In Beowulf the differences between Heorot and Grendel’s swamp are personified through setting descriptions, religious context and Beowulf’s heroic traits compared with Grendel’s anathematic characteristics by highlighting the major conflicts between Christianity and Paganism, emphasizing the contrast of man against monster.
Christian ideas are ingrained in different characters, the glorious and brave Beowulf exemplifies good Christian values, while Grendel personifies evil in a devil-like character that Christians associate with Pagans. Grendel is described as a grim demon who haunts the desolate marsh where due to his anathematic descent, is doomed to live banished among other monsters as part of “Cain's clan, whom the creator had
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In Christian belief, the deer is a symbol of spiritual authority and the devotion of God; Heorot hall stands for these values and contrasts the ghastly characteristics that define Grendel’s swamp. In Beowulf, the contrasting settings of Heorot and Grendel’s swamp further develop the main conflict of Christianity versus Paganism through biblical references, the reflection of Grendel’s anathematic qualities on his swamp, and Heorot hall encompassing the purity of heaven.
The contrast between man and monster facilitates this religious conflict as well as conveys the message that all good things can die in the hands of evil; Beowulf upholds the Christian ideals, while Grendel dies away representing the fall of the Pagans. In contrast to the beauty and success of the great Heorot hall, the swamp is full of damned, evil creatures, “The water was infested/ with all kinds of reptiles. There were writhing sea-dragons/ and monsters slouching on slopes by the cliff, / serpents and wild things such as those that often/surface at dawn to roam the sail-road/and doom the voyage. Down they plunged, / lashing in anger at the loud call/ of the battle-bugle” (1425-1429). The swamp is infested with many wild beasts, by nature bloodthirsty and murderous, just like Grendel who becomes a monster through adopting sinful actions and bringing honorable men to their doom. These anathematic savages confirm that only godless creatures can dwell in Grendel’s swamp depicting hell, and
While many pagan influences appear in the poem, Christian overtones dominate. Many of the characters exhibit Christian characteristics. Beowulf has a Christ-like behavior in his good-heartedness and charity. Beowulf understands the plight of the Danes that are being oppressed by the evil monster Grendel just as Christ knew of the oppression of the Jewish people. Both set out on a venture to save their people. To free themselves from the monster, the Danes need a savior, and Beowulf, through his desire to disperse their suffering, comes to save them. When Beowulf battles Grendel, he exhibits a sense of fairness when he refuses to use a weapon. The idea throughout the poem of living right, of loyalty, and of being a good leader can all be seen as traits of Christ. Just as Beowulf exemplifies Christ, Grendel mirrors Satan. Beowulf and Grendel represent the Christian beliefs of good verse evil. Grendel is referred to as a descendant of Cain, whom Satan tricks into sinning and committing the first murder. He is the image of a man fallen from grace through sin. Like Satan who is jealous of the happiness and joy that Adam and Eve have in the Garden of Eden, Grendel is jealous of the happiness and joy in Heorot. Grendel, as with Satan, is an adversary of God and poses a great challenge to Beowulf. Grendel lives in an underworld as Satan lives in hell. Grendel is referred to in the poem as "the guardian of
Over time, the individuals within Herot have become aware of the evils and menacing conditions that have sprung from Grendel’s and his mother environment. Unfortunately, Beowulf’s boastful attitude and past war experiences with numerous creatures has led him to undermine dangers of the lair. During Hrothgar’s speech to Beowulf, Hrothgar uses figurative language, vivid imagery, and displeasing syntax to demonstrate how Grendel’s environment is filled with treachery, hellish components, and danger, creating a sense of fear and concern for Beowulf, which will allow him to develop a humble attitude. The poem provides a description on how creatures that possess superior qualities, similar to Beowulf, do not survive in Grendel’s lair. Hrothgar uses distasteful syntax and provides vivid examples to assert how creatures that contain superior characteristics and/or qualities are tarnished by the menacing environment.
Beowulf and Grendel are images of the Christian beliefs of good versus evil. Grendel is acknowledged as a descendant of Cain, whom Satan tricks into sinning and committing the first murder (Block, 2008). He is the image of a man fallen from grace through sin. Like Satan who is jealous of the happiness and joy that Adam and Eve have in the Garden of Eden, Grendel is jealous of the happiness and joy in Heorot. Grendel, like Satan, is an enemy of God and is one of the greatest challenges to Beowulf. Grendel lives in an underworld as Satan lives in hell. Grendel is referred to in the poem as the guardian of sins (Norton, 2009). Grendel, the descendant of Cain, is a very hateful creature. He stalks the people and terrorizes them because he is jealous of their joy. Grendel’s stalking of the Dane’s is similar to the devil when he was cast out of heaven and the joys that were there. More parallels are evident in Beowulf's preparation and descent into the mere where Grendel's mother lives. While Beowulf is preparing to enter the water, he is pondering the evils that inhabit the pond. He knows he is faced with a greater challenge than before. He prepared as though he were preparing for death (Norton, 2009). Christ knew before his death that he was facing a great challenge, and he forgave his enemies. Beowulf's descent into the mere is similar to a baptismal rite. Going into the water purifies him, giving him the upper hand over his enemy,
John Gardner offers an alternate interpretation of the old english epic “Beowulf” by narrating the experiences of the monster Grendel, after whom the book is named. Grendel conveys himself as a homicidal, ravenous beast, only capable of destruction and chaos. Therefore, one can conclude that Grendel is indeed evil, and that he well deserves the cessation of his existence. However, depending on the philosophical ideologies and the relative perspective one finds self in, they may conclude differently. Nevertheless, the reader may likely to find one’s self both sympathizing with, and scorning Grendel, because, as the 10th century old english monster says, “balance is everything”.
Beowulf is a great piece of Anglo-Saxon literature that can be, and has been, translated in multiple ways. Of the many outstanding translations, two of which are by Burton Raffel and Seamus Heaney, different ways of writing are portrayed. Grendel’s description is written quite differently in both translations. Heaney’s translation is more similar to the Anglo-Saxon style of writing than Raffel’s translation.
Both of the pieces of literature, Grendel and Beowulf, contain the same story; it is just told from different viewpoints. Beowulf is an epic oratorical poem depicting the heroic Beowulf defeating the hideous creature that haunts the halls of Herot. Grendel, however, allows the reader to be able to experience the story from Grendel’s point of view. Though the books depict the same creature who possesses the same qualities, within Grendel, he is given more human characteristics and this makes the reader feel as though they are reading about a different being.
In Beowulf, the clash between good and evil is the poem's main and most significant focal point. Although the epic poem Beowulf utilizes many characteristics of Christian themes, the violence in the poem relates to paganism. By exploring the characteristics of “good vs. evil” such as Cain, Grendel and Beowulf, this paper will explore the elements of Beowulf in such a light.
The expression “Jesus take the wheel” is quite common in today’s world, but just because it is a modern saying does not mean that it did not have any relevance in earlier time. Throughout the story of Beowulf, a comparison between Christianity and paganism had always been a topic discussed both within the text and spoken aloud in the classroom. Likewise, in this instance, man-made issues serves as a mirror of paganism and trust in God becomes Christianity. Many factors throughout section three revert to paganism rather than Christianity because there was no trust in God. Details such as pride, arranged marriage, and death are the major aspects of man-made issues in this section.
Many times in literature authors blend two dissimilar traditions and virtues in order to make up a persons true identity. In the epic poem Beowulf, the Christian allegory is woven with a pagan fable in order to truly represent the characters. The Christian and pagan virtues are successfully synchronized and amalgamate the story as a whole which is displayed by the two main characters, Beowulf and Grendel, through their personal traits.
In the story of Beowulf you get a glimpse of many different themes throughout this epic. Those themes range from good and evil to those of death and glory. The story itself depicts a period in history when life was lead "blind" through the teachings of the book of the lord and his spoken words. At this same period in history traditional pagan religious practices and beliefs have slowly given way to the ideals and philosophy of Christianity. Many of the themes held within the pages of Beowulf stem from the proverbs and fables recited and practiced in the Old Testament, while concurrently adding pagan beliefs of monsters, demons, and multiple gods. The most striking of these biblical comparisons is viewed between Grendel
Christianity arrived in Northern Europe over one thousand years ago. This is evidenced by some of the earliest pieces of literature that we have. The epic poem, “Beowulf”, shows many references to the influence of Christianity on English culture. There are many parallels between characters in “Beowulf” and characters from the Bible. Many Christian themes and virtues are also portrayed in “Beowulf”. Throughout “Beowulf”, the theme of Christianity manifests itself through Christ-like images of Beowulf as well as his strength in God allowing him to ward off monsters of paganism.
Grendel, is thus seen as the descendant of an individual who epitomizes resentment and malice in Beowulf. The author states Grendel lives in exile and is seen as “mankind’s enemy”(Raffel, 22). Grendel is the representation of all that is evil and he is declared to be the “shepherd of evil and the “guardian of crime”(Raffel, 33) by the Danes in Beowulf. The author describes Grendel to be an evil, cruel, apathetic creature who’s pleasure lies in attacking and devouring Hrothgar’s men. The author describes Grendel’s malice by painting a gruesome picture of Grendel’s countless attacks on the mead hall in which he exhibits Grendel as a heartless, greedy, and violent being who mercilessly murders the men at the mead hall by tearing them apart, cutting their body into bits and drinking the blood from their veins. The author describes Grendel’s greed by stating Grendel’s thoughts were as “quick as his greed or his claws”(Raffel, 21). He describes Grendel’s as having eyes that “gleamed in the darkness and burned with a gruesome light”, swift hard claws and great sharp teeth which paints a picture of Grendel’s frightening appearance in the reader’s mind. In contrast to the traditional story of Beowulf, Grendel in John Gardner’s novel, Grendel is not depicted as a monster but as an intelligent creature capable of human thought, feelings and speech. John Gardner portrays Grendel as an outcast
A merger of pagan and Christian beliefs that occurs in the poem, “Beowulf” is the representation of Grendel. Grendel’s ancestry and evil denote Christian beliefs. Grendel is a descendant of
The narrator of “Beowulf” introduces us to the monster that is Grendel in the very first lines of the poem. The speaker describes “a fiend from hell” and speaks of “a cursed creature” whom God has condemned as he is “the kin of Cain”. Grendel’s description immediately aligns him with sin and the darkness of human nature found in the old biblical tale. As the poem goes on Grendel attacks Hrothgar’s hall because of the singing of praise to God. Grendel cannot bear to hear the praise as he is said to “live in the land of monsters since the Creator cast them out” (pg. 39).
The story of Beowulf is a heroic epic, chronicling the distinguished deeds of the great Geatish warrior, Beowulf, who travels across the seas to rid the Danes of the evil monster Grendel, who has been inflicting destruction and terrorizing the kingdom. Beowulf is glorified for his heroic deeds of ridding the land fiendish monsters and stopping the scourge of evil, while the monster, Grendel, is portrayed as a repugnant creature who deserves death for its evil actions. However, many have disagreed with such a simplistic and biased representation of Grendel and his role in the epic poem. John Gardner in his book, Grendel, sets out to change the reader’s perception of Grendel and his role in Beowulf by narrating the story through Grendel’s point of view. John Gardner transforms Grendel, once perceived as an evil fiend in Beowulf, into a lonely but intelligent outcast who is actually quite similar to humans, due to his intelligence capacity for rational thought and his real, and at times irrational emotions. Gardner portrays Grendel as a hurt individual and as a victim of oppression, ostracized from civilization. Although the two works revolve around the same basic plot,, the themes and characters in Beowulf and Grendel are often different and sometimes contradictory.