Compare And Contrast The Starry Night And Van Gogh

For this essay, I chose to compare and contrast Vincent van Gogh’s “Starry Night” with Marc Chagall’s “I and the Village”. The two pieces are lovely and most interesting to evaluate in relationship to one another. I personally love both artists and upon closely examining these famous pieces, I have noticed how similar yet different these works of art are.

One of the most mysterious and thought-provoking images to date was painted in 1889 from a mental health institution in St. Remy, France by non-other than Vincent Van Gogh. The opulence of blues and yellows has the ability bring a viewer to its knees, mostly in a subconscious manner that evokes a kind of spiritual quest, perhaps one that Van Gogh was on himself. The Starry Night is still heavily contemplated and its meaning is still relatively unknown and quite debated, as is the man himself. In an effort to gain an understanding of not only the painting but the painter himself, I chose two articles that provide an understanding of the art and the artist: Van Gogh’s Agony by Lauren Soth and Under the Starry Night by Denis J. Billy. Both writers take a different approach to grasping the elusive understanding of this wondrous work but occasionally find some similarities and understanding of him and his work, which I will elaborate on through the course of this paper.

Van Gogh used the seven elements of art in “starry night”. In the swirls in the sky he used lines. He used color in the sky and in the town. You can see the texture in the lush trees and spiraling stars. Compare the cypress tree with the church steeple there is space between them. There is also value from the sky with different shades of blue. He used form in the town. Van Gogh used form in the town.

When you look at the two paintings; “The Starry Night” by Vincent Van Gogh, and “Number 1 1949” by Jackson Pollock; there are a few similarities about the meaning of the works of art. Their background and history are different. These paintings were created in two totally different eras and have different formal and technical aspects. Saying that, these works of art share no spiritual or moral value. Respectively these paintings have a great history and legacy. Two paintings created in different time periods have little in common but yet so much in common.

Vincent Willem Van Gogh was a Dutchman born on March 30, 1853 in Groot-Zundert, Netherlands. The Starry Night is one of Van Gogh’s famous paintings in the world. It was believed that his painting was the view from his bedroom window. After a petition was signed saying Vincent Van Gogh was dangerous, they moved him to an asylum. He lived in a hospital where he suffered occasional relapse into delusions. While he was there, he was able to read, paint and withdraw from his room. As he was going through depression, Van Gogh then began to have hallucinations and even have thoughts of suicide. His art helped him stay emotionally balanced. He then started to paint The Starry Night, and used dark colors. For example, in the painting he clearly paints all the buildings dark and black and paints the stars and the moon brighter to make it stand out more. In his painting, he included a cypress tree which is usually found in cemeteries and represent mourning. There were rumors about his death, saying he had died because his illness

the artist use earthy like colors to convey a realistic feeling in the painting. Additionally, this painting is sensible and non-misrepresented, as it serves to demonstrate the daily life of a peasant family after a hard working day. Vincent van Gogh painting is sensible and non-misrepresented because he synthesizes his idea about art and society: he created a painting not only of peasants but for peasants (The Guardian). In Vincent van Gogh painting, The Potato Eaters,

Vincent Van Gogh was a Dutch artist from the mid 1800’s who was considered to have created approximately 2000 artworks. Growing up, he was classified to be highly emotional and having low self-esteem. Within those depressed emotions, it helped him pioneer the path of expressionism in his art pieces. But as he got more into him artwork he came more mature with his artwork and caused his color patterns and brush strokes to evolve into another style of art called Impressionism. Starry Night Over the Rhone was one of his last ‘few years’ paintings. It was painted in September of 1888. The canvas resides in Musée d'Orsay,

The life span of 37 years saw Vincent Willem van Gogh (Vincent) in creating beautiful works he dearly loved. Painting was an avenue, which allowed him to express his inner thoughts or vent his struggles. My decision to research on Vincent’s painting, Starry Night (1889) came with the inspiration from Don Mclean’s Song, Starry Starry Night where his lyrics spoke about Vincent’s life that further intrigued me in writing this paper.

“Every production of an artist should be the expression of an adventure of his soul,” said William Maugham, a British playwright from the 19th century. Vincent Van Gogh, an artist who is considered by many one of the most inspirational artists in history, was no stranger to depicting his struggles in life or feelings in his work. Van Gogh’s piece Starry Night, designed in the year 1889, shows this to be true in that it was the result of his experiences in an asylum that encouraged this piece. Despite this work has being so well known, many critics and observers of the piece have differing views on what he was trying to communicate through it. Two prime examples of this can be seen by the views expressed in the poems entitled, “Vincent” and “The Starry Night”, written by Don McClean and Anne Sexton, respectively. While the poem “Vincent”, has a depressing tone to it, “The Starry Night”, by Anne Sexton, depicts Starry Night as having a more lively mood, which more accurately represents that of the painting, by Vincent Van Gogh.

Van Gogh depicted clouds and stars in whirly shape in order to direct the viewer´s eye around the painting. When standing in front the painting, one would spontaneously be attracted by those swirls and would follow one swirl to another. These elements make the painting seems to be fluid and abstract. The yellow crescent moon at the upper right corner is blight and mild. It softens the painting to convey a sense of serenity. Compared to other Impressionist paintings, Starry Night is somehow different: van Gogh used very expressive color and distorted form to give the viewers a very bright picture. Van Gogh wrote a letter to his brother to point out that compared to other Impressionist artists of that time, he utilized “exaggeration in terms of composition.” He uses techniques such as surrealism to draw those swirls. In Starry Night the landscape seems to be a way to convey the artist’s emotion. I believe that the fight van Gogh had against his mental illness is reflected in the painting. When looking at the upper sky in the painting, there is a strong contrast between the sky and the stars, similar to what van Gogh experienced that time: his illness and his hope to recover. Van Gogh painted the village in dark color but on the contrary, he used bright color to draw the windows. I think this contrast gave people the idea that finally human should have hope and try their best to overcome the

This is good for painters who take a while on paintings because they can come back the next day and manipulate something that they want to look differently. The Starry Night is a type of oil painting. It is a realistic picture of what a nighttime sky would look like, therefore it is a piece of representational artwork. You can tell that Van Gogh built up a lot of layers to form the different hues of blues he wanted throughout the painting. The stars in this are very strong and bright while the village seems a little gloomy and depressing.

One of Vincent Van Gogh’s most world renowned paintings is his landscape oil painting Starry Night. The painting displays a small town underneath an unusual yet still extremely beautiful night sky. In this night sky, Van Gogh utilizes an array of colors that blend well together in order to enhance the sky as a whole. The town is clearly a small one due to the amount of buildings that are present in the painting itself. In this small town most of the buildings have lights on which symbolize life in a community. Another visual in Starry Night is the mountain like figures that appear in the background of the illustrious painting. Several things contribute to the beauty of Van Gogh’s painting which are the painting’s function, context, style, and design. Van Gogh’s utilization of these elements help bring further emphasis to his work in Starry Night.

     With its swirling colors and lines, The Starry Night, incorporates not just the color and light that is found in the earlier works of these painters, but it shows how forms and feelings also came into play. One of van Gogh’s main beliefs was that art was a direct representation of how the artist feels. Having grown up in a very religious family, van Gogh viewed the heavens as a beautiful, living thing. His heavy brushstrokes and vivid colors portray the night sky as crazy and chaotic and the village below as peaceful and serene. Van Gogh’s troubled life, which involved many failures in life, love and business, forced him into madness, which eventually caused him to commit suicide. While the problems of his life may have caused personal trauma, the artistic importance of his insanity is overwhelming. Perhaps if he had not gone crazy, he never would have created the masterpieces that have had such an impact on art and history.

The Starry Night are one of Vincent Van Gogh's most famous paintings. The Starry Night was painted from a memory that he had. And wasn't painted from a landscape. The landscape was formed using curves and forms of short lines he also used a form of swirling lines and texture. He used blue, white, and yellow lines to paint the piece. And it became one of his most famous pieces of art. He finished the art piece in 1889.

In Vincent van Gogh’s renowned painting, The Starry Night, the vast night sky dominates the background space of the painting. The brightness of the eleven stars, with their yellow celestial glow illuminate the night, blanketing the sleepy, rural village below. Far from the glaring lights of the urban landscape, the pureness of the stars’ radiance floats effortlessly above, lulling the people of the quaint village to sleep. Hovering in the upper right hand corner is a brilliant orange crescent moon, which contributes to the warm mood and aesthetic value of the piece. Mountains, rolling hills and wheat fields surround the cottages as though nature itself is getting a sleepy respite from a long day, much like the townspeople. Toward the forefront of the painting are