From the very start of this essay, it is quite clear that the narrative perspective in Jack London’s “In a Far Country” is very different than the one in J.D.Salinger’s “The Catcher in the Rye”. Both authors have managed to catch the reader’s hearts, but each of them through their specific, unique way of storytelling. Jack London has shown us the beauty and the cruelty of nature through his mesmerizing descriptions of the Great Wild, while Salinger had his own way of showing us that adulthood shouldn’t stop us from being the children we’ve hidden because of the responsibilities and problems life has brought unto us. In a Far Country is a short story about two men, left in the middle of the Wild, in a cabin, who are faced with the problem of surviving and living with each other. On top of that, there is the Fear of the North. ” This Fear was the joint child of the Great Cold and the Great Silence, and was born in the darkness of December, when the sun dipped below the horizon for good. It affected them according to their natures.” (London) Therefore we have two main characters whose actions and even thoughts are observed by an objective narrator.... In J.D.Salinger’s “The catcher in the rye”, the situation is different due to the presence of a subjective …show more content…
Because of this, we don’t have the chance to guess what kind of persons they are .Holden doesn’t seem to give much attention except for a few characters, like Stradlater. In the book he describes his roommate as being “more of a secret slob. He always looked all right, Stradlater, but for instance, you should've seen the razor he shaved himself with. It was always rusty as hell and full of lather and hairs and crap. He never cleaned it or anything. He always looked good when he was finished fixing himself up, but he was a secret slob anyway, if you knew him the way I did.” (Salinger
One way that J.D. Salinger shows off a side of Holden is through the characterization. An aspect of Holden that Salinger creates is his school personality. Holden comes off as a protected person. At the very beginning of Catcher in the Rye, one of the first views of the narrator is a scene of him standing on top of a hill, looking down at one of the most important games of the season for his school’s team. In this passage, Holden is standing on top of a hill, next to a cannon, watching the school game below. This shows how Holden is protecting himself. His school is playing in one of the biggest games of the season, yet Holden is standing in a place where he can’t even view his side. When Holden refers to Pencey, he always uses third person phrases, like “them all” almost as if he doesn’t go to the school at all. He also refers to them in a very grouped way, instead of saying ‘them,’ he refers to the rest of the school as “all.” This kind of language excludes himself as a part of
Literature has always relied on techniques to catch the reader’s attention and format the story, and “the Catcher in the Rye” is no exception. Salinger brought many different writing styles into his novel to make it a bestseller. With his knowledge, Salinger was able to depict the persona of Holden to the reader without directly stating his characteristics. Salinger proves Holden is a lonesome figure who wanted to fit in but struggles to be accepted. The Catcher in the Rye depicts Holden as one who struggles with his sexuality and adulthood and wants to save children from adulthood because of the difficulties that it has brought himself. Salinger greatly expresses Holden through the use of metaphor, imagery, symbolism,
Despite his longing for acceptance, “His efforts to connect with any stereotypical kid his age result in abject failure“(Privitera 204). Salinger thoroughly emphasizes this through Holden’s relationships with Stradlater and Ackley, with both of whom he has a strenuous and artificial relationship, demonstrated by his internal, flippant commentaries on his peers as he discusses them in the book (Salinger 31-40). Holden’s peers ostracize him due to his more introspective and introverted nature, as seen in Stradlater’s angry response to Holden’s reflective response to this writing assignment, saying that he doesn’t “do one damn thing the way [he’s] supposed to”(Salinger 47). These difficulties stem not from deficiencies of his peers, but rather a problem of Holden’s refusal to accept anything different from what he expects, making excuses about his reasons throughout the book to cover his actions. His rationalization of his internal wants and desires impedes any proper connection he could possibly make with his peers. He, “Subconsciously longs to be accepted yet feels he cannot make the connection”(Privitera 205).
In literature, a character’s unique perspective on common human experiences can both engage the reader, and vastly contribute to a text’s endearing value and significance. The Catcher in The Rye offers a rich portrayal of such themes as, the impact of alienation as a form of self-preservation, resistance to change, and the psychological effects of unresolved grief. By telling the story directly through the first-person narration of Holden Caulfield, Salinger offers an unusually in-depth perspective of an emotionally complex character, who is struggling to find his place in the world. Unlike many coming of age stories, the reader of Salinger’s novel is left with a strong sense that Holden will continue to struggle with the protective wall of
Jerome David Salinger’s The Catcher in the Rye, is a work of fiction and a
When J.D. Salinger went to war, he not only affected his own life, but also the life of Holden Caulfield. Similarities between Salinger and Caulfield are too numerous to write off as coincidence: both went to and flunked out of prep schools, and both had a penchant for language classes. Salinger’s life greatly impacted the plot and style of his works because Salinger used himself as inspiration for Holden, as demonstrated through “I’m Crazy”, “Slight Rebellion off Madison”, and The Catcher in the Rye.
This shows just how shallow Holden can be. Moreover, on pages 168- 171, Holden refers to Sally as being “goddam stupid” and a “phony” because she physically/mentally was absurd and didn’t agree with Holden when he suggested they leave to go somewhere far away. This shows that if you didn’t agree with Holden or match his standards, you would be seen as lesser of a person in his eyes. By using repetition of the words “phony”, “goddamn”, and “moron” the meaning of the word is lost. He refers to almost everyone including teachers, parents, friends, and siblings (except Allie) as a “phony” or “moron”.
Salinger’s Catcher in the Rye has been into continuous dispute and controversy since its publication in 1951. Some critics think that Salinger 's narrative of the human plight is engrossing and enlightening, yet incredibly depressing. The leading character, Holden Caulfield, serves as the basis for critical discussion due to his psychological conflict. Salinger 's portrayal of Holden, which encloses incidents of dejection, nervous breakdown, impulsive spending, sexual exploration, and other wandering behavior, have all assist to the controversial nature of the novel. Yet the novel is praised by its piercing advocates, who argue that it is a critical look at the problems facing American youth during the 1950 's.
The reader often searches for a glimpse of himself in the characters he is reading about, and this is especially true with the adolescent readers of The Catcher in the Rye by J. D. Salinger. The author paints a picture of a conflicted youth by emphasizing his idiosyncrasies, and although Caulfield’s traits may seem exaggerated and alien at times, he is a character who is relatable to American youth today. Holden Caulfield has a strong sense of civic duty that is overshadowed only by his suicidal tendencies, is exceedingly sensitive to the evil in the world and prone to angst, yet empathetic to the emotional upheaval other children will experience when entering adulthood.
Holden also has several redeeming qualities that keep him from being the rouge that many censors and critics wanted to label him in the fifties. As mentioned previously, Holden feels deeply for others and spends much of his time trying to understand them. For example, he admits to being a virgin and attributes this to the concern he has for the girls he is with; "he feels he would be taking advantage of their weakness if he had relations with them. " (Lettis, 6) "They tell me to stop, so I stop. I always wish I hadn't, after I take them home, but I take them home anyway." (Salinger, 121) He is also brutally honest, a quality children possess and adults seem to lose as they age. Holden dislikes things he
Salinger’s The Catcher in the Rye has been pronounced a literary classic for its atypical portrayal of adolescence, to effectively convey the protagonist’s alienation and confusion. The introduction of The Catcher in the Rye is underpinned by disorder and confusion through a stream-of-consciousness narration, which digresses from one subject to another. Consequently, Holden’s multitudinous thoughts and feelings appear to lack a cohesive pattern. Additionally, Holden’s prevalent ascription of other students as “phony” (Salinger, p.3) alludes to his alienation and isolation as a form of self-protection; he rejects those he does not understand. Furthermore, the vocabulary encapsulates typical adolescence dialect of the 1940s, and resultantly, alienates contemporary reader. This is typified through Holden’s use of colloquial speech, in particular, his exclamation “that killed me” (Salinger, p.42) to express his amusement. Therefore, the introduction of Holden’s disjointed monologue in The Catcher in the Rye foreshadows Salinger’s unique interpretation of adolescence.
Jerome David Salinger’s only novel, The Catcher in the Rye, is based on the life events shaping main character, Holden Caulfield, into the troubled teen that is telling the story in 1950. The theme of the story is one of emotional disconnection felt by the alienated teenagers of this time period. The quote, “ I didn’t know anyone there that was splendid and clear thinking and all” (Salinger 4) sets the tone that Holden cannot find a connection with anyone around him and that he is on a lonely endeavor in pursuit of identity, acceptance and legitimacy. The trials and failures that Holden faces on his journey to find himself in total shed light on Holden’s archenemy, himself.
In the bildungsroman Catcher in the Rye, J.D. Salinger employs the struggle of individuality, inevitable maturation, and the childhood corruption of adulthood to reveal Holden’s alienation from society.
The Catcher in the Rye is a novel by J.D. Salinger. It is narrated by Holden Caulfield, a cynical teenager who recently got expelled from his fourth school. Though Holden is the narrator and main character of the story, the focus of Salinger’s tale is not on Caulfield, but of the world in which we live. The Catcher in the Rye is an insatiable account of the realities we face daily seen through the eyes of a bright young man whose visions of the world are painfully truthful, if not a bit jaded. Salinger’s book is a must-read because its relatable symbolism draws on the reader’s emotions and can easily keep the attention of anyone.
The novel ‘The Catcher in the Rye’ by J.D Salinger is a coming-of-age story. It follows the short tale of Holden Caulfield, a sixteen year old boy, who throughout his experiences in the novel, changes and becomes more mature and independent. The story essentially has two Holden Caulfields, the one telling the story, and the one that the story is being told about. This essay will look at the differences and similarities between the two Holden’s’.