Communication And Silence In Maxine Hong Kingston's The Woman Warrior

The book, Woman Warrior by Maxine Hong Kingston is a memoir about a girl named Kingston and her past experiences and stories that involve myths and beliefs that her mother talks about throughout her life. In Chapter 1, when her mother told Kingston about an aunt she never knew she had, Kingston promised her mother that she “must not tell anyone” what her mother was about to tell her (Kingston 7). Her mother tells her that Kingston’s “father had a sister who killed herself. She jumped into the family well” and they all live as if she has never been born since she was a disgrace to her family (Kingston 7). Kingston writes this memoir as a break through as she struggles to have a voice since she’s been silenced all her life. Chapter 3 talks about

Maxine Kingston's Making of More Americans like Amy Tan's Mother Tongue has been a controversial addition to Asian American literature. The writer has tried to answer the critical question of Chinese American identity and hence been criticized for adopting an orientalist framework to win approval of the west. Similarly Rendezvous by Frank Chin and Mother Tongue by Amy Tan also speak of a culture that neatly fits the description of the "Other" in the orientalist framework. It appears alien, remote and immensely degrading to women who were treated like non-human beings by Chinese chauvinistic society. However things changed for the generation of Chinese that grew up in the US or at least that is what authors wants us to believe.

Throughout The Woman Warrior by Maxine Hong Kingston, Their Eyes Were Watching God by Zora Neale Hurston and Krik? Krak! by Edwidge Danticat the characters in these text are silenced in many ways. Silence begins within the first words of The Woman Warrior by Maxine Hong Kingston. "You must not tell anyone, what am I about to tell you" (Kingston1).

The theme of “voiceless woman” throughout the book “the woman warrior” is of great importance. Maxine Kingston narrates several stories in which gives clear examples on how woman in her family are diminished and silenced by Chinese culture. The author not only provides a voice for herself but also for other women in her family and in her community that did not had the opportunity to speak out and tell their stories.

Maxine Hong Kingston's autobiography, The Woman Warrior, features a young Chinese-American constantly searching for "an unusual bird" that would serve as her impeccable guide on her quest for individuality (49). Instead of the flawless guide she seeks, Kingston develops under the influence of other teachers who either seem more fallible or less realistic. Dependent upon their guidance, she grows under the influence of American and Chinese schools and the role models of Brave Orchid, Fa Mu Lan, and Moon Orchid. Her education by these counselors consequently causes her to abandon her search for an escort, the bird to be found somewhere in the measureless sky,

Throughout the novel The Woman Warrior, by Maxine Hong Kingston, the past is incorporated into the present through talk-stories combined into each chapter. Kingston uses talk-stories, to examine the intermingling of Chinese myths and lived experiences. These stories influence the life of the narrator as the past is constantly spoken about from the time she is young until the novel ends and she becomes an adult. Kingston incorporates two cultures. She is not a direct recipient of Chinese culture, but she has her own sense of talk-story, that she learns from her mother, which tells the old Chinese stories with a sense of myth, in a new American way. This is a way of weaving two cultures together, bringing the Chinese past into her present American life.

While categorizing each and every person living on the face of this Earth through stereotypes remains a virtually-impossible task, culture does in fact play a role in shaping humans into the people they are. Such cultural traits and customs can conflict with those of other cultures, with one prominent example being the silence of Asia contrasted with the openness of America. Maxine Hong Kingston covers these two topics in depth in her 1976 memoir The Woman Warrior, throughout which a young, insecure girl develops a voice of her own, gaining an increased appreciation for her Chinese-American heritage in the process. The world that she lives in values open communication, often causing those who internalize their feelings to struggle with establishing meaningful interpersonal connections. A character loosely based upon Kingston’s own upbringing and stories that she has heard, Maxine remains unaccepting of her true self until she manages to achieve a cultural balance, learning to respect and somewhat yield to the American value of verbal communication.

Chinese women who chose to remain in China traded freedom for their culture. They were afraid to leave the familiarity of their lives thee for an uncertain future in America Had they gone to America, they would have lost the opportunity to experience Chinese culture firsthand. They lose the freedom that the next generation would have and gained the experience of living in their native culture ane accepting it as a way of life. These women were admirable because of their strength to choose their culture and family over anything else. Their dedication is at a level close to monks and saints. They were able to find harmony in their lives because it was all they ever knew.

Four Chinese mothers have migrated to America. Each hope for their daughter’s success and pray that they will not experience the hardships faced in China. One mother, Suyuan, imparts her knowledge on her daughter through stories. The American culture influences her daughter, Jing Mei, to such a degree that it is hard for Jing Mei to understand her mother's culture and life lessons. Yet it is not until Jing Mei realizes that the key to understanding who her

     The focus of our group project is on Chinese Americans. We studied various aspects of their lives and the preservation of their culture in America. The Chinese American population is continually growing. In fact, in 1990, they were the largest group of Asians in the United States (Min 58). But living in America and adjusting to a new way of life is not easy. Many Chinese Americans have faced and continue to face much conflict between their Chinese and American identities. But many times, as they adapt to this new life, they are also able to preserve their Chinese culture and identity through various ways. We studied these things through the viewing of a movie called Joy Luck Club,

When I came to America from China at age 16, everyone around me appeared to be different. However, I didn’t just talk to my Chinese friends. I pushed myself outside of my bubble; I tried my best to make friends with American students, while I still maintained good relationships with my Chinese friends. America is very different from what I expected, everyone speaks so fast and unclear; it almost made English a completely different language from what I had already learned. As I was trying to make friends, I realized that Chinese culture had made me different from Americans; things that I was curious about as a Chinese person were very private to American students. For example, in America, people won’t mention what their parents’ jobs are when they meet someone for the first time.

As a child, Waverly didn’t enjoy following her mother’s rules and Chinese tradition. At that age she would’ve loved to get rid of her Chinese features. But as an adult, Waverly seemed concerned that she would fit in with the locals during her trip to China, and upset when her mother told her that the people would know that she was a foreigner. Instead of trying to reject her culture as before, Waverly seems to want “the best of both worlds”, a way to embrace both her American lifestyle and Chinese culture. However, her mother, Lindo Jong, deemed the attempt at balance “too late” and describes her daughter as “American-made”.

In the story “Two Kinds”, author Amy Tan, who is a Chinese-American, describes the conflicts in the relationship of a mother and daughter living in California. The protagonist in this story Jing-mei Woo’s mother is born and raised in China, and immigrates to the United States to escape from the Chinese Civil War. For many years she maintained complete Chinese traditional values, and has been abided by it deliberately. This kind of traditional Chinese culture has also affected her daughter profoundly. However, Jing-mei is born and raised in the United States. Despite she has a Chinese mother; she is unfamiliar and uncomfortable with Chinese

Kingston begins The Woman Warrior by writing a story which started with her mother insisting that she “must not tell anyone...what I am about to tell you.” (Kingston 3). Kingston’s first written words are a defiance of this silencing. Silence is a motif that permeates the entirety of The Woman Warrior; Kingston

In 1976 Maxine Hong Kingston won the National Book Critics Circle Award for the best work of non-fiction for her book The Woman Warrior: Memories of a Girlhood among Ghosts, a novel built up from a collection of stories that draw on from Chinese folklore and myth intertwined with her own life’s experiences and episodes from her and other female family members’ life. While labelled as an autobiography, American readers enthusiastically welcomed it as work of fiction that deals with the exotic, mysterious and unfathomable China. This illustrates the why and wherefores of the many readings that this work has originated since its publication. The lack of adherence to one genre, especially autobiography, presents one of the central issues of how