Comparing Ghiberti, Hieronymus Bosch, And Christopher Wren

In her text, Armstrong continuously analyzes the similarity between religion and art. In fact, she initially starts her chapter with an in depth discussion of images painted in an underground labyrinth dated back from 30,000 BCE. She talks about paintings of different animals, such as an ox, deer, and a jumping cow, that must have had some religious meaning to the

Art and the Bible, written by Francis A. Schaefer, is a short, simple to the point book regarding how a Christian should approach art. The book is divided into two sections. Section one is title Art in the Bible and section two is titled Some Perspectives on Art.

In ancient times there was always a main focus or theme to art that was created. Majority of the time this focus was on religion. Religion has inspired many artists to create great paintings, sculpture, and architecture. In this paper, I will focus mainly on religious architecture, beginning with Greece, reflecting on Rome, traveling to Tunisia, and ending in India. Though the structures being covered are different in religion and time period, they all have one thing in common, they are spaces that create a spiritual experience for an individual.

Just as it’s human nature to believe in something larger or more powerful than oneself, it is also human nature to express that divinity through art, this is proven time and time again in human history. Picturing the divine is a type of testimony to show a cultures greatness. The painting Arhats Giving Alms to Beggars comes from the Chinese culture of the Southern Song period. Whereas, the mosaic Christ as Pantocrator comes from the Byzantine culture of the Greek Orthodox tradition. Although these paintings come from very different backgrounds both cultures show the divine and their pressure on mankind to follow the rules, such as giving away worldly desires. By doing so and letting go of material possessions, mankind can be hopeful of

The truest of man’s goals is to create art. Art is a by-product of the gift of man over the animals, creativity. Truly, creativity is a replication of God in man and a very possible interpretation of the Genesis 1:27 phrase “in his own image,” along with others—the possession of an immortal soul or the ability to speak. And creativity’s ultimate end product is art. And art more often than not in the history of man has led man to pay homage to his creator. Three of the classic literary artistic works of mankind, Homer’s Iliad, Virgil’s Aeneid, and Dante’s Inferno, feature—if not focus—on the deity or deities of the respective authors and their relation to the characters

Every religion has its own approach to art and architecture. An assessment between different traditions can offer an illuminating insight into the varying religious outlooks and theologies. Architecture, as well as art, is influenced by a number of forces in society, in the environment, in the psychology of the people who produce it, and in different institutions. It is an expression of inner feelings and beliefs and so naturally is influenced by religion in many societies. Religious architecture is created to experience the sacred, to provide a place into which spiritual energies flow and reflect a sense of the divine. Some

The great thing about art, is that there are multiple portrayals of one idea but, the artist’s own personal style allows one to feel something that another may not. Early Renaissance painters, Giotto di Bondone and Duccio di Buoninsegna established their own unique style to depict a biblical scene known as, The Betrayal of Christ. Through a close analysis of each artist’s representation of, The Betrayal of Christ, one is able to compare and contrast the artists own understanding of the scene through their attention to detail, character, and space throughout the painting. When examining these two works, one will have a stronger emotional response towards Giotto’s interpretation rather Duccio’s, due to his methods of handling organization, figures, and space.

The present work is focused on undertaking an in-depth analysis of two famous religious paintings: The Virgin and Child by Barnaba da Modena, an Italian painter from the fourteenth century, and The Elevation of the Cross by Peter Paul Rubens, a seventeenth century Flemish artist and diplomat. Following, by comparison, a thorough account of the two works' features, careful observation reveals more than one interpretation.

The motivation and history of art is partly due to religion. Religions have been passed down and interpreted to this day, and a way to recollect these stories is through art. Also the creations of churches, mosques, etc are works of art in themselves. Buildings were comprised of pillars and ribbed structures, are considered a technological beauty because they were designed to be visually appealing, but had a functional purpose.

It as well is in an ellipses shape where it is in an oval shape filling most of the canvas. This piece has a very dark atmosphere, as the only highlighted images are that of Christ and and the adulteress. There are people surrounding them all dressed in greys and greens. Jesus is dressed in an ivory which is a color in which people of importance often wore. The adultress life-drained body is looking down towards her exposed breasts as she comes to understand her fate. This painting conveys the emotion of a bible story about Jesus forgiving an adulteress. The emotions run very high as the individual 's facial expressions are locked in surprise and anger. Anger towards the woman and utter shock as to Jesus forgiveness and compassionate heart towards her. Showing Christ bending down to write in the sand as the pharisees behind him are appalled at what he has to say. “He who does not sin may throw the first stone” John 8:7. This reflects reaction to Mannerism, but also the social turmoil of the time. According to the Council of Trent and the Catholic church artworks should be a clear, intelligible subject realistically interpreted in order to stimulate piety. This was part of the reason that the artwork turned towards naturalism, becoming emotionally engaging and intense.

We are also shown how these different forms of art change over time and how different cultures have adopted them and used them as their own form of art to express emotion, love, creativity, and passion. This book teaches us how art is viewed in different ways by the church and was very informative for me to obtain a better and deeper understanding of art and how the churches valued it.

St. Paul’s Cathedral, in London, England, was designed by architect Sir Christopher Wren. Approval of this most significant architectural project took six years just for the plan. Construction, which began in 1675, took thirty-five years until finally complete in 1710. It was built to replace a church that had been leveled by the Great Fire of 1666. St. Paul's is the largest cathedral in England, and said to be Wren's masterpiece. He brought a range of new forms, and architectural combination into English architecture. Masonry, brick, timber, and cut stone were used to form the structure of the cathedral. St. Paul’s Cathedral has been one of the main socially significant buildings in London. Cathedrals all around, have always played a

Throughout the vast history of art, historians can find connections throughout the centuries. Artists from the beginning of humankind have been inspired by the world around them. From the Apollo 11 stones to present day, history and culture have provided inspiration and have been the focus of various pieces. Examining artwork from the 15th-18th century, viewers can be shown a whole world that would be unknown to us without these artist’s contributions. History, religion, and cultural events have sculpted the art world, and we can observe this through many pieces during the 15th-18th centuries.

Art in the Medieval Times was dreary and bland. Many works of art were solely about God or holy figures. The most obvious change from the Renaissance to Medieval Times was the arts, according to Document A and also that “One begins to know the names of the artists ... feel stronger emotions in the subjects”. This shows that Renaissance art not only changed in style, in changed in how it made the viewer feel when seeing the art. Similarly, in Document A, Renaissance art is described as “new artistic styles would echo the broader movements and interests of the new age.…”. As compared to Medieval Times, the style of art became something similar to the time that people could relate to. In the Medieval Times, art was just meant to extol God’s many feats. People who viewed the painting were supposed to put that style of art on a pedestal. Medieval art was supposed to be worshipped, not so much understood. The individual in the Medieval Times was supposed to take away from the painting that the only thing that mattered in their life was the Roman Catholic church and God already had a plan for their lives. But in comparison, Renaissance art was supposed to empower and help people of the time to understand themselves and the fact that they can change their own lives.

The history of art dates back to ancient times. Artwork can be, and was, found around the world. What makes art interesting is that it can be created in any way, shape or form with any materials. It seems that the artwork can also tell us a lot about the artist. Art seems to be simply, a direct, visual reflection of the artist’s life. Therefore, one can assume that an artist’s life experiences and beliefs directly influence their art. If we look at examples from different periods of art we will be able to see the connection between the artist and the art.