In twelfth night, Malvolio’s self-love is that of a reckless and unsettling kind. With a name that translates to “ill will” in Italian, it appears the audience are not supposed to warm to this unrelenting and strict Puritan. Whilst the idea of a steward whom thinks himself to be better than his other staff members does provide comic relief to the audience, it also hints at some of the motivation behind his advances towards Olivia. His ambitions of becoming “Count Malvolio!”(2.5.1063), and adorning a “branched velvet gown” (2.5.1075) certainly speak of someone who wishes to up their societal value. Malvolio appears blinded by his own ambitions for his future, with his supposed love interest Olivia even claiming that he is “sick of self-love” (1.5.380) it is no surprise that the forged letter only adds to this dangerous self-infatuation. Whereas Orsino’s self-love was counteracted by Viola’s true love for him, Malvolio’s persistent smugness and lack of empathy makes him the least redeemable character. Malvolio is the “enemy of the pleasures of indulging in one’s appetite” Atkin (2008: 81). This infatuation goes so far as to him believing Olivia appreciated his embarrassing tirades of wearing cross-gartered yellow stockings. …show more content…
“Male friendship is indeed the basis on which civil society was founded” (Montaigne.) Within Twelfth Night, both Sebastian and Antonio and Cesario/ Viola and Orsino on the surface, appear to be under the title of this ‘male friendship’. Nevertheless, DiMassino (2007) states that there is an ambiguity in these relationships, due to the lack of honesty and the potential for homoerotic
For instance, when he finds the love letter that is supposedly written by Olivia, confessing her love for him, and telling him to smile, wear yellow stockings and go cross-gartered, he says, “I will smile, I will do every thing that thou wilt have me.” (2, 5, 165-6). He thinks the letter is from countess Olivia, who he is in love with, and believes that the greatness of being her husband is about to be given to him. Before finding the letter, he wanders around in Olivia’s garden and dreams about himself “To be Count Malvolio!” (2, 5, 32). He imagines how the other characters of the play would serve him, which again shows that Malvolio thinks he stands above everyone. In addition, when Malvolio is hailed by Olivia, he arrives smiling, wearing yellow stockings and cross-gartered, which makes Olivia think he has gone insane: “Why, this is very midsummer madness.” (3, 4, 51). Consequently, in this part of the play Malvolio’s inside does not match his outside. Throughout the play he is a grave character, that detests other persons having fun, so his actions of smiling and wearing strange dress make him look like a madman, which is why he gets locked up in Olivia’s basement. Towards the end, he returns to his initial manner, and declares that he will “be reveng’d on the whole pack of you!”, referring to the characters that tricked him into believing that the letter was
The focus of this paper will be to compare and contrast the works of two playwrights. The works that will be considered are Molière’s The Would-Be Gentleman and Beaumarchais’s The Marriage of Figaro. Both considered comedies, Moliere’s is a short play that tells the tale of Monsieur Jourdain, a tradesman who desires to become a gentleman. Beaumarchais’s play, second in the Figaro trilogy, follows the series of event prior to Figaro’s wedding. Figaro and his companions scheme to ensure that his marriage occurs smoothly. Furthermore, the plays are dated 100 years apart from each other, and they deal with the representation of social hierarchy, social mobility, and gender roles in various ways. With that in mind, they become good sources to compare and contrast the changes in society that occurred within those 100 years. This paper will compare both plays to examine how Molière further endorses the social values and ideas of his time, while Beaumarchais’s presents a shift in attitude towards those values and challenges them.
Malvolio is introduced to us in Act1Sc5, presented as pompous and assertive, first impressions of him depict a man desperate for superiority. This is shown when he calls Feste “a barren rascal” even though Feste is of the same social standing as Malvolio. The fact that our first introduction to Malvolio involves him mocking another character using degrading language immediately
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household.
Malvolio?s conceitedness was broken and then he sees that he did not truly love Olivia, but was only flattered that he had been loved by someone so beautiful and young.
In the play “Twelfth Night”, Malvolio is a steward for Lady Olivia. He’s very in love with her and only she has to deal with it. On the other hand, Olivia is plainly not in love with him; she is in love with Cesario. He tries everything to try and win her love but he also has a negative attitude towards others. Malvolio’s behavior is unacceptable and other people shouldn’t have to deal with it.
Most of the major characters in Shakespeare’s Twelfth Night experience some form of love or marriage. Whether it’s unrequited like with Antonio and Malvolio, or it is something seemingly unattainable like with Duke Orsino. Regardless, it is clear that love is prevalent as one of the central themes Shakespeare seems to emphasize in Twelfth Night. With that, we see him communicate different interpretations and feelings regarding the subject. He does this with the medium of melodramatic characters. In this essay, I will elaborate on the opinions of love that Shakespeare communicates through one of the leading characters:
While some may think that Malvolio is essentially a moral and just person, this can be disproved by shedding more light on his less-honourable practices, like his abuse of power. Essentially, like it is pointed out even by her mistress (INSERT QUOTE), Malvolio is just an extensively pompous person. Personality-wise, his narcistic and patronizing ways are made to recall those of a nobleman. These traits fit in easily with his character, as he obviously aspires to be part Illyria’s nobility one day (INSERT QUOTE). The essence of Malvolio’s personality is ascertained by Maria when she describes him as a Puritan (INSERT QUOTE). In the Elizabethan era, Puritans were stereotypically associated with being kill-joys and an excessive hatred of theatre.
The Role of Malvolio in Twelfth Night The main storyline in Twelfth Night is love between Cesario, Orsino, Olivia and later on in the play Sebastian. Malvolio’s part in the play is a backdrop situation separate from the main story. He brings a level of both humour and sympathy to the play. Malvolio is one of the main sources of humour in Twelfth Night.
Maria and the conspirators decide to mislead Malvolio into thinking that Olivia is in love with him. Maria decides to lead him on by writing a letter, but means to be from Olivia. This love letter is meant to instruct Malvolio to do actions that Olivia despises. Maria is able to mislead Malvolio because she has the same print and seal as Olivia. Shakespeare is able to trick the characters and create many portrayals of them.
The English Review says that “love is not always, ‘the real thing’.” In Twelfth Night, there are three characters whose false love is majorly evident: Malvolio, Sir
Different types of love and marriage play a significant role in Shakespeare’s twelfth night, whether unrequited like with Antonio and Malvolio; or something seemingly unattainable like with Duke Orsino. Love is prevalent as one of Shakespeare's central theme emphasized in the Twelfth Night. With that, we see Shakespeare communicate different interpretations and feelings regarding the subject. He does this with the medium of melodramatic characters. However, this essay will solely elaborate on the character Duke Orsino and his exploration of love. Through Orsino’s actions, Shakespeare conveys several messages still applicable today, some of which are about the fine line between superficial love and genuine love, love's incoherency, and love's
Malvolio is a social climber, he feels that if Olivia would love him his status would be higher. But because of
According to Chris, Shakespeare’s play ‘Twelfth Night’ touches on sensitive concepts within the society (1). Similar to the majority of his literary works, Twelfth Night captures the concept of love and how individuals use love through marriage to achieve power or a higher social status. Throughout the play, there is an apparent struggle for social status by the key characters. Lindheim asserts that there are some characters in the play, such as Antonio who would do everything within their means in order to achieve their sexual desires (2). For example, in a more traditional society or contemporary setting, Antonio could never hope of
Through the play each character’s behavior is changed. The biggest change in behavior was that of Malvolio who began to believe in his own delusion. This delusion made him believe that the fair Lady Olivia loved him. His delusional state got him locked up in a shackles and isolated. This state of mind is an effect of love for him. Then the Lady Olivia’s behavior when she is not in love is a melancholy state. She had just lost her brother and her