On November 5, 2016, the opening night of Beauty and the Beast for the gold cast performed on the vibrant stage of the Performing Arts Center in Cookeville. Under the direction and choreography of Jennifer Welch, the Children’s Theatre of Cookeville took on a Disney classic originally directed by the Tony-Nominated Robert Jess Roth. Filled with excitement due to the fact I knew many of the actors and actresses, I was throughly impressed from the acting, costumes, and set design just to name a few. This visual work of art, left not just people devoted to the “tale as old as time” casually humming show tunes as they left the theatre. Starting off in the opening scene, we see the transition of the handsome prince turned beast portrayed by Toby Davis. I have been to a few shows where Davis has played major and minor roles, and you see feel the love he truly has for theatre. Davis, a high school senior, has acting skills that still need growth, however, he takes the character and makes it his own. The play is a mix between drama and comedy, as it was originally meant to appeal to a younger …show more content…
Michael Choate, the conductor, led beautiful renditions of classical Disney scores. Choate also teach at the local Cookeville High School, bringing the love for music within the public school system. The music took place in a pit that was placed in front of the stage, which was the perfect place to make the audience feel involved with the play. Overall, the Cookeville Children’s Theatre production of The Beauty and the Beast is a must see. Jennifer Welch and Michael Choate successful bring to life a timeless Disney classic. With the help of countless advocates, benefactors, investors, supporters, and volunteers, the children’s theatre is able to succeed with educating our local youth in the arts. I was highly impressed, and I would highly recommend coming to any show at the Cookeville Performing Arts
Sadly when I arrived at the theater I was not even sure I would be able to focus on the show, for my mother who was meant to see this production with me yet was unable to. Due to unforeseeable circumstances that neither one of us could for see and so with all of this hanging over head I was really hoping to get a laugh from this play, which it did. This was not the first time that I had come to see a play at Boise Little Theater, but definitely this was the first time that I had done it on my own. Which was a tad
My daughter and I went to the play “The Snow Queen” at the Marquis Theater in Northville, Michigan on December 10, 2016. The Marquis Theater is a beautifully restored historic landmark. Upon entering, you are transported back to an earlier time. The lobby features the original french doors, the stained glass windows, and the old fashioned ticket booth. The theatre is a victorian design that has two aisle ways with red upholstered seats on the left, right, and middle. The theater is quaint in size but that only adds to the magical allusion that is created when you watch “The Snow Queen.”
Name of Show and date of performance (Points will be given for ticket and program) Please tell me if no ticket or program was given (4 points)
Guys and Dolls is an iconic musical that first opened almost sixty-five years ago. Not only has it endured the test of time, but it has thrived throughout the years, winning many awards and enjoying several revivals in numerous different theatres since its first run. It remains today a popular musical, often produced around the country in community and professional theatre alike. However, although having the capabilities necessary for this production, Signature Theatre is not likely to put on a production of Guys and Dolls at this time, due to their focus on contemporary or modern work rather than classical musicals.
With its acquisition of the theatre Disney opened Beauty and the Beast, a stage musical based on the company’s popular musical film, and not long after its opening did investors such as Time Warner and Madame Tussauds “hop on the 42nd street bandwagon” (Nelson 74). The reopening of the New Amsterdam Theatre marked a transformation to the “New Times Square” which, as
Set in a bland, artificial, stereotypical suburban town, and a conformable, cliché, 18th-century countryside village, Tim Burton’s Edward Scissorhands and Bill Condon’s Beauty and the Beast prove how initial perceptions are frequently misguided. Both films highlight how an alarming appearance doesn’t always match personality through informing the audience how Edward and The Beast grow, and how the characters help each other change by demonstrating how Belle helps The Beast become better and how Edward changes Kim’s perspective. However, both films also display how sometimes our leading instincts are correct.
This past week, I had the opportunity to experience a magnificent play called Born Yesterday by Garson Kanin. This performance was the third of three plays I saw at the Arizona Repertory Theatre. The other two plays were Epic Proportions by Larry Coen and David Crane and Hands on a Hardbody by Doug Wright. These were the first plays I have been to, not only while attending the University of Arizona, but in my generation as a teenager. All together, these performances were amazing and have brought a newly improved insight to my perception of theatre. The hard work and dedication by the actors, directors, producers, cast members, and sound developers were absolutely incredible and I have tremendous respect for their efforts during the overall sequence of producing the plays. The most recent performance I saw, Born Yesterday, can be described and reflected on through various topics such as lighting, sound, directing and producing.
My mom and I were seated on red felt wooden chairs in the opera box above downstage right; basking in the anticipation of the start of the musical. The smell of the theater was musty, almost like a library. It even had those rays of dust and light that you see in old libraries. Looking onward, I saw the monitor in which Alex Lacamoire, the conductor, directs the actors and musicians. Closer to the balcony, huge metal spotlights hung, all containing the magical power to change a minimalist wooden stage into a bar, then a field, then a closed room in a restaurant, and finally the Weehawken dueling grounds. The feeling of excitement and glee was palpable. I looked at my mother, whose eyes were glued to the stage. In that dim lit arena of instruments,
In conclusion, this wonderful portrayal of a Disney film seeks to teach us about our own lives and who we are using wonderful techniques of puppetry and coordination. It is no surprise that they have won many awards and acclaims all over the world as they show us their wonderful sets and colors which include animals ranging from eighteen feet to 5 inches. Julie Taymor's wonderful philosophy of dual meanings really makes this a great family musical.
At 7:00pm on the 30th of March, I had the opportunity to attend Ms. Harrison 's 5th graders perform, “The Snow Queen” at McGraw Elementary School. This performance was classified as an original musical. However, I would categorize this type of program as a story-based program. The majority of each scene consisted of spoken dialogue, acting and dance scenes. There was beautiful scenery and costumes that were presented during this program as well. Since there were only two scenes that involved singing, it was difficult to gage the level of musicianship the students had. In addition, the two scenes that involved singing, were done by the same two girls. However, the students were able to show their musicianship in other ways like dancing.
When I went to go see The Lion King on Broadway a few words came to mind after the play; amazing, stunning, and unbelievable! I was a little unsure at first, because I thought I was too young to see something from a Disney World production. I was also wondering how Disney was going to manage putting a film starring non-human characters, into a three-dimensional stage. However, using all their “Disney magic” with a little help from a great stage producer The Lion King Musical kept my attention all the way through with their; voice and diction, staging, and many other elements.
One of the best animated films for children is Walt Disney’s “Beauty and the Beast”. This musical masterpiece is captivating right from the beginning. Children are quickly made aware that the main character “Belle” is an avid reader and loves to use her imagination. The film demonstrates many lessons necessary to form healthy relationships. Disney’s “Beauty and the Beast” utilizes contrasting colors and vibrant music to capture the attention of children.
On Saturday, March 11, BEAUTY AND THE BEAST hosted a Tea Party Brunch at Girls Inc. of San Antonio — a nonprofit organization that inspires all girls to be strong, smart, and bold. Girls Inc. exclusively invited 30 outstanding girls and their mothers to join The Tea Party Brunch. The event included a variety of delectable macarons, sweet, and unsweet tea for all the attendees to enjoy on behalf of the film and colored BEAUTY AND THE BEAST bookmarks (found on Pinterest). Everyone was delighted to receive BEAUTY AND THE BEAST posters, bookmarks and advance screening passes. Girls Inc. of San Antonio shared their excitement of pictures and a fun dance video during the tea party on all of their social media platforms — Facebook, Twitter, Instagram,
Guys and dolls is an iconic musical that first opened almost sixty-five years ago. Not only has it endured the test of time, but it thrived throughout the years. The world created in Guys and Doll’s although so highly stylized that one can occasionally have trouble finding the reality, nevertheless has remained a favorite of audiences. Hidden among the colorful plaid and outrageous names, story that we can all relate to. More than that, for over sixty years, audience have believed in and loved these characters. This musical has come a long way from humble beginnings and with a little bit of luck, it won’t be leaving anytime soon.
This production ticks every box; from staging to acting, the play is refined down to absolute fluidity. Immersing themselves in the roles completely, the actors in the Old Vic production embody Miller’s characters in ways unparalleled by other performances. Seeing the actors wholly capture the raw emotions of their complex characters brings the play to life, and with their efforts, the audience feels so deeply along with them.