In Emily Dickinson's "465”, she recounts her own death with a series of images of the room around her and an interposing fly. In "501”, she considers the possibility of a world beyond the current one and humanity's response to faith, concluding while admirable faith is doubtful. In both poems, Dickinson uses visual and audible imagery, metaphors, tone, and syntax to illustrate that despite the uncertainty of death, people should not be in fear of it; "465" depicts it through the monotonous drone of a fly at her death, while "501" shows this through the trusting faith of religion.
In poem “465” Dickinson illustrates how death is inevitable through point of view, auditory and visual imagery, and similes. In the first stanza, Dickinson establishes through point of view that she is not witnessing any death but her own. Through auditory imagery she describes what she
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She hears a fly buzzing, an onomatopoeia, and through similes in line three and four she compares stillness in the room to “like the Stillness of the Air—Between Heaves of Storms.” The dynamic between the buzzing fly, hovering around the room signifying her death, and the tension of the room sets up the gravity of her situation. In the second stanza Dickinson uses synecdoche to illustrate the people around her mourning her death. She uses “eyes” and “breaths” as the main subject of the sentence. An interpretation of this is to blur the explicit mention of people and instead focus again on the senses or visual and auditory imagery. In line eight Dickinson also alludes to a “King.” An interpretation of this can be an allusion to God, coming down from Heaven and taking Dickinson with Him. In the third stanza she illustrates the temporary nature of the world. She gives away her belongings and is ready to leave her time
Figurative language plays a key role in the poem, as well. The best example is The Morning after Death, which sounds a lot like mourning after death. In fact, mourning could even replace morning and the poem would still make sense. Another example occurs in the second stanza, when Dickinson uses the words sweeping and putting. By using such cold, unfeeling words when describing matters of the heart, the author creates a numb, distant tone. She really means that after someone dies, one almost has to detach oneself from the feelings of love that once existed for the deceased.
Emily Dickinson's poem "I Heard a Fly Buzz When I Died" is centralized on the events of death and is spoken through the voice of the dying person. The poem explores both the meaning of life and death through the speaker and the significant incidents at the time of near death that the speaker notices. Many of Dickinson's poems contain a theme of death that searches to find meaning and the ability to cope with the inevitable. This poem is no exception to this traditional Dickinson theme; however its unusual comparisons and language about death set it apart from how one would view a typically tragic event.
In opposition to “Because I Could Not Stop for Death”, Dickinson published her work of “I Heard a Fly Buzz – When I Died”. In this particular piece of literature, the author disbeliefs in an afterlife. In this poem, a woman is lying on bed with her family surrounding her, waiting for the woman to pass away. The woman, however, is anxiously waiting for “…the kings”, meaning an omnipotent being. Finally when the woman dies, her eyes or windows, as referred in the poem, “could not see to see “. When the woman passes away, she couldn’t see any angels or gods as she expected would be there, but instead, she is fluttered into nothingness. She isn’t traveling to an afterlife as she had expected to unlike in the poem of “Because I Could Not Stop for Death”. The woman finds out that death is a simple end to everything.
During the second half of the poem , Dickinson, using personification once more, expresses the feeling that “I say it just/ Begins to live/ That day” (4-6). This time, instead of explaining a word with death,
Dickinson uses strong imagery in the first stanza. The reader imagines the booming sounds of large cathedral organs and the way the bass of them shakes your soul. She adds a negative connotation to these shakes by stating it “oppresses” the narrator. Following, Dickinson uses the metaphor of a slant of light on a winter afternoon to the opening her internal pain. As the slant of light opens, it is essentially opening up a seal of despair. Nothing external has affected the body; however, the heartbreak from the pain the narrator is dealing with leaves behind marks on her soul. She follows this theme through the entire poem that the slant of light has brought pain upon her.
Emily Dickinson was fascinated by death and immortality; in her poem "I Heard a Fly Buzz-- When I Died--" she reveals her insight on a shared but unknown experience. A speaker, who is describing his or her death from beyond the grave, narrates the poem, which can be interpreted with either heavily Christian in its symbolism, or as the literal description of the dying experience. Dickinson uses the poetry elements of symbolism, imagery and point of view to give us an ironic poem, about dying and the afterlife, which leaves the reader unsure of what's on the other side of death. There is a disagreement in the literary world over the meaning of the fly, its symbolism and relationship to the speaker in the poem (Ruby 139). Dickinson might have used the fly in order to showcase that the dying speaker was still aware of the physical world but his or her senses were fading as the body surrenders to death "With Blue--uncertain stumbling Buzz--" (Line 13).
When Emily Dickinson was still in her teenage years, she began to experience pain all around her. Life and death became a prevalent topic as Ryan introduces, “Her bedroom from the age of sixteen to twenty-four overlooked the village graveyard; repeatedly, in the close community of Amherst, she was privy to the loss of children, parents, spouses, inmates”. By the time she was older, her poetry was very eloquent and thought out. In her poem “I heard a Fly Buzz- when I died-”, also referred to as 465, she demonstrated her abilities to think and express feelings well beyond her years (15). Through the course of the poem one reading without analysis will understand that a fly buzzed in the room while the narrator encountered death. However,
Dickinson uses imagery the most in this poem with “The stillness in the room” Dickinson is making you think about the room look like and how it feels in there. The tone and mood describe nothing but Dickinson which is relating to her life the tone of the poem “I heard a Fly Buzz- When I Died” is gloomy and calm. Dickinson was always a calm and lonely person because she never fit in with other she never said much so she was calm, she had no reason to be roused, and she was always a soothing person. I heard a fly buzz theme is a morality. Dickinson describes in this poem lot of things about death.
Emily Dickinson utilizes Point of view, imagery and diction to convey a dead person’s perspective of dying. Point of view is deployed in order to understand the dead person’s perspective. Imagery and diction allows the audience to understand things like the stillness in the room, the crying of the mourners and other pieces of the poem that achieve a solidified perspective from the dead person. Dickinson writes “I heard a Fly Buzz” in order to challenge the perspective of a dead person and grasp a firm sensation of
Dickinson starts the first stanza of the poem with, “Because I could not stop for Death – He kindly stopped for me” (807). Clearly she was not ready to go, death simply took her by surprise and brought her busy life to a halt. This could be seen as a beautiful way to take on death because death is usually said in such a morbid tone and the fact she associated “kindly” with death makes it beautiful. The second line says, “The Carriage held but just Ourselves – and Immortality” (Dickinson 807). The author emphasizes Carriage, Ourselves, and Immortality. Dickinson seems to be talking about her own death chariot and by immortality, she believes her death is not the end, but rather as a step to eternal life.
(14, 18). During this poem, Dickinson wants us to simply see her version of a person's trip during death. The imagery is supposed to lead us into seeing what the author is describing.
This is symbolic of her looking at death as a new beginning as opposed to a sad ending. There is a feeling of disappointment as she thinks that she is going towards eternity but she just ends up viewing the “House that Seemed a Swelling of the Ground” and then centuries later, reflects upon her journey towards and eternity she didn’t witness. To Dickinson death was not something to be afraid of but to rather embrace and accept because it was inevitable, yet as in her life ends up disappointed because death leads to nothingness.
In the first stanza she simply states that just because one can’t see or have never seen something doesn’t mean that it can’t or doesn’t exist. That being said, Dickinson then says that she has not ever “spoken with God” or visited heaven in the third pair of lines (Dickinson 1273). The final set of lines says that she is “certain of the spot” (Dickinson 1273). This second stanza clearly confirms that she is confident of her place in heaven. Dickinson believes in all of these things even though she hasn’t observed any of them. (Benfey 25) This particular poem shows of her assurance of God and heaven.
She uses personification to make the topic of death more approachable. Dickinson words her work to where death can be used as a metaphor; she words death to have human quality which she uses to compare it to a carriage ride with a gentleman. You can probably hear the rhythm doesn't sound like an ordinary conversation. It sounds more like music, with a specific beat to it. That's because of the poem's meter she is using which is a very unique feature.