Arthur Miller’s play, Death of a Salesman, delves into the impossibilities of the American Dream and the expectations of family. Ambitious and stubborn, Willy Loman fathers two boys, the lost, Biff, and the neglected, Happy, with his wife, Linda. The Loman familial relationships will forever continue to reminisce throughout society and extending in present and past life and literature. From the beginning of history, women generally receive worse treatment than men because they are seen as inferior. In Death of a Salesman, Linda offers to “make a big breakfast” for Willy, only to be interrupted by his demand “to let [him] finish,” even though Linda never interrupted him in the beginning; and, though Henrik Ibsen’s A Doll’s House was first …show more content…
Willy’s expectations for Biff reach further than his abilities and what he desires to do. Biff’s attempts to enlighten his father of “why did [he] go? Why did [he] go” to see Bill Oliver to get a sales job falls on deaf ears resulting in his yelling “look at you! Look at what’s become of you” to try and explain that he only attended the meeting for his father (Miller 88; act 2). Willy constantly attempted to force Biff to pursue roles he realizes he never desired. This idea fails to confine to this era of the 40s, but even extends to Amy Tan’s “Two Kinds” in 1989. Like Willy, Jing-Mei’s mother pushed her to become a great child piano prodigy which she neither enjoys nor wishes to pursue. Parents who try to live vicariously through their children or attempt to push them to accomplish “great” feats will forever continue in society especially in sports or jobs in the present …show more content…
In every family, the children will never posses the same personalities, some like Happy try to follow the status quo saying to Biff to “tell him something nice” in order to please Willy rather than let Biff tell him that he dislikes sales and ruined an important meeting. Biff desires to tell Willy the truth about him and follow his own path whereas Happy still strives for his fathers approval and follows the path he forged for him. In the present day, families with multiple children will see that some of them will follow the paths set by the parents more than others. The others will challenge the ideals of the parents because they feel that differs than what they believe. This sibling difference expands not only to the present, but also in the past to literary works such as Sophocles’s Antigone. Ismene and Antigone parallel Happy and Biff in Ismene and Happy’s refusal to diverge from the status quo and Antigone and Biff’s willingness to refuse to follow their guardians’
In the book “Street Sex Work and Canadian Cities: Resisting a Dangerous Order” by Shawna Ferris, she discusses the influence of mainstream media representation of street workers on the ever-grown urbanized population. Across the country, media sources promote an anti-prostitution bias and incorporate images and stories that portray sex workers as a nuisance to society. A study was that was conducted by Erin Gibbs Van Brunschot, Rosalind A. Sydie, and Catherine Krull, in regards to media related-news on prostitutes between 1981 and 1995 in Canadian newspapers discovered that their themes were all inter-connected. “There were four themes that were most prevalent in the years under review: nuisance, child-abuse, violence, and non-Western prostitution.”
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate
In Death of a Salesman, Arthur Miller’s character, Willy Loman, is desperately trying to achieve the unattainable American Dream. Throughout the play, Willy encounters many challenges that have derailed his course and his perseverance drives him and his family insane.
The lives of the Loman’s from beginning to end seems troubling, the play is centered on trying to be successful or trying to be happy, and the sacrifice which must be made of one to achieve the other. The environment that these characters live in encourages them to pursue the American dream, which can be said to devalue happiness through the pursuit of material success. Death of A Salesman written by Arthur Miller has several themes that run through the play, one of the most obvious is the constant striving for success. Willy Loman put his family through endless torture because of his search for a successful life. Willy, Biff, and Happy are chasing the American dream instead of examining themselves
Toward the end of the story, Willy realizes that his life is falling apart: Biff does not have a stable job or family, is making only commissions for his job, his refrigerator and car are in despair, and he talks to himself. Willy just cannot figure out what has gone wrong, especially with Biff who to him seemed so promising because of his good looks and his charm with others. When Biff comes home again, Willy gets real nervous and starts talking to himself (Act I. Scene I). He is stressed out that Biff has done nothing with his life so he starts seeing visions of the past. When Willy talks out loud while seeing visions, he is trying to discover where he went wrong as a person and father. To find where he went wrong he begins to ask anyone in visions or in person. One character that he frequently asks for advice throughout the drama is his older brother Biff (Gross, 319-321).
In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.
Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become
The relationship between Willy and Biff is complicated. Actually, Biff is everything for Willy. He doesn’t do well as a salesman anymore, so this situation makes him depressed but at least there is Biff. So Willy believes that Biff will reach the success and his dreams will become true. That makes him want Biff to take some responsibility, in other words this is a big pressure on Biff. “How can he find himself on a farm? Is that a life? A farmhand? In the beginning, when he was young, I thought, well, a young man, it’s good for him to tramp around, take a lot of different jobs. But it’s more than ten years now and he has yet to make thirty-five dollars a week!” says Willy and then Linda says “He is finding himself Willy.” Then Willy answers again “Not finding yourself at the age of thirty-four is a disgrace!” This shows how Willy mad at him because he thinks they couldn’t reach their dreams because of Biff. Willy says “Sure. Certain men just don’t get started till later in life. Like Thomas Edison, I think. Or B.F. Goodrich. One of them was deaf. I’ll put my money
While Biff is in some ways desperate to impress his father, he is also conscious about the fact that Willy has failed his attempt to be successful in his career. He considers his dad’s dreams materialistic and unreachable. As a matter of fact, in the Requiem, even after his father’s death, Biff says: “He had the wrong dreams. All, all wrong.” Unlike Happy and Willy, Biff is self-aware and values facts; Willy never was a successful salesman and he never wanted to face the truth. On the other hand, Biff is conscious about his failures and the weaknesses of his personality. During an argument with his father, Biff admits that his dad made him “so arrogant as a boy” that now he just can’t handle taking
Family relationships always have a way of playing a key role for the duration of most literary pieces. According to Arthur Miller’s novel, Death of a Salesman, the interaction of Willy and his sons, Happy and Biff, shows that family ties usually are connected either physically or emotionally in some way or another. Willy Loman is just like every father in a father/son bond, yet all he wants is to be a part of his son’s life. Even though Biff and Happy admire and have so much love for their father when they are younger, later down the road when they are older suddenly they realize he had failed to prepare them for the real society in life.
Willie Loman is an ordinary man who embodies traditional American values of success. He has reached the age where he can no longer compete successful in his chosen career, that of a traveling salesman. Faced with the termination of his job, he begins to examine his past life to determine its value. At this critical point in Willie’s existence, his oldest son Biff has returned home for a visit, and Willie’s old desire for his son to be a traditional success in life is rekindled. But the old tensions between the two men are also renewed. Once again, to Willie’s great disappointment, his son rejects Willie’s values and aspirations. (“Death of a Salesman Arthur Miller 1949 Drama”)
The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”
Willy’s unreasonable expectations of Biff creates a hostile relationship between Biff and Willy. Ever since Biff was in highschool, Willy always expected Biff to be very successful without instilling the tools
Arthur Miller, A play writer in the twentieth century, wrote a play entitled Death of a salesman that won him the Pulitzer Price just a year after its release. In the play Miller expresses the life of a 60 year old salesman that undergoes through lack of success in his life and sees the same thing happening ,to his two grown sons now in their mid-thirties, as the American dream faded away being replaced by capitalism in the late 1940s. The play starts of by introducing Willy Loman, the protagonist, and tells the story of the final twenty four hours in Willy’s life all the way to his death and funeral. Between that time laps the audience is able to see Willies past thanks to his constant daydreams, along with his sons past and wife and
In Arthur Miller's, Death Of a Salesman, the growth and development of Biff are achieved as a result of the change in his relationship with Willy.Growing up Biff had received most of the attention from his father, mother and everyone around him thus building a sense of entitlement from a young age. As time passed Willy had always been there to encourage and mold Biff into what Willy thought of as an ideal American man. When this vision of Biff was unachieved Biff and Willy's relationship began to strain; causing them to fight and disagree on things such as career and the future.