Comparing The Dream Of The Rood And Piers Plowman

Although the Bible’s description of Jesus and his crucifixion has not been changed, the perception of the people about Jesus has been changing throughout the ages. The poem “The Dream of the Rood” is good example of a unique view of Jesus and his crucifixion. The poem is referred as “one of the first and most successful treatments of the crucifixion” in Old English poetry (Burrow 123).

Dante Alighieri’s epic poem, Inferno, and the Book of Revelation as told by John in the Bible each regale the natural curiosity of humans involving manifestations of endings and possibilities of new beginnings in the afterlife. The purpose of informing God’s people of these manifestations and possibilities is mutual and key to the preparedness of humans for life after death. Still, justice is surely delivered appropriately in Inferno and Revelation, due to God’s brilliant arrangements. Divergence between minutiae is outshone by appreciation of seemingly incredulous similarities between God’s plans in the texts. Analysis reveals that Inferno and the Book of Revelation share countless themes, concepts, and scenes, though they differ slightly in the specific details surrounding the unfolding events.

Another common element in both tales is the resurrecting of the dead. Jesus has the ability to resuscitate the dead and demonstrates this ability multiple times in the Bible. “These things said he: and after that he saith unto them, Our friend Lazarus sleepeth; but I go, that I may awake him out of sleep.” (New Revised Standard Version, John 11:11) In this demonstration, Jesus addresses those grieving the death of Lazarus but expresses to them he is only sleeping and will awake again

The Bible has been translated into 451 languages, sold over 6 billion times, and depicted in over 40 movies. The Bible and the crucifixion of the Messiah are prominent aspects in cultures all around the world today. The death, burial, and resurrection of Jesus Christ has been translated, dramatized, televised, adapted, and cartooned. In “The Dream of the Rood,” translated by R.M. Liuzza, the Biblical cross comes to life to tell its own version of Christ’s death and resurrection. The author recreated the Biblical account to appeal to the Anglo-Saxon warrior group to effectively convert them. However, the story from the cross’s perspective matches the crucial material of the Biblical account of the crucifixion without defaming Christ.

When it comes to the crucifixion of Jesus, there are many different arguments that appeal to specific peoples’ beliefs or arguments as to what makes the most sense. What really is the determining factor though when we are deciding how we portray Jesus’ death? Is it our faith? Is it what logically makes the most sense to us? Is it what we are taught growing up by our parents or Sunday school? Could it possibly a mixture of all of those factors? Either way, we all have different beliefs and ideas when it comes to His death. One of the most popular arguments for Jesus’ crucifixion is that the reason he died was purely in place of us due to our sins; he was the ultimate sacrifice. In this paper, I will argue from a logical standpoint that not only does this theory not make sense, but Jesus’ life and choices were related to his crucifixion as well. The most logical circumstance is that, instead, Jesus died as a ransom.

The crucifixion of Christ is treated differently within the bodies of Old English and Middle English literature. The values of each era's society are superimposed on the descriptions of the sacrifice of Christ on the cross. Christ is depicted either as the model of the hero, prevalent in Old English literature, or as the embodiment of love and passion, as found in Showings by Julian of Norwich.

The image of Jesus nailed to a wooden cross by the palms of his hands and with a crown of thorns wrapped around his head is one that has transcended all time barriers. It has inclusive been replicated into figure form that is utilized in various ways but whose primary function is to serve as a constant reminder of the physical suffering endured by Jesus. In The Dream of the Rood however, the perception of Jesus Christ as not only the son of God and savior of mankind but also as a human with the capacity to feel pain, is subverted when through the perspective of a personified cross he is conveyed as a warrior in the midst of combat. The portrayal of Jesus in this way immediately evokes the image of an ideal stereotypical hero who is strong,

The cross, once plain wood, is now “exalted over all forest-tress” (91) and risen to the status of a lord. The Dreamer is seeing for himself the validity of Christ’s claims of rewarding his faithful servants. So the Cross, it seems, is now further gift-giving and reciprocating by telling the Dreamer that he has been given a gift by Christ, who died for his sins. The Dreamer interprets the telling of this story by the Cross as a gift, and so in return for this gift that the Cross has given him, the Dreamer tells the story of his dream to others in order to tell the tale and let others know of this great gift that was given to all of humanity by Christ. Its resplendence in its appearance to the dreamer is testament to the validity of its sacrifice in going against traditional Germanic servitude, which is important to addressing the comingling of cultures in The Dream of the Rood. This is certainly not heroism and faithful retainership as the Anglo-Saxons were used to it, but the Dreamer’s vision of the Cross in all its glory gives credence to Christ as a lord and gift giver.

Jesus had to carry his own cross, that probably weighed two times his size, all the way up to wear the crucifixion was going to take place. Already beaten and bloody, they lay him down onto the cross shaped piece of wood and begin by nailing his hands and feet into it and standing the cross up into the air. What a brutal sight it must have been for God to see his only son tortured like this, but the good news is that he knew what his plan was for Jesus and for his people and he knew what was going to happen after all this was over. Jesus died hanging from that cross, washing all of our sin away and paying the ultimate sacrifice. After he died he was wrapped in a white cloth and placed into a tomb with a boulder sealing the door to the outside world. Three days after being placed in there, the people went to check up on the tomb to find that the boulder was pushed aside and the white cloth was folded neatly where Jesus was laying. The son of God, the Messiah, rose again from the dead to fulfill his mission so that we may have everlasting life in God’s kingdom. God’s plan for our life and through Jesus he teaches us that if we follow in God’s word and make him our most prized possession and ask for him to be in our hearts that we may to “escape the penalty that God will execute upon all who have broken His

Writers for many centuries have depicted the greatest event of history, Christ's sacrifice in many ways. Fantasy writers, especially, have symbolized it as either the sacrifice of a lion on the Stone Table, a mighty warrior battling a red dragon, or less obviously, the destruction of a ring, and numerous other ways. However once writers chose to directly write about Christ's sacrifice without using symbols. Nonetheless even these writers differed greatly in their portrayal of Christ's sacrifice. Among these, William Langland, who wrote Piers Plowman, and the poet who penned “Dream of the Rood” both discuss Christ's sacrifice vividly and poetically. While Piers Plowman and “Dream of the Rood” share many similarities in their portrayal of Christ

‘The Dream of the Rood’ has been marveled as one of the finest religious poems from the Anglo-Saxon time period. The poem itself shows the contrast between the Pagan religion and Christianity and the overlap of religious symbols between them. It follows the crucifixion of Jesus and the dreamer’s journey to finding faith. The rood is seen as the backbone of the crucifixion and is depicted as being praised more than Christ. Using the literary devices of kenning and alliteration the author highlights the heroic nature of the rood, the dreamer’s gradual progression to optimism and the struggle of the people of the time to remove Pagan traditions in literature.

Many people believe that there is only one account of the Passion of Jesus Christ or they believe that each story is the same; whereas there are four separate Gospel accounts of the Passion of Our Lord. Each of these Gospel accounts supplements the others, however each gospel account of the crucifixion of Jesus is unique, not only in how the story is told but also in the events and features themselves. Matthew, Mark, Luke and John clearly present different portrayals of the death of Jesus Christ. By examining each account the reader discovers the evangelist's understanding of the death accounts of the crucifixion and death of Jesus. The reader must examine and compare all of the Gospel accounts to have a full and

Further into the last part of the poem, it reveals an elaborate metaphor where Senghor references his Christianity and the symbol of Jesus’ suffering on the cross, “The reconciliation of Lion

When Jesus arrived to Golgotha, He was nailed to the cross and soon after dies. The symbol of Jesus’ crucifixion is what Christians live by. It represents Jesus sacrificing his life to save humanity from their evil sins. When He died, He was taken down from the cross and was buried in a tomb, where He resurrected into Heaven and was seated at the right Hand of God. Jesus’ resurrection symbolizes two things. First, it proves to Christians that Jesus is the Son of God (Curtis). In the Bible, Paul affirmed that Christ is declared to be the Son of God by the resurrection from the dead (Rom. 1:4). Second, Jesus’ resurrection represented an assurance that all of humanity is saved and forgiven for their sins (Curtis).

In “The Dream of The Rood,” an unknown narrator dreams of a beautiful Rood or cross. The cross was the one used in Christ’s crucifixion, the most important event in Christian belief. The Dreamer described it as, “the most splendid tree” (4). In his dream, the Rood tells its story of Christ’s crucifixion. The Rood described the nails that are driven into its