Comparing The Movie Frankenstein And Frankenstein

I can compare Frankenstein to the movie I saw by Tim Burton, Frankenweenie. They are similar but instead of a human body, it was a dog and the mad scientist was a young boy named Victor Frankenstein. The young Victor Frankenstein brings his dog back to life after being hit by a car for a science fair project while the real Victor Frankenstein wanted to create a real life human. Just like the real Frankenstein monster, the dog brings trouble. In the book, the mad scientist, denies the monster but in Frankenweenie, the young boy convinces his family and friends to like his creation. Some of his classmates had known the young Victor Frankenstein creation and was intrigued to do the same experiment like his but it went out of the standards of

In reading the book Mary Shelley’s Frankenstein, and watching the by the same title, I discovered several large differences. Primarily, the edited and modified parts were changed to make the movie more interesting.

When his name is uttered, people who know it quake with fear of his evil. He has the strength of twenty men and likes to use it on unsuspecting victims. He makes diabolical plans and wants to slowly devour the population of London. He kidnaped people, kills and turns some into vampires. In the novel, he fed a baby to three hungry women as the mother of the child was looking for it. Because of this, Count Dracula has become one of the most influential examples of evil in literature. From the show Vampire Diaries, you can compare Damon to Dracula because of how sadistic he is and how he manipulates people into doing what he tells you to do. He compels people to follow him like a slave. But the closest comparison to Dracula would be from The Originals Niklaus who always wants to be king and the ruler. Like Dracula, Klaus is the strongest of his kind and the first. He does everything in his power to control things and like to make people suffer for his own sake. But Klaus is also loyal to his family. He and Dracula both manipulate others by getting into their head and even turning them into vampires so they can rule. The only difference is that Klaus cannot be killed or doesn’t get killed because he is that strong unlike how Dracula was killed at the end. Dracula is devoid of empathy for the people that suffer at his hand in the novel. For example, when he is holding Jonathan Harker prisoner, he doesn’t take a

From the start of Mary Shelley's novel, the monster is identified as this psychotic murderer, abnormal. The gigantic, grotesquely horrid creation of Victor Frankenstein, like Frankenstein himself, had only positive intentions at first. He was a delicate, smart monster attempting to alter to human behavior and social skills. From beginning to end, Shelley made sure to target how the monster had to learn everything solo in order to live. As the creature's creator, Victor's role was to provide and teach the creature, taking responsibility instead of running away. The fact that the monster was left unattended in the world led to his raw actions. For instance, Shelley suggest the consequences of isolation when the monster says, "You can blast my other passions, but revenge remains -- revenge, henceforth dearer than light of food! I may die, but first you, my tyrant and tormentor, shall curse the sun that gazes on your misery." (Shelley 153) The Monster is talking in rage after Victor Frankenstein rejects his proposal to create a mate for him. The Monster is so secluded that he, himself, had to ask for a friend. This, however, was not the end of this conversation. In counter play for being deserted, Shelley writes that the Monster went off

But there is also a plethora of differences and alterations in the movie than in the original written version. The book focuses on the many complex thoughts of the main character, Victor Frankenstein. We know exactly how he feels whenever he speaks. In the movie, we are only shown that he has dedicated his life to his experiment; we never really know his inside thoughts, though. The book shines the creature in a completely different light than the film. He is shown as an intelligent being full of of human emotions: love, hate, revenge, remorse, etc. He is very articulate and has much common sense and awareness. During his first verbal altercation with Victor he says, “Be calm! I entreat you to hear me before you give vent to your hatred on my devoted head. Have I not suffered enough, that you seek to increase my misery?” (Shelley 86). We learn what he encounters in life, what has shaped him into the “human” he was created to be, and what compels him to kill. The creature in the movie is more like an animal than anything else. He is unable to speak, communicate, or comprehend what is going on around him. He only kills because he has the brain of a murderer and he wanders aimlessly not knowing what is happening. We never see his character ever develop or change at any point; we are only shown that he is an ignorant, killing

A Comparison of Film and Novel Versions of Frankenstein The nature of horror stories gives the reader/audience a feeling of intense fear, shock or disgust. It creates an atmosphere of tension for the reader/audience. Horror stories are designed to entertain people by causing enjoyable feelings of horror.

Victor Frankenstein is in many ways more monstrous than the monster he created. Victor and his creation demonstrate a thesis-antithesis correspondence wherein they reflect opposite character traits. Victor has no sense of empathy or compassion, whereas the monster, although hideous and rejected by society as an outcast, has

Evil features in both ‘Dracula’ and ‘Frankenstein’ but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula’ because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein’ centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by his creator and loses control without his support and guidance.

In the book, Frankenstein by Mary Shelley, the author illustrates similarities between both Victor and the Monster he creates. She draws parallels between the two regarding their feelings on family, nature, on exacting revenge, and how they both become isolated from society. Both are able to demonstrate extreme intelligence. As the novel progresses, Victor and the Monster become more similar to each other. Their relationship turns to one in which each is consumed with getting revenge on the other at all costs.

The novel Frankenstein was written by Mary Shelley in 1818. This gothic romance novel tells the story of a philosopher who discovered how to create life, without the full knowledge that his actions could cause grave consequences. Universal Studios made the film version of this novel in 1931. Unfortunately, the film version of Frankenstein has more differences than similarities to the novel. In the novel, Victor’s mental obsession seems to be more severe than in the film. The character of Victor Frankenstein was portrayed in both the novel and the film as a veriphobe, or one who is afraid of the truth, in this case, the truth of his actions. He

An important difference between the two is their levels of brutality. In the novel, Dracula was feared. This fear was strong, but on a different level than that of Vlad. Dracula was cruel, but mostly on his need to survive and on his own isolation. Unlike with Vlad, Dracula needed to consume blood to survive.

Frankenstein and Edward Scissorhand are both about two different creators creating their own kind of creatures, and the journey through the whole process and the life after creation. In both the novel and film we are able to compare different aspects of both the novel and film. Mary Shelley’s novel Frankenstein and Tim Burton’s film Edward Scissorhands have many similarities and differences starting from the desire of wanting to feel love, to the cause of all the violence. A few of the similarities and differences visible throughout the novel and film are: quest for knowledge, companionship, and their creators.

Comparing the 1931 version of Dracula, starring Bela Lugosi, with Frances Ford Coppola's Bram Stoker's Dracula 1993 version yields some similarities. Both films are of the same genre: Horror. Both films are set around the same time period. Also, both deal with a vampire coming to England and causing disruptions in people's lives. Beyond these few similarities are

Between the two novels, Paradise Lost and Frankenstein, there are many striking similarities. What makes these two books so wonderful to read is the author 's ability to write about the ultimate struggle; the struggle between God and Satan, or Good and Evil. The characters in Paradise Lost and in Frankenstein seem to be very similar to one another. God and Victor Frankenstein have many similarities. One of their similarities is that they are both creators of new life. The monster, Victor 's creation, also shows remarkable similarities, but not with God. The monster shows similarities with Satan and Adam. At first these characters seem very plain and tasteless, but as the stories go on and the characters become deeper beings, the interest

Both texts deal with the study of ethics and its ideas about what is morally right. In Frankenstein, Victor did not intend for the monster to hurt anyone, however, he was morally wrong in the creation of the monster as it was not for the betterment of anyone besides himself. This is shown when Frankenstein says, “One man’s life or death were but a small price to pay for the acquirement of the knowledge which I sought, for the dominion I should acquire and transmit over the elemental foes of our race” (Shelley, 19). Frankenstein’s line-of-thought shown here is morally wrong and covetous. After Frankenstein’s monster was brought to life, it was immediately rejected by its creator, initiating its rampage of destruction.