Light and Growth in A Raisin in the Sun and Death of a Salesman.
In A Raisin in the Sun by Lorraine Hansberry and Death of a Salesman by Arthur Miller, both authors use motifs of light and growth within their settings to convey messages about the intrinsic values and potentiality of their characters. A Raisin in the Sun begins with a faint little light, filtering through the kitchen window. It's not much of a light, but it is successfully kindled by Lena Younger to keep her little plant alive and to help sow the seed of human dignity in her children. In Death of a Salesman, the physical light is blocked by the encroaching concrete jungle of New York City and the spiritual light is extinguished by Willy Loman's misguided,
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As more light appears we see a solid vault of apartment houses around the small, fragile seeming home." This juxtaposition of the two settings mirrors the battle in Willy Loman's mind. The wide open potential of the true American spirit which he thinks he represents is opposed to the confined reality of his superficial values and narrow viewpoint.
Willy demonstrates his two sides in the first scene of the play. In one line he says of Biff, "How can he find himself on a farm? Is that a life?" then he contradicts himself by commenting
"There's not a breath of fresh air in the neighborhood. The grass don't grow no more, you can't raise a carrot in the backyard. They should have a law against apartment houses...More and more I think about those days, Linda. This time of year it was lilac and wisteria. And then the peonies would come out, and the daffodils. What a fragrance in this room!" ( Miller, 737 )
It seems as though Willy Loman might well have unearthed who he was on a farm. He and his family live fairly comfortably in a house which is almost paid for, but the light of the sky, and of hope, is cut off by the real world that is closing in on Willy.
On the other hand, as Hansberry
A Raisin in the Sun by Lorraine Hansberry is a play that displays housing discrimination in Chicago during the 1950s. Housing discrimination was partially an effect of the Great Migration. This was an event during the 1950s that resulted in about six million African Americans “migrating” from the south to the north, Midwest, and west regions of the United States. This caused the population of black people in major northern cities to increase rapidly. They are then only able to live in certain neighborhoods, which keeps their communities segregated.
Lorraine Hansberry’s play “A Raisin in the Sun,” was a radically new representation of black life, resolutely authentic, fiercely unsentimental, and unflinching in its vision of what happens to people whose dreams are constantly deferred.
Willy Loman is a senile salesman who lives a dull life with a depleting career. He has an estranged relationship with his family and believes in the American Dream of effortless success and affluence, but in no way accomplishes it. Feeling like the aim of life is to be favored by others and gaining a materialistic fortune, Willy lives in a world of delusion where
The events of A Raisin in the Sun revolve around the main theme of dreams and manhood. In the story, the Younger family has always had big dreams, but due to racism and prejudice, they unceasingly watch their dreams deferred. Walter’s dream throughout the play is to provide for his family by becoming a businessman, but his dreams are postponed after he must work full-time at a menial, trifling, and meaningless job as a chauffeur. When Mama gives him the remaining sixty-five thousand dollars of the life insurance check, he believes that he can finally achieve his dream, only to loose the money and have his dreams deferred once more. The title “A raisin in the sun” is also a reference to dreams, from the poem “Harlem”. In the poem, “a raisin in the sun “is a metaphor for deferred dreams. When a grape is baked in the sun, it shrinks, and withers, but does not disappear. Similarly, members of the Younger family have dreams, but the dreams wither and are deferred due to their financial struggles. Even though the dreams wither, they do not disappear, and they renew their dreams after they receive the life insurance check. Mama’s old plant is a symbol of her perseverance for her long-time dream of having her own house in spite of austere circumstances. The plant struggles to grow by the apartment kitchen window with its lack of light and resources, but Mama keeps it alive regardless. Similarly, her family does not have adequate recourses (they don’t have a house nor enough money). When her dream of moving the to house seems to be delayed, she goes to the window and looks at her plant before declaring, “Well—ain’t it a mess in here, though? […] All this unpacking and everything we got to do.” It is significant how she looks at her plant when her dream seems to be deferred again, since it means that she is looks at the plant for hope. At the very end of the play, Mama returns to the apartment to move her potted plant to a garden in the new house, symbolizing that she finally achieved her dream of raising her family in a true house.
At one point in the play, Willy says, “Biff is a lazy bum”(16). Moments later in the same conversation with Linda, Willy adds, “There’s one thing about Biff, he’s not lazy”(16). Even when confronted by his boys, Willy is unable to deal with the truth, that his sons won’t amount to very much at all. He ignores reality very well, and instead of pointing out that Biff hasn’t established himself yet, Willy tells Biff, “You’re well liked, Biff….And I’m telling you, Biff, and babe you want…”(26). The boys are clearly aware of their status and the status of their father, and Happy is found putting Willy’s personality in a nutshell, “Well, let’s face it: he’s [Willy] no hot-shot selling man. Except that sometimes, you have to admit he’s a sweet personality”(66). Obviously, Willie’s failure to bring up his children effectively, and his delusional thinking including denial of reality helps fortify his depleting condition and confusion.
Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become
The relationship between Willy and Biff is complicated. Actually, Biff is everything for Willy. He doesn’t do well as a salesman anymore, so this situation makes him depressed but at least there is Biff. So Willy believes that Biff will reach the success and his dreams will become true. That makes him want Biff to take some responsibility, in other words this is a big pressure on Biff. “How can he find himself on a farm? Is that a life? A farmhand? In the beginning, when he was young, I thought, well, a young man, it’s good for him to tramp around, take a lot of different jobs. But it’s more than ten years now and he has yet to make thirty-five dollars a week!” says Willy and then Linda says “He is finding himself Willy.” Then Willy answers again “Not finding yourself at the age of thirty-four is a disgrace!” This shows how Willy mad at him because he thinks they couldn’t reach their dreams because of Biff. Willy says “Sure. Certain men just don’t get started till later in life. Like Thomas Edison, I think. Or B.F. Goodrich. One of them was deaf. I’ll put my money
There are several themes present in A Raisin in the Sun. The subjects of hope, dreams, and values are all recurring motifs throughout the play’s entirety. Despite the repressive conditions faced by the Younger family due to the racist and sexist societal views of the sixties, they still maintain a degree of hope throughout their ordeal. They hold onto the hope that, in the face of their circumstances, things will get better and they will be able to achieve their dreams. The symbolism used in Lorraine Hansberry's A Raisin in the Sun helps emphasize the themes and tone of the play.
“Loman wants success, but the meaning of that need extends beyond the accumulation of wealth, security, goods, and status” (Jacobson). Willy has the wrong work ethic. He yearns for success more than he actually works for it, because he doesn’t know himself and is not confident. “Willy Loman is lost because he does not know who he is” (Eisinger). He is decrepit about his family and keeps on deceiving himself in light of his self-doubt.
All Willy really wants is to be a part of his son’s lives and, Miller shows this by the example of when in the play Biff comes home to recollect himself, Willy seems to think this as a failure because he would rather see his eldest son be likely more successful rather than his youngest, Happy. Hereafter, Willy tries to take matter into his own hands, ‘I’ll get him a job selling, he could be big in no time’, he says to Linda (1215). Partially due to Willy’s consistency in Biff’s life conflicts start to erupt more partially to do with the fact being that they had different ideas of what the ‘American Dream” really is. With Biff believing that the most inspiring job to a man is working outdoors, his father disregarded by saying that working on the road selling was the greatest job a man could possibly have (1276).
Willy Loman believes in the “American Dream,” which is the belief that anyone can be lifted from humble beginnings to greatness. His belief on this idea is that a man can reach success by selling his
Willy Loman’s feelings of alienation and loneliness are direct psychological results of his interaction with society and the conditions that are found within it. Although, he does not necessarily have the ability or allow himself to have the ability to define his feelings as such, they are still very much a part of his everyday existence. This is evident in his constant bragging and attempted compensation. He does not feel that he is truly a part of society. Indeed, he is not. Miller himself seems to be saying that this is not necessarily a bad thing; this society is not that wonderful. Yet Willy still yearns to be like his brother, Ben, and the other men he sees making
Willy Loman has many traits of a young child. He never really lives outside of his own unrealistic world. When children are young, they think they are able to achieve whatever their imaginations believe. Willy has the same idea as this throughout his whole life. He never lets go of that dream even though he knows its not the smart decision. He knows he would be more successful as a tradesman working with his manly hands but he refuses to follow the wiser choice. Mainly because he is searching for that American Dream that society proclaims to be the best.
The father-son conflict between Willy and Biff is complex. First of all, there is a strong personal attachment. He wants Biff to love him. He remembers the fondness shown for him by Biff as a boy, and he still craves this. At this point, however, relations are strained. Although Willy shies away from remembering so painful an episode, he knows in his heart that his affair with the Boston woman left the boy bitterly disillusioned. Feeling some sense of guilt, Willy fears that all of Biff’s later difficulties may have been really attempts to get revenge. In other words, Biff failed to spite Willy. Although outwardly resenting such alleged vindictiveness, Willy still wants to get back the old comradeship, even if he has to buy it dearly. For instance consider when he asked Ben, “Why can’t I give him something and not have him hate me?” and his final moment of joy and triumph occurs when he exclaims, “Isn’t that remarkable? Biff… he likes me!”
Willy’s unreasonable expectations of Biff creates a hostile relationship between Biff and Willy. Ever since Biff was in highschool, Willy always expected Biff to be very successful without instilling the tools