Although The Turn of the Screw (1898) by Henry James is a century older than Margaret Atwood’s “Death by Landscape” (1990), it is not impossible to connect the stories to each other. The stories’ contents are different – The Turn of the Screw is a Gothic ghost story, whereas “Death by Landscape” is a more psychological story of a woman who tries to deal with a childhood trauma, namely the death of her friend –, but there are some aspects in which the stories are similar. Both texts have an open ending, which is particularly interesting in terms of building up the ‘unresolved’ suspense of the story. The suspense created in the narration is not only achieved by the open ending, but also by literary techniques and the ambiguous readings of the …show more content…
In The Turn of the Screw, this narrative frame is obvious: an unnamed narrator describes a Christmas evening on which a group of people are gathered together and telling ghost stories. Douglas suddenly wants to contribute to these ghost stories as well: he knows a story which he had not shared with anyone until then because it is “quite too horrible”. He then gives the origin of the story: it was written down by a woman he had known some years ago, and who had experienced all the events of the story. This technique allows James to build up the suspense in two ways. On the one hand, the use of this frame narrative gives the embedded story some kind of authenticity, because Douglas claims that it is a true story and that he had personally known the protagonist. On the other, it already foreshadows the gruesome events which are about to be revealed. The narrative frame in “Death by Landscape” is not as obvious as is the case in The Turn of the Screw. Here, the story starts in the present: Lois, the protagonist of this story, is sitting in her new condominium apartment and is looking at the paintings on the wall. The paintings are a trigger for her to remember something unpleasant that had happened in her childhood: the story then continues with a flashback of that event. This way, the traumatic event of Lois’s childhood is already …show more content…
The Turn of the Screw can be read as a real ghost story: in this case, the ghosts are real and the story really is about good and evil. This does not particularly mean that the governess is mentally stable, because she still has her issues (like the fact that she falls in love easily), but it would explain her protecting behavior towards the children. In this reading, Miles’s death is interpreted as a consequence of the governess’s failure of protecting the children: she was unable to shield him from Peter Quint’s evil. In the psychological reading, the governess is mentally unstable and hallucinates the appearance of the ghosts. In fact, this seems to be a plausible reading of the story, taking all the arguments of the governess’s unreliability in account. That way, the hallucinations are a consequence of her isolation and sexual frustration. Miles’s death is then interpreted as the governess (accidentally?) choking the boy to death. “Death by Landscape” can be interpreted in the same ways: the one in which the narrator is reliable and Lois innocent, or the one in which the narrator is unreliable and Lois killed Lucy. The story does contain some arguments that Lois killed Lucy: the gap at the moment of Lucy’s disappearance, Lois being jealous of
Henry James's Turn of the Screw was written in a time when open sexuality was looked down upon. On the surface, the story is simply about a governess taking care of two children who are haunted by two ghosts. However, the subtext of the story is about the governess focusing on the children's innocence, and the governess trying to find her own sexual identity. Priscilla L. Walton wrote a gender criticism themed essay about the Turn of the Screw, which retells certain parts of the story and touches on the significance they provide for the sexually explicit theme. Walton's essay is accurate because James purposely put an undertone of sexuality and identity confusion in the Turn of the Screw.
One of the most critically discussed works in twentieth-century American literature, The Turn of the Screw has inspired a variety of critical interpretations since its publication in 1898. Until 1934, the book was considered a traditional ghost story. Edmund Wilson, however, soon challenged that view with his assertions that The Turn of the Screw is a psychological study of the unstable governess whose visions of ghosts are merely delusions. Wilson’s essay initiated a critical debate concerning the interpretation of the novel, which continues even today (Poupard 313). Speculation considering the truth of the events occurring in The Turn of the Screw depends greatly on the reader’s assessment of the reliability of the governess as a
Zacharias’s “The Extraordinary Flight of heroism the occasion demanded of me.’: Fantasy and Confession in The Turn of the Screw” describes the actions and the apparitions in the novella as a part of the governess’s anxieties and how they are the symbol which resemble the execution of her job. The readers first get an understanding of how fantasy is her coping mechanism when she first has troubles dealing with the job. As Zacharias puts it, “the fantasy relieves the anxiety she feels from feelings of inadequacy for the very fulfillment of the master’s expectations” (321). Zacharias then moves the audience towards the fact that the fantasy can also be the cause for anxiety, which is the intriguing aspect I would like to focus on.
“Strawberry Spring” offers the reader an opportunity to “show that we are not afraid” of facing our fears (King, “Why We Crave” 1). After all, anyone who has heard of Stephen King will automatically know that reading one of his stories may result in a thrill. For example, near the beginning of the narrator’s encounter, “a junior named John Dancey” happened upon a “dead girl lying in a shadowy corner of the Animal Sciences parking lot” (King, “Strawberry Spring” 2). Accordingly, the explicitly specific imagery used to reveal the brutality of Gale Cerman’s death is quite unsettling! Most of us spend our entire lives avoiding our “hysterical fear” of death, and allowing us to read such a description is “daring [our] nightmares” (King, “Why We Crave” 1). “Strawberry Spring” fulfills Stephen King’s claim that one reason we watch and read horror is to show “that we are not afraid” (1).
The Turn of the Screw is one of the most controversial works in literature and the text has provoked a variety of critical interpretations from its publication in 1898. In this novel, the governess tells her experience with two apparitions that no one but she could see. And the governess accuses the ghosts of servants for corrupting the children, Miles and Flora. Critics concerning about the truth of the story are divided two basic camps based on their acceptance or rejection of the governess's credibility as a storyteller. Some critics believe that the ghosts are real and the governess is a rational and credible narrator, while the others believe that the ghosts are hallucinations of the governess and regard the governess as an incredible and mentally abnormal narrator. Also, we could speculate the author’s intention on the basis of his life experience and other works of Henry James. This essay will examine the reliability of the governess on the basis of the text and interpret Henry James’s intention on the basis of other sources.
The plot of the story itself is very emulate of this theme type. The narrator experiences the deaths of his late childhood friend Roderick, and Roderick’s twin sister Madeline whom they before her death, had buried her alive. Upon their deaths, the narrator states “From the chamber, and from the mansion, I fled aghast” (422). Stricken with the terror the narrator experienced, the narrator’s perception integrates into the minds of the readers. The plot commits immensely to the effect of unity.
The Turn of the screw by Henry James is regarded as one of the most fascinating psychological thrillers of all time. Published in the late nineteenth century, this novella sets up a narrative story of a young lady who appears to have seen the ghost of the former dead employers of the place where she was working. In this novella Henry James combined drama, suspense, and mystery to make it one of the most preferred stories among the readers of all generations. The Turn of the Screw raises many questions, however: Is the governess going crazy? Is she really seeing the phantoms of those dead former state workers? Is she innocent? Is she the villain or the heroine of
Henry James's The Turn of the Screw paints a landscape that is ripe for psychoanalytic analysis. He has chosen language and syntax that symbolize his main character's psychological fragmentation and her futile attempt to mend herself. Many of Lacan's theories emerge as the Governess reveals her motivations through her recollective narrative.
Throughout The turn of the Screw by Henry James, the theme of ambiguous issues is constantly leaving the reader on their own. The ambiguity and uncertainty within this text causes the readers to come up with their own theories as to what the text really means. The ghost story perspective only adds to the infuriating vagueness. The title itself is about all of the twists within this story and basically foreshadows the confusion that the text will cause.
Henry James’ The Turn of the Screw has been described as one of the best ghost stories of all time. However, there is clear evidence that the main character, the governess, suffers from delusions. The strange events that occur throughout the story happen in the estate of Bly. The anomalies, described as horrors or ghosts, only come to light after the governess arrives. These events are due to creations of the governess ' mind, her controlling intent to protect and overrule the children, and her unstable mental state. In this way, her thoughts and her actions are the cause of the strange events at Bly.
Through out the short novella, 'The Turn of the Screw,' by Henry James, the governess continually has encounters with apparitions that seem to only appear to her. As Miles' behavior in school worsens so that he is prevented from returning, and as Flora becomes ill with a fever, the governess blames these ghosts for corrupting the children, Miles and Flora, and labels them as evil and manipulative forces in their lives. But why is it that these ghosts only seem to appear to the governess even when the children are present at the time of the sightings by the governess? Evidence from the short story leads the reader to believe that the ghosts are not real but are merely the evidence of the fragmenting sanity of the governess.
The insanity of the governess constantly shows throughout The Turn of the Screw by Henry James. The governess believes the ghosts she sees control the children’s behavior. Rather than accepting that their misbehavior might just be childish Mischief, she blames the ghosts of Quint and Miss Jessel. She also sees ghosts that do not appear to be seen by Mrs. Grose, Miles, and little Flora. The children, especially Flora, ultimately grow to fear the governess. The governess proves her insanity instead of her heroism through many of her actions and beliefs during The Turn of The
Henry James’ arrays of characters helps to tie the reality of social conflict in this fictional horror story. His characters each have various economic backgrounds and interact differently with each other. This diversity brings these social conflicts to light and helps readers understand the root of these conflicts. In The Turn of the Screw, Henry James uses characterization and conflict to reveal the horrors of social class in American society.
Henry James was one of the famous writers during the nineteenth and early twentieth centuries. He was known as an innovative and independent novelist. One of James' novels, The Turn of the Screw (1898), has caused a lot of controversy among many critics, and each of them has had a particular interpretation. James' creative writing built a close connection between his novel and his readers. The reactions of the readers toward The Turn of the Screw can be researched psychologically by analyzing how James developed his story using questionable incidents, an unreliable narrator, unexpected changes, an interesting prologue, and effective images and words.
Since it was written, Henry James' The Turn of The Screw has been acclaimed by numerous critics to be one of the most immaculate, engrossing and terrifying ghost stories ever produced. Harriet Waters Preston described it as, "a sheer mortal horror, like the evil dream of a man under the spell of a deadly drug"1, and Gertrude Atherton said, "[it] is the most horrifying ghost story ever written!"2