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Compare And Contrast Franz Fenson And Mao Zedong

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World War II, more so than World War I, is regarded as a war that truly involved the entire world. Although devastating, the end of the war led to decolonization and can be quoted as “a war of liberation” (6/2). Many world leaders emerged out of the war, two being Frantz Fenon and Mao Zedong, both of whom preached culture as an agent of revolution, but differed in their idea as to how it caused revolution As written by both Frantz Fenon and Mao Zedong, national culture is the primary agent of revolution. As explained in previous units, national identity was and still is one of the defining factors of people around the world. The uniqueness and self-worth of people of a nation comes from their specific culture. The mentioned identity and culture …show more content…

Second, culture was also used as a means of unity against oppression. For a majority of Frantz Fanon’s speech, he explains the development of arts, literature and entertainment during oppression. In all cases, he explains that these forms of culture stray away from their original form, but they do accomplish the goal of providing unity for revolution. Fenon gives the example of Algeria, “From 1952-3 on, the storytellers, who were before that time stereotyped and tedious to listen to, completely overturned their traditional methods of storytelling and the contents of their tales. Their public, which was formerly scattered, became compact. The epic, with its typified categories, reappeared; it became an authentic form of entertainment which took on once more a cultural value.” To paraphrase, at once considered rather tedious and having little audience, the stories and songs of artists became agents of revolution in unifying people to become cohesive units and provide national identity, which was different than the identity brought upon them by their colonial rulers. Fenon also explains this in terms of literature, “While at the beginning the native intellectual used to produce his work …show more content…

To summarize Zedong’s views, he says, “We must treat these foreign materials as we do our food, which should be chewed in the moth, submitted to the working of the stomach and intestines, mixed with saliva, gastric juice, and then separated into essence to be absorbed and waste matter to be discarded” Although recognizing that foreign presence may not be ideal for the Republic of China, there must be some ideas, which China can take from to attach to their perceived ideals and form its own identity molded to the uniqueness of the Chinese culture. He uses this same analogy in regards to Marxism and says “it must not be applied subjectively as a mere formula.” Where Fenon deviates from Zedong’s ideology is he speaks less about the role of Western culture and more in the importance of rehabilitating forgotten ideas and puts the African nation’s cultures above all else with little to no compromise. Fenon states, “A frequent mistake, and one which is moreover hardly justifiable is to try to find cultural expressions for and to give new values to native culture within the framework of colonial domination. This is why we arrive at a proposition which at first sight seems paradoxical: the fact that in a colonized country the most elementary, most

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