Death and the African American Literature

Slavery is a contradictory subject in American history because “one hears…of the staid and gentle patriarchy, the wide and sleepy plantations with lord and retainers, ease and happiness; [while] on the other hand on hears of barbarous cruelty and unbridles power and wide oppression of men” (Dubois 2). Dubois’s The Negro in the United States is an autoethnographic text which is a representation “that the so-defined others

He wants his readers to imagine the pain and humiliation of the ill treatment that African Americans endure on a daily basis. King writes of vicious mobs lynching people’s mothers and fathers, policemen killing people’s brothers and sisters, a man and his wife not receiving the proper respect they deserve because of their skin color, and the notion that African Americans feel insignificant within their communities; this is why these peaceful demonstrators of whom the clergymen attack “find it difficult to wait” (King, 20). However, King believes that soon, injustice will be exposed, like “a boil that can never be cured so long as it is covered up” (King, 30). This vivid description helps arouse an emotional response, driving shame into the hearts of his white readers.

Slavery is perhaps the largest and ugliest blemish on the supposed “perfect” face of the American dream. History books recount decades of Caucasian Americans exerting their dominance over those of different, racial background. Perhaps the most discussed is the enslavement of the African-American population in the name of privilege and progress. Tensions culminate throughout the years until finally, the only thing powerful enough to destroy this evil empire rears its ugly head: war. It is no surprise then, that such a powerful and disgusting time is the subject of a vast amount of literary works. Two well-known authors who tackle this painful topic are Frederick Douglass and Harriet Jacobs. Both Douglass and Jacobs provide deep insights into the life of slavery by recounting their actual experiences. These autobiographies possess great power, though they are by no means carbon copies of each other. There are more familial elements in Harriet’s account than Douglass’s, providing a more complex view in Harriet’s case. In addition, while both slaves clash with their masters, Douglass relies on more straightforward tactics. Meanwhile, Harriet relies on cunning to outwit those who oppress her. These differences ensure uniqueness without sacrificing a powerful impact. Indeed, both accounts provide a powerful, personal peek into the everyday life of a slave, alerting the reader in a way that no other work can.

Percival Everett’s novel, Erasure, was published in 2001, in a 21st century that is far removed—if only temporally—from the abolitionist movement, Reconstruction, and Jim Crow laws. The representations of African-Americans that were ubiquitous during those times, such as Sambos, Zip Coons, and Mammies, are now tangible only as collector’s antiques. While these specific representations of African-Americans may no longer be prevalent in American society, the form of racism that they embodied remains. Although the representations may have changed, American society’s insistence on maintaining such a narrow representation of black life has not. Everett has written Erasure to expose and combat this racism with his

   In an era where "knowledge is power," the emphasis on literacy in African American texts is undeniable. Beginning with the first African American literary works, the slave narratives, through the canon's more recent successes such as Toni Morrison's Song of Solomon and Sapphire's Push, the topic of literacy is almost inextricably connected to freedom and power. A closer investigation, however, leads the reader to another, less direct, message indicating that perhaps this belief in literacy as a pathway to the "American Dream" of freedom and social and financial success is contradictory or, at least, insufficient in

As Douglass began to acquire a greater understanding of his condition through reading, he felt as if “the silver trump of freedom had roused [his] soul to eternal wakefulness.”20 Douglass’s use of the word silver helps express the precious nature of freedom, as well as the idea that it’s beckoning the enslaved with its gleam. Through the contrast between the purity of freedom and the corruption of slavery, Douglass’s choice of words humanizes himself because it demonstrates his attention to detail as he constructed this narrative. Likewise, he expresses that “[the slaves selected to go to the Great House Farm] would make [woods] reverberate with their wild songs, revealing at once the highest joys and the deepest sadness.”21 Douglass's usage of juxtaposition to draw attention to the vastness of emotion expressed by these songs demonstrates his own humanity, for this selection highlights Douglass's talent to capture the emotional peaks and troughs that are endured by

During the twentieth century, many African American writers wrote several texts that tell the story of their lives and experiences in the society that they had lived. This includes the author, Richard Wright who often wrote gruesome poems, criticisms of other African American writers, and short stories. Many of Wright’s text, like “Between Laughter and Tears,” “Between the World and Me,” and “The Library Card,” has challenged and reflected the brutal discrimination of African-American, socially, politically, and philosophically.

In this essay, both texts, “To kill a Mockingbird” and “The Help”, will be looked at in depth, and the range of literary devices and techniques used in order to portray the theme of racism will be analyzed. The emotional attachment between protagonists, and the positive perspectives shared by characters portray the overall theme of racism and how this is oppressive for all people involved.

Writing in the favor of black people has always remained controversial from the very beginning. Critics regard such writing as “a highly conventionalized genre” indicating that “its status as literature was long disputed but the literary merits of its most famous example such as Frederick Douglass 's Narrative of the Life of Frederick Douglass…are widely recognized today.” (Ryan:537) Despite of such severe resistance, writers like Douglass have penned down their autobiography to present the misery of their fellow beings.

In the United States, there has been many cases of Racial injustice. From the beginning of the start of the United States of America it was the injustice to the Native Americans being captured and used for slave labor while their bison be slaughtered for sportsmanship. But this paper is on the specific race of the African Americans. There are many races that have been racially profiled and ostracized by the English people. But the treatment that African Americans have endured even till this day is disheartening. African Americans have gone through enslavement during the early 1600’s to the mid 1800’s. Then the African Americans were obstructed by the Jim Crow laws creating the ‘Separate but Equal” propaganda during the late 1800’s into the 1960’s. After the abolishment of the Jim Crow Laws, people were considered equal until the recent actions of many police officers using deadly force on African American youths in the early 2000’s.

Prior to the publication of any slave narrative, African Americans had been represented by early historians’ interpretations of their race, culture, and situation along with contemporary authors’ fictionalized depictions. Their persona was often “characterized as infantile, incompetent, and...incapable of achievement” (Hunter-Willis 11) while the actions of slaveholders were justified with the arguments that slavery would maintain a cheap labor force and a guarantee that their suffering did not differ to the toils of the rest of the “struggling world” (Hunter-Willis 12). The emergence of the slave narratives created a new voice that discredited all former allegations of inferiority and produced a new perception of resilience and ingenuity.

My paper is an attempt to analyze the entire era of slavery and its later effects upon the lives of Africans who were brought forcefully to America as slaves and even after its abolition were treated inhumanly. My major attempt is to get an in depth insight of the struggles of these people for their survival in such an environment and the predicament of black women who were doubly oppressed; were the victims of both the whites and black men; and treated as naked savages and beasts, with Alice Walker’ masterpiece and Pulitzer prize winning The Color Purple. I have taken this project with my keen interest because the novel touched me deeply and I wanted to analyze it thoroughly.

The role of African American literature in recent years has been to illuminate for the modern world the sophistication and beauty inherent in their culture as well as the constant struggle they experience in the oppressive American system. When writers such as Langston Hughes, W.E.B. DuBois and Alice Walker present their material, they manage to convey to a future world the great depth of feeling and meaning their particular culture retained as compared with the culture of their white counterparts. Without this attempt at preservation, much of the richness of this community might have been lost or forgotten. At the same time, they illuminated some of the problems inherent within their society, including lack of education, lack of

The controversy of racism scorches Narrative of The Life of Frederick Douglass written by Frederick Douglass himself. Douglass unveils the atrocious truth about slavery that was hidden for so many years. Every beating, every death, every malicious act was all recorded for the people of the U.S. to finally see the error of our ways. The short essay, Slavery as a Mythologized Institution, explains how people in that time period justified the disgusting behavior that was demonstrated regularly. Religion and intellectual inferiority were concepts that were used to manipulate the minds of everyone around into believing that practicing slavery was acceptable. However a very courageous man, Frederick Douglass challenges those beliefs. Douglass debunks the mythology of slavery in his narrative by rebuking the romantic image of slavery with very disturbing imagery, promotes his own views on the intellectual belief of slaves, and exposes the “system” for promoting the disloyalty among slaves.

The study of African American history has grown phenomenally over the last few decades and the debate over the relationship between slavery and racial prejudice has generated tremendous amounts of scholarship. There’s a renewed sense of interest in the academia with a new emphasis on studies and discussions pertaining to complicated relationships slavery as an institution has with racism. It is more so when the potential for recovering additional knowledge seems to be limitless. Even in the fields of cultural and literary studies, there is a huge emphasis upon uncovering aspects of the past that would lead one towards a better understanding of the genesis of certain institutionalized systems. A careful discussion of the history of slavery