He would keep the rest where it belonged: in that tobacco tin buried in his chest where a red heart used to be. Its lid rusted shut” (Morrison 86). The metaphorical replacement of Paul D’s heart with a rusted tobacco tin illustrates how slavery removed a human quality from him, almost giving him attributes of a machine rather than a person. Slave owners, Mr. Garner and Schoolteacher, reduced Paul D to a worker without a heart. However, Paul D finds an escape from this with Sethe at

Sethe is not simply attempting to kill her children just for the sake of doing it; she sees no other option for the betterment of their lives. Sethe is attempting to take the lives of her children out of pure love and the opportunity to not drag them through a life of suffering.

Sethe begins to nurture her children, only for her children to have a growing fear that Sethe would kill them one day, enacting her children to distance themselves. Due to Sethe mother’s abandonment, Sethe in fact has never been a “daughter” and the love she displays, Paul D. describes as “too thick” (193) causes resentment from her children. As Sethe undergoes mental and physical abuse from Beloved, causing her strong personality to wither away and becoming fully dependent on Beloved, Sethe gives herself to Beloved, “[a]nything she wanted she got” (283). This is a story not to be passed on for Sethe, she allowed herself to be swallowed up by her own inability to move past her dreadful memories at Sweet Home. The past, “Beloved” began to slowly creep on her, draining away the strong woman she once was. Sethe always tried to nurture her child, the way her mother never nurtured her. However, in the end when she becomes dependent on Beloved, she becomes old and weak. Yet, her positive development occurs when Paul D tells her that she, herself is the most important thing and finally then Sethe moves on.

Beloved is consumed by her cruel acts, and simply drains more and more of Sethe’s health. In the beginning of the novel, Beloved appears to be a pretty, young, and lost girl that wanders into Sethe’s house. However, as time passes, she began to display signs that she is Sethe’s past daughter, the daughter that was killed. As Beloved is induced more and more into the family, she begins to feel

The main focus of Beloved is the death of Sethe’s eldest daughter. When Sethe noticed the arrival of the four white horsemen, she made life-altering decision. The choice she made forever drove a wedge between Sethe and her children. She thought she was choosing the lesser of two evils, while her children were left to fear that their own mother would eventually kill them. The life of a slave was not something Sethe wanted her children to endure, so much so that she thought death would be an easier fate than slavery. The pain and suffering of slavery led Sethe to do the unthinkable, kill her own

 When Sethe finally arrives at 124 Bluestone Road, she is greeted with her loving mother-in-law, Jenny Whitlow, known to her as Baby Suggs.  A second healing takes place when Baby Suggs tends to her mutilated body.  “She led Sethe to the keeping room and bathed her in sections, starting with her face…Sethe dozed and woke to the washing of her hands and arms…When Sethe’s legs were done, Baby looked at her feet and wiped them lightly.  She cleaned between Sethe’s legs…”(Morrison, 93).  The methodical washing of Sethe’s body emphasizes the sympathy and love that fills Baby Suggs’ heart.  Putting her trust in Baby Suggs for the relief of physical and emotional torment, is the only way Sethe is able to relieve herself of her haunted past and suffering body.  Baby Suggs knows as well as Sethe, the haunting miseries of black men and women who have been brought low by slavery, yet she urges her daughter-in-law to keep going and be strong.

Sethe, Paul D., and Denver, are all in some state of conflict in the current circumstances of their lives at the beginning of the novel. Although Beloved's arrival to 124 initially brings more upset to the lives, it eventually leads to resolution for the family. Beloved embodies many of the secrets of the three's pasts. She symbolizes the history of the family not only with her physical appearance, but also with the relationships she forms with the three.