Asan Joseph
COM 1102
08/3/2014
COMPARISON AND CONTRAST BETWEEN DESDEMONA AND EMILIA In the play by Shakespare, Othello, there are two noticeable women who were featured in the play. One of them was the wife of the tragic-hero in the play (Othello), while the other one was the wife of the greatest villain of all time (Lago). The comparison of women in a Shakespeare text cannot be done without understanding the situation of women in Shakespeare’s time, and the cultural and social context in which he wrote women, especially nobles. In England, women were naturally subservient to men, as was customary and traditional. Despite being ruled by a woman, Elizabeth I, society did not take to the idea of women in careers, especially if they were married; it went against the natural order of the world, when men had dominion over their wives. These two women characterize and make up most parts of this play to a great deal and they play a major role in how the problems in the play were resolved. As mentioned analyzed from the play, conclusions could be drawn that Desdomena was from an upper class family. She was the daughter of a senator. Emilia on the other hand was somewhat of a middle class woman. These women are married to men of power and value. The two wives try their best in the play to please their husbands in all matter of ways, and to also prove to their husbands their loyalty towards them. Desdemona even makes it clear that she didn 't cheat on Othello with Cassio just to
In Shakespeare’s “Othello”, Emilia is considered one of the minor characters. She is the wife of Iago and the lady in waiting to Desdemona. Emilia makes a crucial contribution to the play as a whole. She contributes to the characterization of a couple of key characters and adds to the dramatic irony of the play. She plays an essential role in the escalation of the dramatic action. She also adds to some of the themes of the play.
The basis of Shakespeare’s plays appears to focus mainly around the dominant male character and his conflicts, which tend to deal with a woman. There are only three women in the play Othello; Desdemona, Emilia and Bianca. The way in which these women behave and present themselves strongly reflects the ideological expectations of women within Shakespeare’s imagined Venetian society as well as the Elizabethan society in which he lived. This patriarchal Venetian society presented in the play depicts women as possessions of men who should remain submissive and meek at all times. The women are expected to unselfishly and unreservedly devote their lives to serve their fathers until they are of age to do so, their husbands. All three women love
Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.
In William Shakespeare’s tragic drama Othello, the wife of the protagonist, Desdemona, is the main female character. Secondly, there is the ancient’s wife, Emilia, who is morally ambivalent. Thirdly, there is the girlfriend of Michael Cassio, Bianca, who makes her appearance later in the drama. This essay will analyze the roles of these three women.
Contextually it is important to understand how women are presented as tragic victims of men in ‘Othello’. Contemporary views of women were, according to Sir Thomas Elyot “to be mild, timorous, tractable, benign, of sure remembrance, and shamefast.” Conversely men were seen to be “fierce, strong in opinion, covetous of glory, desirous of knowledge, appetiting by generation to bring for his semblable.” Elyot’s views of the contemporary man, though much grander than those of women, could prove to be their downfall in ‘Othello’. Shakespeare’s protagonist’s downfall could be based on the fact that he is desirous of knowledge, and Iago’s manipulation of Othello’s trustworthy nature suggests that not only are women the tragic victims of men, but it is men who are also victims of men.
In the play, Othello, there are many different representations of characters and archetypes. The women of the play are seen as symbolic representations of how the men in Shakespeare’s generation saw women. The women of the play are all individual characters with different personalities. They are seen as objects but stray from the average mold. Shakespeare converts these women into the play with roles that represent the strong stereotypes of women and how they are not what the rumors portray them as.
Othello, by William Shakespeare is well known for its richness in literary content and elements pertinent to societal ideas. Moreover, women are portrayed in Othello in ways that confirm, but also contradict their treatment in Shakespeare’s time. Both female action and language represent these ideas such as expectations for a wife and expectations for how a woman is to act. That said, there are many other lines spoken by these characters that defy the expectations placed on women at time. Overall, the feminist critical lens allows a reader to understand Othello and the manner in which it is slightly sexist and controversial. This lens allows the reader to observe both discrepancies of how women are treated, and common characteristics found
Shakespeare’s tragic drama Othello features sexism as regular fare – initially from Brabantio and Iago, and finally from Othello. Let us in this essay explore the occurrences and severity of sexism in the drama.
In Shakespeare’s Othello, the role of women is greatly emphasized. The important characters of the play, Othello, Iago, and Cassio, each have a women that stands behind him. These women each have an obligation to remain loyal and respect their husband's wishes, especially Desdemona and Emilia.
The contrasting characters; Desdemona and Emilia, form an interesting and important relationship in the play Othello. Desdemona is very ‘sheltered’ from the ways of the world and Emilia is very ‘down to earth’ and ‘experienced’. From this difference we see a fascinating relationship between the two of them.
And what is Desdemona's reaction to his husband changing behaviour? She remains the perfect wife, displaying silence and obedience as it was expected of a virtuous woman, and assuming her husband's abuse with outstanding resignation. She takes the form of Griselda in her pacient and quiet suffering because of the injustice of men, as do many other “Shakespeare's chaste women falsely accused of sexual misdemeanors”1, and dies an innocent lady. Even in her death she denies Othello's reponsability in her end. She lacks the verbal weapons that Emilia uses to vindicate the unfairness of her gender's situation, although she is still submitted to her husband and is also killed by him.
Throughout many pays and novels, women have had important roles of helping form the main characters, in the way they think, move or change the story. Women have always been subordinate to men all through history, but in plays, novels, short stories, etc, they have been given large enforcing roles, showing the power within women. William Shakespeare and Sophocles use guilt, pride, and influence to demonstrate the importance of the women’s role to support the main characters in both the plays of Macbeth and Antigone.
In William Shakespeare’s tragic play Othello there are numerous instances of obvious sexism aimed at the three women in the drama -- Desdemona, Emilia and Bianca – and aimed at womankind generally. Let us delve into this subject in this paper.
Although partially responsible for contributing to the tragedy of Othello and death of Desdemona, Emilia is still considered to be one of the play’s most positive characters. In the Shakespeare play, Othello, Emilia is seen as one of the strongest of the female characters. Emilia is the wife of Iago and the attendant of Desdemona. She is a dynamic character who changes through the course of the play and also makes the argument, in a discussion with Desdemona, for equal social rights of women, or at least as much as one could as a woman could in the early 1600s. Emilia betrays Desdemona by stealing the special handkerchief given to Desdemona by Othello, but in the final scene of the play, Emilia redeems her wrong doing by helping to expose
Shakespeare and the members of the Elizabethan era would be appalled at the freedoms women experience today. The docility of Elizabethan women is almost a forgotten way of life. What we see throughout Shakespeare’s plays is an insight into the female character as perceived by Elizabethan culture. Shakespeare’s female characters reflect the Elizabethan era’s image of women; they were to be virtuous and obedient and those that were not were portrayed as undesirable and even evil.