Dante's Inferno: Divination Essay

Dante’s divine comedy focuses on the journey of a Pilgrim by the name of Dante from Italy in which he travels through the circles of Hell, the terraces of Purgatory and the spheres of Paradise. Dante the Pilgrim has lived his life the wrong way, in a way that goes against how God would live life and through this journey the pilgrim hopes to find a way to return to the path he was once on: the right path. Throughout his journey he encounters numerous souls who have either been placed in Hell, in Purgatory or in Paradise. At first the Pilgrim felt sympathy and compassion towards the souls for the punishments they had to endure but those feelings soon went away as he continued on. He no longer felt sympathy or compassion but instead felt merciless and hatred towards the souls. It then becomes apparent that Dante the Pilgrim changed as a human being because the way he saw others changed, as well as how he saw life.

Dante’s obsession with Virgil is evident in the nicknames that Dante uses –leader, lord, master, sweet father and teacher to name a few. Dante’s idolization of Virgil the poet causes him to act out in order to please his guide. For example, when Dante first recognizes Argenti as the sinner in the mud he cries out to him, “With weeping and mourning cursed spirit, now remain; for I recognize you, though you are filthy all over,” (Inf. 8.33-35). In this passage, Dante is not verbally abusing Argenti rather he is simply telling the sinner to remain where he is in order to prevent Argenti from reaching over the boat. After these words however, Virgil becomes elated at Dante’s distaste with the sinner and immediately praises Dante. Dante does not take these words of praise lightly - in fact, they affect Dante to such great extremes that they practically goad him to continue to wish pain upon Argenti.

There are things that people are not supposed to see during their lives on earth. The future is one of these things. The first sinners found in the eighth circle of hell attempted to see the future using forbidden means such as black magic. The punishment that these fortune tellers are forced to endure is they walk around forever with their heads twisted facing backwards, only able to look behind them. Their eyes are filled with tears so anything that they could see is completely blurred. “You see how he has made his back his chest: because he wished to see too far ahead, he sees behind and walks a backward track.” (XX, 37) These punishments are perfectly fitting to the sins they have committed. These so-called sorcerers spent their lives in the twisted world of magic, so it is only fitting that they are twisted themselves in hell. This is the torture that awaits them in hell, and they’ve earned every bit of it.

Paolo and Francesca represented, or symbolize, sinful love by example. They show how an intrinsically noble emotion, love, if contrary to God’s law, can bring two essentially fine persons to damnation and spiritual ruin. Dante’s personal response of overwhelming pity should not blind us to the justice of the penalty. Dante describes himself as fainting at the end of Francesca’s recital, his purpose is partly to portray the attractiveness of the sin. Dante allows the lovers the bitter sweetness of inseperability in Hell, but they have lost God and thus corrupted their personalities; they can hardly be considered happy. In a sense, they have what they wanted; they continue in the lawless condition that

As much as Dante wants the title of "world’s greatest poet," Virgil, it seems, has that honor. If you haven’t noticed, the author-Dante hits us over the head with all the linguistic imagery in which Virgil is steeped. First and foremost, there’s that big important passage about Virgil’s "persuasive word." We know this is a weird concept so let’s just recap. The phrase in Italian is "parole ornate" which translates literally as "decorated word." Doesn’t that fit Virgil to a T? We’re talking about the writer of the Aeneid here, the Latin epic to end all epics, and Dante’s all-time favorite book.

In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet.  At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see

In verse 25, Dante describes the choir of anguish to be "like a wound" with a simile. Next, by using a metaphor, he describes the fate of the adulterous sinners and their punishment as being battered eternally by the winds and storms of hell, as they were figuratively battered by the winds of passion in their lives on earth. He describes with a simile how "as cranes go over sounding their harsh cry, / leaving the long streak of their flight in air, / so come spirits, wailing as they fly" (v 46-48). Finally, he makes use of another simile to iterate how after Francesca tells of her tale of love, Dante faints and falls, "as a corpse might fall, to the dead floor of hell" (v 140).

Dante’s work Inferno is a vivid walkthrough the depths of hell and invokes much imagery, contemplation and feeling. Dante’s work beautifully constructs a full sensory depiction of hell and the souls he encounters along the journey. In many instances within the work the reader arrives at a crossroads for interpretation and discussion. Canto XI offers one such crux in which Dante asks the question of why there is a separation between the upper levels of hell and the lower levels of hell. By discussing the text, examining its implications and interpretations, conclusions can be drawn about why there is delineation between the upper and lower levels and the rationale behind the separation.

To Virgil, Dante’s fault is nothing small. He is not merely guilty of some little weakness but of the impiety of questioning God’s justice. Virgil does not say how Dante should respond to the sufferings of the damned. Should he rejoice at their sufferings or simply look on with

As Dante explores the Second Circle of Hell, he is horrified by the punishments that the sinners must suffer through. When he hears the story of Francesca and Paolo’s lustful actions, Dante relates deeply to their stuggles because he reflects on his own sins and believes he may be cast to a similar fate in the afterlife. Dante reacts to the story when he says, “I fainted, as if I had met my death. / And then I fell as a dead body falls” (5.142-143). Dante faints from compassion for the two sinners’ pitiful story. Dante struggles to grasp the wrongdoing these people have participated in to be placed in Hell because he continues to search for the noble qualities in everyone. On the one hand, Dante believes God’s punishment for the lustful sinners, relentless winds and storms, is unethical. On the other hand, this belief is naive because it is known that all of God’s punishments are just. The lustful are condemned to an eternity in Hell because they did not care about their actions on Earth, so the raging storm that torments them is not concerned with what is in its path. Dante is not only attempting to discover the possible consequences of his own actions, but also learning to trust in God’s judgement.

Dante and Virgil have some similar views on different subjects.. The major contrast between the two is dependent on their religion and beliefs. Virgil separates and acknowledges the the good and the evil, but he doesn’t set any boundaries between the two. However, Dante believes that the two should be separate, concluding sinners belong in Hell, and the good belong separate from the bad souls. Anyone who doesn’t believe in God, is automatically considered a sinner and is forced to go to Hell. Virgil and his society have no religious preconception, and as a result he believes that your view on God doesn’t decide your fate. He also disagrees that someone should be placed in categories in Hell based on their sin. He believes that everyone in life, has committed a sinful act. Dante’s society is far more unforgiving. If anyone has sinned in their life and have no felt remorse or sorrow for their actions,

Often when we set out to journey in ourselves, we come to places that surprise us with their strangeness. Expecting to see what is straightforward and acceptable, we suddenly run across the exceptions. Just as we as self‹examiners might encounter our inner demons, so does Dante the writer as he sets out to walk through his Inferno. Dante explains his universe - in terms physical, political, and spiritual - in the Divine Comedy. He also gives his readers a glimpse into his own perception of what constitutes sin. By portraying characters in specific ways, Dante the writer can shape what Dante the pilgrim feels about each sinner. Also, the reader can look deeper in the text and examine the

“I came to a place stripped bare of every light and roaring on naked dark like seas wracked by a war of winds” (Canto 5 inferno), this when Dante goes into the second circle of hell and watches as the lustful are swirl around in this never-ending storm of lust. Dante is using this point of view to try and give a realistic vibe to the readers. He talks to Francesca and Paolo two lovers who were murdered after found having affair against Francesca husband Giovanni Malatesta. After talking to them Dante is starting to get a sense of how real his journey is, he is feeling overwhelmed Dante falls to the ground and pass is out. “And while one spirit Francesca said these words to me, the other Paolo wept, so that, because of pity, I fainted, as if I had met my death. And then I fell as a dead body falls.”(139-142)

This moment illustrates Virgil’s idea of good perception as seeing and learning because it is one of the rare times Virgil calls for Dante to observe a specific figure. According to Virgil, Dante is to learn from the penalties of the sinners so he can improve his life on Earth. This method of perceiving differs from a vulgar stare. In Canto XVI, Virgil advises Dante: "One must take care with those who have the wit / not only to observe the action, but see / the thought as well" (133). This advice suggests that in observing one must look further than the superficial. The correct perception also comes with a time limit. Dante is never allowed to linger overlong at a particular image. For instance, after guiding Dante’s gaze over to the strumpet, Virgil quickly concludes: "and let our sight be satisfied with that" (149). In order to perceive figures correctly, the exchange must be brief and informative.

     Judging by the character in the story Dante is a god fearing man who has moral issues in his life. He seem to be in a constant fight with himself about the right way he should live his life. By the end of the story Dante gives the impression that he a is strong believer in the theory of “you reap what you sow”. By the end of the story Dante gives you the impression that he does not feel pity for sinners being punished because he looks at it as a form of divine intervention.