My understanding of Colombian culture was deepened during the interactive oral. The role of gender and the political environment of Macondo were discussed. During the discussion, we credited women with more power than they seem to have in One Hundred Years of Solitude. In Colombian culture, women play the role of a caretaker, watching over their families. The matriarch of the Buendías, Úrsula Iguarán is practical and wise and looks after her husband José Arcadio Buendía and prevents him from compulsively spending his money. She puts in the most effort to save her family from falling apart. After Úrsula's death, the Buendía household reduces to turmoil. Marquéz illustrates society’s dependence on women and how men take women for granted. While
It can be argued that Mexican and Peruvian heritage have been influenced by African traditions and genealogy. During the 17th and 18th century, slaves were transported to Latin America. Within Latin America, slaves were expensive and viewed as a luxury, rather than a commodity. As a result of the high price of slaves; slaves would be treated with slight dignity within Mexican culture.
Since than Chicanas have been accused for being traders and have been oppress by society. The author analyzed the roles Chicanas play in Mexican families and how they follow patriarchy views. For example, the mother in the story is describes as unworthy, week and insignificant within the family. However, Mama Luna as well as the young Chicana are being projected otherwise independent, smart, strong, and confident. Viramontes in her story she represents them as warrior Chicanas fighting against the conquistadores that killed many and took away our history.
Based on Cisneros’ works of literature, gender roles in a Hispanic culture revolves around patriarchal rule. The repercussions of a patriarchal rule includes the limitations of female liberation and development. Cleofilas’ abusive situation exemplifies the limitations of her independence and development as she can not make her own decisions and has to solely depend on her husband. This situation is illustrated when Cleofilas explains that the towns are “built so that you have to depend on husbands... You can drive only if you’re rich enough to own and drive an own car. There is no place to go” (Cisneros 628). Cleofilas reveals that men are the dominant gender and have more authority, and that women are compelled to depend on them in her society. It is an exceptionally rare case that a woman can afford her own car, for the men usually control the finances in a household. Additionally, Cleofilas has nowhere to seek refuge from her husband. Although she yearns to return to her father’s home, she decides not to due to the social standards imposed on her. In her society, the act of returning home after marriage is socially unacceptable. She understands that her family will be viewed in a negative light if she were to return home, as seen when Cleofilas refers to her town as a “town of gossips” (627). Similar to other men in the society, Juan Pedro’s authority is shown through his abuse. Cleofilas recalls, “He slapped her once, and then again, and again; until the lip split and bled an orchid of blood” (626).
Hernandez takes her audience through her childhood as she develops complicated relationships with the languages she speaks, whereas Machado details the adolescence and early adulthood of her narrator and her autonomy in her marriage. These two pieces break down these women’s relationship to formative experiences regarding family and girlhood into two sections: the initial response to these experiences and how they will affect them in the greater span of their lives. In their
Characters of the movie also help to display Mexican culture. Surprisingly, one of the characters that does this is Miguel’s street dog, Dante. The dog is a breed called the Xoloitzcuintli, which are believed to be spiritual protectors in Mexican culture. In Coco, Dante shows this through guiding Miguel through the Land of the Dead and making him meet Hector, who turns out to be the twelve year old protagonist’s great great grandfather. The valuable breed is also said to be able to travel between the Land of the Dead and the Land of the Living, which is exactly what Dante does in Coco by journeying with Miguel. Pixar also shows alebrijes; colorful animals in Mexican folk art; in Coco. The animals were created by Pedro Linares after he had a peculiar dream: he was sick at the time, and he dreamt about a peaceful landscape with odd creatures of all kinds, and after waking up, he was miraculously healed.
When thinking about Hispanic parties, most people think of piñatas, traditional hollow papier-mâché creations filled with candy. Each child at the party is blindfolded and given a stick to try and break the piñata, spilling the candy onto the ground for all the children to collect (Explore Hispanic Culture, 2012). However, researchers believe this tradition extends back to Mayan times, where clay pots filled with gifts were broken open and considered to be favors from the gods (EHC, 2012).
The Colombian culture is formed from the inheritance of the indigenous peoples present in the territory since ancient times, the Spanish traditions adopted during the colonial period and the African Customs incorporated by the slaves that led the conquistadors. This mixture of cultures constitutes a society with traits common to the rest of Latin American countries but, at the same time, very different also. Indeed, even within Colombia's own territory there are many differences between regions and others. Geographic diversity-can be found from tropical beaches to mountains of more than 5,000 meters in height with perpetual snows-and the natural isolation of some areas has led to this diversity. Some of the most important cultural groups according to their location are the so-called cops, located in the Altiplano Cundiboyacense; the countries, settled in Antioquia; The foresters, Settlers of the eastern plains; the Vallunos, settled in the area of Valle del Cauca; the coastal, inhabitants of the Caribbean coast, and the Santander, residents of the departments of Santander and Norte de Santander. All these groups are characterized by showing great cultural differences among themselves, which makes Colombia a fascinating country to know and enter into the day to day of its inhabitants.
This paper is a review on Mexican American culture in the United States. I will discuss the history of this culture and how they became part of the U.S. I will also talk about the different wars and treaty that was signed to give them rights. I will also include the latest in demographics and population from the Census Bureau (2010). I will cover the Mexican Americans prejudices and discrimination and provide slurs that are commonly used in this group. I will go over some resilience factors that helped my ethnic group in dealing with prejudice and discrimination. Another topic of discussion will be what I feel
Since 1970, United States of America has seen a considerable amount of immigration because of economic chaos and civil wars in Latin American countries. The fight between the government of El Salvador and leftist guerrillas in 1980 brought about 500,000 immigrants to United States. They settled primarily in California, Florida, Massachusetts, and Washington, D.C. The civil war in Nicaragua in the year 1980 drove an estimated 800,000 Nicaraguan immigrants to the United States
In Latin American countries, they have a very unique culture. With their holidays, music, celebrations, and art, the countries in Latin America never cease to bring joy in people’s lives. Latin American culture is vastly different than other cultures in many ways. In Latin America, the languages of Spanish and Portuguese are dominant and most people speak them. However there are people who speak other languages as well. Latin America includes nineteen countries and several territories. There are a variety of different ethnicities in Latin America including Mexicans, Europeans, and Asians. Education inside the Latin American culture still struggles. Only a little more than half of kids ages 13-17 advance into secondary school. Because of this, the crime and violence rates in Latin America are at an all time high. These countries have been rated as one of the most dangerous regions in the world because of how high the rates of crime and violence are.
Essentially, every culture has a specific basis, native language, religion and custom that reflects its history, values and beliefs. These conceptual constructs represents the total reality of life within the community of which is commonly known as “Culture”. Culture is not only a race, but is a way of life. In the United States, there are many different races that integrate with the American race and culture. However, these individuals often times may have difficulties adjusting, adapting or maintaining their heritage. How well they acculturate and adapt to the process can have an impact on how well the individual is able to integrate or engage to one or another culture.
Every culture has their own unique and distinguishing characteristics. One’s cultural identity defines who they are as an individual, group, and community. Their cultural identity may be reflected in numerous ways such as: language, communication styles, religion, beliefs, values, clothing, or other types of aesthetic markers. Cultural identity is formed by many of these traits but is not limited to these specifically. This essay will provide detailed information on Mexican Americans, and their ancestry and heritage. I will also explain about this cultures central beliefs and values, while incorporating information on Mexican Americans, cultural patterns, cultural identity, and their cultures communication characteristics and styles.
Colombian culture is a culture rich in traditions and beliefs that are a combination of the indigenous Indians native to Colombia, the Spanish who colonized Colombia in the 1400’s, as well as the influence of the land itself. It is a country rich in biodiversity with around 1,550 species of birds and more than 13,000 species of plants within a mostly temperate landscape covering around 440,000 square miles. Currently it boasts a population of about 42.3 million people(worldometers.info) of many mixed races, including numerous distinct subcultures. Around 75% of the population is mixed race with fifty-five percent being Mestizos (Intermarriage between whites and natives), sixteen percent being Mulattoes (Intermarriage between blacks and whites), and four percent Zambo (Intermarriage between blacks and Indians) The remaining twenty percent of the population consists of European, African, or Indian ancestry. Due to the Spanish invasion that began in 1499, there has been an enormous Spanish influence weaved into the Colombian culture (everyculture.com).
The traditions in Chronicle of a Death Foretold are revealed to be very important in this Latin American society. From arranged marriages, to greeting the bishop, we see tradition affecting the lives of many of the people in the river village. However we can also see this through the roles of women in this society. Purisima del Carmen, Angela Vicario’s mother, has raised her four fine daughters to be good wives. The girls do not marry until later in their lives, and only seldom socialize beyond the confinements of their home. The women spend their
As a woman, Angela Vicario is the epitome of a traditional Colombian woman. A traditional Colombian woman is expected to be virgins when they get married; but Vicario defys this social custom causing Vicario to get “softly pushed his wife into [her house] without speaking,” (46). These details emphasize the idea that women are given different standards than men. The details help highlight Marquez’s criticism of how the traditional Colombian woman is treated as and thought of as. From a very young age Vicario and her sisters were taught “how to do screen embroidery, sew by machine, weave bone lace, wash and iron, make artificial flowers and fancy candy, and write engagement announcements,” (31). These skills were taught to better prepare the girls for marriage; displaying the difference in gender roles. Marquez uses parallel structure to emphasize the amount of skills one has to learn before they can be considered as good and pure. Many years after Bayardo San Román returns Vicario she still does “machine embroidery with her friends just as before she had made cloth tulips and paper birds, but when her mother went to bed she would stay in her room until dawn writing letters with no future,” (93). The diction of the words “no future” and “still” suggest that Vicario’s life is stuck in