Comparing Mary Anne in Sweetheart of the Song Tra Bong and Kurtz in Apocalypse Now

You can't feel like that anywhere else’”(O’Brien 111). Mary Anne is inevitably drawn to the other side—the other side in this case being the Vietnam War itself. She is not completely part of it yet but she sure is fascinated by it, and will be part of it soon. She displays the danger of throwing away all separation between herself and the war. She is at the point where she wants to become one with the war. However towards the end of the story, Mary Ann becomes a completely different person. This can be shown perfectly in the quote, “She had crossed to the other side. She was part of the land. She was wearing her culottes, her pink sweater, and a necklace of human tongues. She was dangerous. She was ready for the kill”(O’Brien 116).

In the chapter “Sweetheart of the Song Tra Bong” Rat tells the story of a time when Mark Fossie, a soldier brought his girlfriend to Vietnam. She was a sweet gentle women who paid attention and learned fast. She gets along with everyone pretty well including the Green Berets. Mary Anne’s personality was changing, not just in front of the soldiers but also in front of Fossie,. According to the “Greenies” Mary was fearless, she would go and do stuff that even the greenies were afraid of. During ambushes, Mary would go off on her own and not come back for hours or days. One day she walked off by herself and never came back, from time to time the greenies would see her in the shadows, wearing her pink sweater and human tongue necklace.

Kurtz’s lack of restraint and hunger for ivory consumes not only his soul but drains all of his physical existence. Upon seeing him, Marlow states, “I could see the cage of his ribs all astir, the bones of his arm waving (126)”. Conrad focuses on the physical features of Kurtz to display the madness that has consumed him. However, though Kurtz’s body is deteriorating, Kurtz’s mind continues to thrive. Conrad shows this in Marlow’s shock of witnessing a flame of passion that remains in Kurtz’s eyes as he converses without signs of exhaustion (126). Conrad continues to describe Kurtz as a shadow composed of tranquility and satisfaction. Conrad’s incorporation of this detail signifies the evil and greed that consumes Kurtz and is reflected through his physique. However, the power of Kurtz’s presence is personified through the action of his words. As the strength in his voice captures Marlow’s attention, it merely reflects his influence upon his followers. The power reflected through his voice displayed his confidence as well as his position as a leader for the natives. Hi demeanor displays an air of arrogance that makes others feel less equal to him. Those who follow him fear him, but also continue to respect him.

Tim O'Brien is confused about the Vietnam War. He is getting drafted into it, but is also protesting it. He gets to boot camp and finds it very difficult to know that he is going off to a country far away from home and fighting a war that he didn't believe was morally right. Before O'Brien gets to Vietnam he visits a military Chaplin about his problem with the war. "O'Brien I am really surprised to hear this. You're a good kid but you are betraying you country when you say these things"(60). This says a lot about O'Brien's views on the Vietnam War. In the reading of the book, If I Die in a Combat Zone, Tim O'Brien explains his struggles in boot camp

Mary Anne adjusted to the life in Vietnam, as did the soldiers that were there, and as time progressed she began to enjoy or get a thrill out of being in Vietnam. "I mean when we first got here-all of us- we were real young and innocent, full of romantic bullshit, but we learned pretty damn quick. And so did Mary Anne,"(97). The learning curve in war is quickened by the fact that it is a matter of life or death when you are working in a war, and it did not matter who you were the you quickly learned how to operate in a battle field. Mary Anne did not fit in a first and did not know or understand her role in the war, and just like the fresh soldiers coming from America did know or understand their role in the war. As the soldiers, as well as Mary Anne, begin to realize the realities of the war they move their focus away from their homes in America and begin to focus on the work that needed to be accomplished in Vietnam. The physical changes that occur to Mary Anne as she begins to be assimilated into the Vietnam War are like night and day. She came as your typical American girl, but then becomes a fighting soldier looking and anticipating ugly war

"Twice/ she came in late at night. Very late. And then finally she did not come in at all." (99). Mark became worried that she might be sleeping with someone else. He woke up Rat and him go check out the barracks to see if Mary Anne was with any of the guys. "All accounted for. No extras." (101). Then they got the idea that she was with the "Greenies" and she was, in a way. Mary Anne was out on Ambush with the Green Beret's. Poor Mark Fossie tried to talk some sense into her, but it was to no avail. Before long Mary Anne was gone again, this time there would be no reckoning with her. She had made her decision to be where she felt she belonged. When Mark finally realized this, he was hit with an emotional artillery shell that could have taken

As Mary Anne’s questions got answered her curiosity ran deeper. Her need for understanding Vietnam was high: “She wanted to get a feel for how people lived, what the smells and customs were” (O’Brien 91-92). She new it was dangerous but her inner personality was slowly showing. Not only are her views changing, but so are some of the other men’s. Eddie Diamond knows exactly what is going on “There’s the scary part. I promise you, this girl will most definitely learn” (O’Brien 92). Her transformation is really peaking at this point and she isn’t trying to hid it at all. Instead, in a way she is trying to show it off. She is learning new skills day by day that spark her wild side and she is not afraid of the ugly. Due to Mary Anne’s wild side

Later on, it turned out that she was with the Greenies in all of those nights, the Greenies is a group of formidable soldiers that focused on night ambush. At this points, everything begins to make more sense as well as creepier, first, Mary Anne changed her appearance so she can camouflage with the Greenies in the process of ambush. Then, according to Rat Kiley, her eyes turn into jungle greenish instead of the glowing blue after she returned from three weeks of her disappearance with the Greenies. The meaning of this is a clear mark that she had lost her pure innocence by experience the art of killing, she lost the joyful part of an American sweetheart and starting to accommodate with the very jungle that she been staring into, the very land of Vietnam. Lastly, Marry Anne and the Greenies developed Sadistic Personality Disorder according to “Psychology Today” as well as a animalistic

When Joseph Conrad sat down to write Heart of Darkness over a century ago he decided to set his tale amidst his own country's involvement in the African Congo. Deep in the African jungle his character would make his journey to find the Captain gone astray. Over eighty years later Francis Ford Coppola's Willard would take his journey not in Afica but in the jungles of South Asia. Coppola's Film, Apocalypse Now uses the backdrop of the American Vietnam War yet the similarities between the Conrad's novel and Coppola's film remains constant and plenty.

Mary-Anne was a completely different story all together. "The way Rat told it, she came in by helicopter along with the daily resupply shipment out of Chi Lai. A tall big-boned blonde." She came from the sky like it was no big deal, to see her boyfriend Fossie. A girl coming into a war among the rations and medicine. She was barely a woman, only 17, and when she came to join them at the medical camp she was described as, "had long white legs and blue eyes and a complexion like strawberry ice cream. Very friendly too." It was the "very friendly" part that should have been the problem. It was a

Heart of Darkness, written by Joseph Conrad and “Apocalypse Now”, a movie directed by Francis Coppola represent two outstanding examples that compare relevant ideas regarding racism, colonialism, and prejudices. The two combine film along with descriptive language to portray their mastery during different eras. For Heart of Darkness, Conrad uses his writing techniques to illustrate Marlow in the Congo, while in “Apocalypse Now”, Coppola uses film editing and close ups on important scenes with unique sounds to identify Willards’ quest for Kurtz. Both portray the idea of colonization in foreign lands that otherwise may have been uninhabited by their own people if left alone.

Ultimately, this novel is not about Vietnam--in fact, it is not about war at all. It is about the narrator 's attempt to find a place where the erosion of time will have no effect. By working through the "threads" of this novel, O 'Brien 's intentions become obvious: He is fighting to preserve the physical against deterioration, and by extension, to preserve life by immortalizing it in fiction. He is not writing as a result of neurosis or as a form of therapy; he does this since

      In both Apocalypse Now and Heart of Darkness certain elements of darkness attempt to show how deep one must look inside themselves to discover the truth. Conrad portrays the idea of the darkness of the human heart through things such as the interior of the jungle and it's immensity, the Inner Station, and Kurtz's own twisted deeds. Coppola's heart of darkness is represented by the madness of the Vietnam War and how even to look for a purpose in it all; is itself quite mad.

From the moment Mary Anne arrives at the base, the other soldiers know that this was a mistake. But Mark Fossie, blinded by love, doesn’t realize this. He believes that Mary Anne’s innocence could be preserved. But oh how he was wrong. In perhaps the greatest mistake in the entire Vietnam war, a soldier brought his girlfriend to Vietnam. Quickly her innocence disappears, and she turns into something wicked. She wears a necklace of human tongues and begins to take risks not even Ethan Hunt would. She behaves dangerously; she refuses to carry a weapon. This wickedness fundamentally changes Mary Anne’s personality and her attitude toward life. While she feels that she is finding herself, she is instead losing herself. May Anne loses herself to the jungle and the war. Like a hyperbole of the entire Vietnam era, Mary Anne loses her purpose. Around this time, some might say so did the American Dream. Contributing to the entropy of the American Dream, soldiers felt lost, confused, and in a metaphorical fog. Soldiers stopped thinking of the war as just good and bad, and instead as one of lesser

The story of Heart of Darkness is narrated by its central character, the seasoned mariner Marlowe, a recurring figure in Conrad's work. "Apocalypse Now"