Every designers and architects have their very own style of designs that would become their signature and would be recognized when people see their works. In this essay, I choose to write about the two distinguished Japanese architects, Tadao Ando and Shigeru Ban, and their works of Church of the Light and Cardboard Cathedral respectively.
Tadao Ando, one of the most notable contemporary Japanese architects who was born in Osaka, Japan in 1941, Ando had never attended any formal architectural education. He is a self-taught architect with a legendary early life. After graduated from high school, Ando began his adult life as a boxer. He used the significant amount of money that he won from boxing competition to visit buildings around the world.
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The church can be used as a concert space, an event space and for Christian services. Ando choose to use natural material such as timber for pews, which lighten the coldness of the concrete, and therefore creates a feeling of warmth to the interior. Once people entre the church, their eyes need to take time to adapt to the darkness. Although there are four small light fittings on the wall, the cruciform opening in the end wall is the main daylight source. The concrete wall with glass-like surface helps to disperse the light more evenly by reflecting light off the ceiling and walls. The radiant light of the church was inspired by the Abbey at Senanque in Provence, which Ando have visited in the 1960s. Ando likes to allocate oriental and Japanese types to neutralize with Western paragons, as his intension is to fuse different spatial ideas into a harmonious surpassing …show more content…
It is a remarkable representative of Shigeru Ban’s paper-tube technology. On 21st of February 2011, an earthquake with magnitude of 6.3 devastated the Christchurch Cathedral, which was the 1850s landmark and the symbol of the city. Shigeru Ban was then designed this new temporary church using his paper-tube construction to replace the ruined cathedral. Cardboard Cathedral was constructed with a base of eight shipping containers and paper tubes of equal length to form a triangular shape. There are steel rods hided inside cardboard tubes in order to support the A-frame. Paper tubes are constructed with slightly change in each angle to form the geometry which is decided by plan and elevations of the original cathedral. A spectacular stained-glass window is installed to correspond to the original cathedral. This cathedral is able to hold 700 people. Ban also designed all the church furniture such as pulpit, door and candleholders in wood and
Gothic cathedrals are one of amazing architect in Western buildings. They are done so well that it feels more like sculpture art piece than just the buildings due to delicate stone spires and patterned colorful stained glass windows. In the documentary, Building The Great Cathedrals, broadcasted on PBS NOVA, it talks about how people in Middle age constructed and built the cathedrals without modern tools. Although they did not have modern technologies, they were able to make huge building by using stones to point arch and flying buttress. I think these are the most significant techniques they used to build the cathedrals.
“Stories about architecture are stories about people,” said David Macaulay, author of Cathedral (4). The intention of cathedrals was to draw people, and in turn inspire those who came to pray, learn, and worship (Macaulay, Cathedral 4). Cathedrals remain inspirational in their enormous scale and overpowering beauty, and that these places of worship are still standing after many centuries show a level of determination and integrity in those that built the edifices (Macaulay, Cathedral 4). Architect Vitruvius wrote, “All the buildings have two components: The building itself and an idea that its architecture tried to express” (McNamara 6). People build churches because they believed in something (McNamara 6). In David Macaulay’s book, Built to Last, he says the mindset behind building cathedrals was that of honor and dedication. Macaulay’s research noted that, “The new cathedral would be built to the glory of God, and it mattered little that it might take more than one hundred years to construct it” (Macaulay, Built to Last 98). However, there is more to cathedrals than just building something grand and beautiful to honor God. Churches and cathedrals were built to be packed with meaning (Taylor 1), and were used to illustrate key points of Christian teaching through the use of imagery (Taylor 5). Cathedrals were a place to immerse individuals in worship. Religious parents encourage their children to pray, take them to church and to religious events (Newberg and
The interior is decorated with mosaics and marble pillars and coverings of great artistic value. Justinian oversaw the completion of the greatest cathedral ever built of its time. It has a complex interior structure; the nave is covered by a central dome which is about 182 ft. 5in. from floor level and rests on an arcade of 40 arched windows. The dome had some repairs made to it which made its diameter vary from 101 feet to 103 feet. There are arched openings extended by half domes of same diameter to the central dome carried on smaller semi-domed exedras. Also the interior surfaces are sheathed with polychrome marbles, green and white with purple porphyry, and gold mosaics. The exterior, clad in stucco, was tinted yellow and red during restorations in the 19th century at the direction of the Fossati
The buildings had barrel vaults columns and windows and doors with rounded arches. The buildings were solid and heavy with small windows which made the insides very dimly lit. This lack of light is apparent in the film as a way to describe the general mindset and lifestyle of monastic life in the Middle Ages. Romanesque architecture is known for its large internal spaces. Annaud uses these Middle Age details in his construction of the set. As Professor Russell describes in the Medieval Culture lecture the different rooms of the monastery contained the cloister which connected the dormitory, refectory, scriptorium, kitchen, cellar, and herbal garden. The small windows, arched doorways and the non-human void of expressivity capitals and sculptures were all true to the times. Annaud constructed this Romanesque church set built specifically to shoot majority of the film. The attention and detail that he put into making sure that the backdrop provided a true and accurate account for how religious architecture was in the Middle Ages furthered the success of the film.
The Cathedral of Our Lady of Amiens and the Cathedral at Saint Denis are two cathedral with many similarities and differences making them unique.
“It is impossible to really understand why people react as they do to difficult situations”. Discuss the ways in which two of the stories reveal this. In The Bet by Anton Chekov and The Cathedral by Raymond Carver, the authors use irony to show that “It is impossible to really understand why people react as they do to difficult situations”, because they do not even know themselves. In, The Bet, two men, both impulsive and proud, enter into a foolish bet to prove whether capitol punishment or life imprisonment is more humane.
One common feature of all places of worship is “verticality” (Greenbaum, S., 2009). One can notice that the temple is very tall for a one-storey building, and the windows are narrow and tall as well. The purpose of this is to add to the aesthetic appeal and allows the building to be distinguished from the ones surrounding it (Greenbaum, S., 2009). All aspects of a building are taken into account when constructing it. All new development, renovations and so on are for the purpose to enhance the welcoming feeling, and not take away from the character or significance of the setting (Heritage Victoria 2010). On the outside, the building is made of stone symbolizing strength, power and religion (Gray, J., 2015). It also does not get damaged easily, so this makes it useful to places of worship because it prevents damage to the building (which is extensively used), adds an artistic feature and provides
The similarities come from the nave that is almost the exact same width, and the spiral columns, the ‘Solomonic ‘ columns. When going inside of the cathedral a bronze sanctuary knocker is used, which was also used in medieval times. Inside of the cathedral the nave that was
This mountainous structure is seen from about every point of Paris and beyond. From the front, you can see two towers jutting out of an ordinary street. The Cathedral also features large stained glass windows, that are one of the most beautiful features of the structures. From the side, you can see the long body of the Cathedral and the spire sticking out of the top. It is somewhat overwhelming being within feet of the structure, because of the immense height and width of the church. Looking at the back, one can clearly see the dome-like structures attaching to the organ room. From the outside, you can clearly see the sculptures depicting the scenes from the Catholic religion. The cathedral is gigantic, but it is easy to process all the sections because of the distinct styles of architecture. From an
All over the world, people still come to admire the beauty of European cathedrals. Many of the cathedrals are fragile due to age, neglect, pollution, and insufficient funds available to restore these historical and magnificent buildings. Nevertheless, visitors to these architectural masterpieces are fascinated by the design and structure of these churches. The cathedral builders using their own ingenuity, expertise, and limited resources were able to defy the laws of gravity and time. (Icher 30)
For a great many years, architecture has been a breaking point for different artisticeras in history. Some of the most famous “works of art” have been chapels, temples, and tombs. Among the most dominant and influential eras of great architecture are the sophisticated, stoic Greeco-Roman periods and the more mystical, elemental Japanese eras. These two very distinct and very different eras have more in common than you may realize.
Reims Cathedral was built within the Marne department of the Champagne-Ardenne region between the years 1212-1300. However, Reims genesis dates back to 496 AD as a previous cathedral once occupied the land on which the new cathedral was built upon. A fire destroyed the original cathedral structure on May 6th, 1210. 2 years after the fire, it was decided to initiate work on the construction of the new, cathedral that exists to this present day. This second cathedral is in the French gothic style and was designed to be much more capacious in contrast to its fire- destroyed predecessor. ”The nave and aisles of the western arm are broadened out in the eastern arm.” This logic permitted larger crowds to attend coronation ceremonies. The cathedrals predominant function is a place of worship under the denomination of Roman Catholics. An assembly of architects participated in the design over a period of 7 centuries due to adaptations and refinements materialised to its design. Such names consist of Jean d 'Orbais (1175-1231); responsible for the first initial design work of the cathedral, Henri Deneux (1874-1969); who laboured over the architectural restoration of Reims after bombing raids in WW1, Bernard de Soissons (birth date and death date unknown) noted as a participant with Jean in the initial design work of the cathedral. One fundamental aspect explored by studying Reims Cathedral is the quality of natural light and how it is affected by its both artistic and
The Bauhaus school was founded in 1919 in Weimar by German architect Walter Gropius (1883 - 1969). In 1923, Walter Gropius introduced the agreement between “creative artists and the industrial world”. The Bauhaus is most famous for the idea of combining forms and functions. They combined both fine arts and design elements to create a curriculum that trained artists and designers to be capable of producing both functional and aesthetic work. One of the main goals was to bring design and technology together. During the Bauhaus period, Fine art and craft were combined together and aimed toward problem solving for an innovative, modern and industrial society. Nowadays, the Bauhaus legacy continues in modern designs, such as minimalism, or design brands like IKEA. In this essay, I will analyze Bauhaus’s influence on modern design, including architecture and furniture design by exploring different examples from different periods of time.
Both the Chichester Cathedral and St. Mary de Haura Church are magnificent Gothic architectural structures. Although there are many similarities, as they come from the same style, there are also many differences. These differences are unique as it gives the cathedral different impression on the visitors. Both of these cathedrals were found in the early beginnings of the Gothic style, thus they also had a mixture of Romanesque architecture techniques. The Chichester Cathedral in essence was built in the Romanesque style, it was only after the fire did it have a transition into Gothic. On the other hand, the St. Mary de Haura Church was built incorporating late Romanesque and Gothic techniques. Hence, the Chichester Cathedral can be considered more as a patchwork structure, while St. Mary de Haura is more of an altered structure of the original. Both of these buildings illustrate the majestic and grandeur of the Gothic architecture.
As a Chinese immigrant who lived in the USA for four years, I have been amazed by the western architects and architectures introduced in lectures and textbook. Buildings like Sagrada Familia, Guggenheim Museum, Burj Al Arab, and even the White House have attracted my interested toward architecture by bringing me endless awes and wonders. Out of so many famous and recognizable architects who designed marvelous buildings, this special Chinese family attracts extra attention. Maybe a highly skilled architect is honorable, but a loyal architect family who devoted their generations to architecture deserves the respect from all architects. In the following paragraphs, I will describe this family and their work, as well as their importance and contribution to the history of architecture.