Amy Tan’s novel, The Joy Luck Club, portrays four different mother-daughter journeys where they all struggle to learn and appreciate the cultural differences between their generations. Among the four mother-daughter relationships and history in the novel, Lindo and Waverly Jong share a unique way of showing affection for one another. Lindo has a past that heavily affects the way she views her daughter’s happiness; however, Waverly struggles in understanding her mother’s message and misinterprets it as dislike and hatred. Tan lucidly depicts this mother-daughter pair’s journey together through misinterpretations, history, and appreciation for one another.
Lindo’s history provides a platform for her achievements and guidance for her children.
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Waverly says, “I was six when my mother taught me the art of invisible strength” (89). When her brother received a chess game for Christmas, she was intrigued by the pieces and the concept of the game. Using the strength she inherited from her mother, she became a prodigy winning many matches and competitions; however, she noticed her mother would fawn over her while she strategized for her next matches. Waverly says, “Ma, I can’t practice when you stand there like that” (100). Her mother mistakens Waverly’s intention and throws a fit. Waverly recognizes this miscommunication and becomes a weary about what she says to her mother. Another incident happened when her mother would take her out only to show her off to the community. Waverly becomes annoyed and embarrassed. Signs of broken bonds are evident and mending those bonds is difficult. Later in her adulthood, Waverly is merging into her second marriage with a man named Rich. She assumes that her mother would not approve and has a hard time confronting her about it. However, Lindo says, “ Jrdaule” -I already know this-”(200). Without the use of words, Lindo is already aware of Waverly’s message. Waverly’s mind responds with, “Oh, her strength! her weakness!- both pulling me apart. My mind was flying one way, my heart another. I sat down on the sofa next to her, the two of us stricken by the other” (201). Waverly comes to realize that the agitation she has felt against her mother for years, has been churning her to become someone who is spiteful, unfavorable, and stubborn. She begins to recognize and appreciate that her mother’s criticism was only an act of affection. Waverly becomes fully aware that all her mother wanted was to have her to find and understand the happiness in marriage, something she was deeply deprived of for many years while living in
The Joy Luck Club is Amy Tan's first novel. It consists of four sections with sixteen short stories. One of the main issues of the novel is the relationship between Chinese mothers and their Chinese – American daughters. ‘‘Your mother is in your bones.’’ (Tan 1998, 30) There is a cultural chasm between them because of the difference in the way they were brought up and different influences of the environment.
Throughout Amy Tan’s novel, The Joy Luck Club, the reader can see the difficulites in the mother-daughter relationships. The mothers came to America from China hoping to give their daughters better lives than what they had. In China, women were “to be obedient, to honor one’s parents, one’s husband, and to try to please him and his family,” (Chinese-American Women in American Culture). They were not expected to have their own will and to make their own way through life. These mothers did not want this for their children so they thought that in America “nobody [would] say her worth [was] measured by the loudness of her husband’s belch…nobody [would] look down on her…” (3). To
There is a common theme of hope throughout the stories of The Joy Luck Club by Amy Tan. Even in the face of immeasurable danger and strife, the mothers and daughters in the book find themselves faithful in the future by looking to the past, which is only helped by the format of Tan’s writing. This is shown specifically in the stories of Suyuan and Jing-Mei Woo, Lena and Ying-Ying St. Clair, and Lindo and Waverly Jong. The vignette structure of The Joy Luck Club allows the stories to build on one another in a way that effortlessly displays both the happy and dark times in each mother’s life, which lets their experiences act as sources of background and guidance to their daughters in times when they need it most.
“Four Directions” is the story of Waverly Jong, the young prodigy chess player who lashes out at her mother because of her constant showing off of Waverly. After returning to chess, Waverly realizes that her skill and determination is gone, along with the support and love from her mother. She beings to understand that her winning was solely dependant on her mother’s boastful remarks about her daughter, the love the Lindo was so openly expressing.
In the Joy Luck Club, the author Amy Tan, focuses on mother-daughter relationships. She examines the lives of four women who emigrated from China, and the lives of four of their American-born daughters. The mothers: Suyuan Woo, An-Mei Hsu, Lindo Jong, and Ying-Ying St. Clair had all experienced some life-changing horror before coming to America, and this has forever tainted their perspective on how they want their children raised. The four daughters: Waverly, Lena, Rose, and Jing-Mei are all Americans. Even though they absorb some of the traditions of Chinese culture they are raised in America and American ideals and values. This inability to communicate and the clash
Communication between generations has always been an issue and with that, a misunderstanding of the past and culture comes along. In Amy Tan’s novel The Joy Luck Club, she shows the stories of four Chinese mothers and their American born daughters. Throughout the novel, the characters encounter both external and internal conflicts in order to contrast the different relationships held by the mothers and daughters with their past and where they came from. The mother-daughter pair of Lindo and Waverly Jong shows the gap between the generations very clearly. Everything is different, from language to name to marriage.
The next example of dynamics relationship between mother and daughter is almost at the end of the story when Waverly's mother forces her to the market on Saturday so she can constantly brag that Waverly is her daughter. This really embarrassed Waverly. She got so angry at her mother and told her that she wished that she would stop telling everyone Waverly is her daughter. Then she and her mother got into an argument, and Waverly ran away from her mother.
The complexitities of any mother-daughter relationship go much deeper then just their physical features that resemble one another. In Amy Tan’s novel The Joy Luck Club, the stories of eight Chinese women are told. Together this group of women forms four sets of mother and daughter pairs. The trials and triumphs, similarities and differences, of each relationship with their daughter are described, exposing the inner makings of four perfectly matched pairs. Three generations of the Hsu family illustrate how both characteristics and
In the novel The Joy Luck Club written by Amy Tan, there are several stories that intertwine into one novel. Each of the stories takes place China where the roles and the actions of woman are vastly different compared to American tradition. In the different stories, they all are about different mothers and daughters. Throughout the book, the reader can see the development in each relationship between mother and daughter with their conflicting backgrounds from China to America.
However, the conflict between Waverly and her mother is very realistic, due to the nature that many mothers and daughters have different views which causes disagreements. The people of Chinese descent have their Chinese heritage, but struggle to keep true to their traditions while living around American culture. The major conflict in the story, the clash of different cultures, leads to the weakening of the relationship between the two characters. For example, when Waverly reenters the apartment after running away, she sees the "remains of a large fish, its fleshy head still connected to bones swimming upstream in vain escape" (Tan 508). Waverly sees herself as the fish, stripped clean by her mother 's power, unable to break free. Through the major conflict, the characters struggle to keep their relationship healthy and loving. Tan explains the feelings of Waverly through an important symbolic imaginary chess game as she writes, “My white pieces screamed as they scurried and fell off the board one by one. As her men drew closer to my edge, I felt myself growing light” (508). This shows how Waverly feels about the relationship with her mother and how she is losing the battle. The conflicts are important, especially to the theme, for the conflicts shows where the lack of understanding comes from and how it can be resolved.
I noticed that Waverly likes to use her mother’s beliefs against her. An example is when Waverly wanted to compete in the chess tournament. Her mother tells her “ the strongest wind cannot be seen ”, which means that Waverly's action will be better than her words. Waverly knew that her mother may not let her compete in the tournament if she asked directly. So instead, she said that she would bring shame to her family if she entered. By using Waverly's mother's beliefs against her she was allowed to compete.
The relationship a mother has with her daughter is one of the most significant relationships either person will possess. In Amy Tan’s The Joy Luck Club, the stories of four mothers and their respective daughters are established through vignettes, which reveal the relationships between them. Throughout the novel, the mothers and daughters are revealed to be similar, yet different. Lindo and Waverly Jong can be compared and contrasted through their upbringings, marriages, and personalities.
Amy Tan's immensely popular novel, The Joy Luck Club explores the issues faced by first and second generation Chinese immigrants, particularly mothers and daughters. Although Tan's book is a work of fiction, many of the struggles it describes are echoed in Maxine Hong Kingston's autobiographical work, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. The pairs of mothers and daughters in both of these books find themselves separated along both cultural and generational lines. Among the barriers that must be overcome are those of language, beliefs and customs, and geographic loyalty. The gulf between these women is sadly acknowledged by Ying-ying St. Clair when she says of
Amy Tan’s The Joy Luck Club is a novel that deals with many controversial issues. These issues unfold in her stories about four Chinese mothers and their American raised daughters. The novel begins with the mothers talking about their own childhood’s and the relationship that they had with their mothers. Then it focuses on the daughters and how they were raised, then to the daughters current lives, and finally back to the mothers who finish their stories. Tan uses these mother-daughter relationships to describe conflicts of history, culture, and identity and how each of these themes are intertwined with one another through the mothers and
Waverly realizes that her mother is only "an old woman... getting a little crabby as she waited patiently for her daughter to invite her in" (Tan 204). Waverly finally tells her mother about her life, especially about Rich, and they begin to get along better. Both must sacrifice a little pride to make the relationship work, but as they both do so, they grow closer and their relationship becomes stronger as a result.