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Count Malvolio's Self-Love In Twelfth Night

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In twelfth night, Malvolio’s self-love is that of a reckless and unsettling kind. With a name that translates to “ill will” in Italian, it appears the audience are not supposed to warm to this unrelenting and strict Puritan. Whilst the idea of a steward whom thinks himself to be better than his other staff members does provide comic relief to the audience, it also hints at some of the motivation behind his advances towards Olivia. His ambitions of becoming “Count Malvolio!”(2.5.1063), and adorning a “branched velvet gown” (2.5.1075) certainly speak of someone who wishes to up their societal value. Malvolio appears blinded by his own ambitions for his future, with his supposed love interest Olivia even claiming that he is “sick of self-love” (1.5.380) it is no surprise that the forged letter only adds to this dangerous self-infatuation. Whereas Orsino’s self-love was counteracted by Viola’s true love for him, Malvolio’s persistent smugness and lack of empathy makes him the least redeemable character. Malvolio is the “enemy of the pleasures of indulging in one’s appetite” Atkin (2008: 81). This infatuation goes so far as to him believing Olivia appreciated his embarrassing tirades of wearing cross-gartered yellow stockings. …show more content…

“Male friendship is indeed the basis on which civil society was founded” (Montaigne.) Within Twelfth Night, both Sebastian and Antonio and Cesario/ Viola and Orsino on the surface, appear to be under the title of this ‘male friendship’. Nevertheless, DiMassino (2007) states that there is an ambiguity in these relationships, due to the lack of honesty and the potential for homoerotic

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