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Death Foretold Symbolism

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Colombian writer Gabriel Garcia Marquez wrote Chronicle of a Death Foretold as an allegorical recollection of events regarding a murder that occurred many years before writing the novel. The novel takes place in a Colombian town during the 1950’s, in which Marquez highlights many issues regarding Latin American society, including the significance of virginity. In Chronicle of a Death Foretold, Marquez employs symbolism of flowers, both real and artificial, to convey the cultural significance of virginity within Latin American society in the 1950’s.
Flowers, in nature, embody beauty and fragility and must be protected from the dangers of the world. In this novel, flowers not only display purity and beauty, but also indicate virginity, or lack …show more content…

At Angela’s house, the wedding decorations consist of “bouquets of wax orange blossoms” (66). In Latin American culture, orange blossoms represent virginity as well as chastity in a wedding. However, the artificial depiction of Angela’s orange blossoms symbolizes the fraud of Angela’s virginity. Later in the novel, when Angela decides she does love Bayardo, “she had made cloth tulips... and she became a virgin again just for him” (93). Although Angela tries to repossess her lost virginity, she still makes “cloth tulips” which represents the artificialness of her futile attempts. Marquez uses Angela to show the lack of virginity within society and to also express the importance of perceivement in society. Furthermore, Marquez embedds artificial flowers in many other instances surrounding Angela. One of these is the first time Bayardo saw Angela. She “crossed the square carrying two baskets of artificial flowers” (28). This implies that Angela had lost her virginity before meeting Bayardo- which disgraces women in Latin American society because it represents the loss of honor for both the woman and the family. When the narrator describes the rearing of the Vicario girls, he states “they knew how to... make artificial flowers” (31). As a young child, Angela made artificial flowers which implies that Angela lost her virginity at a very young age. Angela’s friends comfort her about the loss of virginity by telling her that “almost all women lost their virginity in childhood accidents” (38). This confirms that Angela did, in fact, lose her virginity in a “childhood accident” and that Santiago did not take it from her. Furthermore, as Angela grows, she “[made] cloth flowers and [sang] songs about single women with her neighbors” (32). This statement correlates flowers with single women because single women are

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