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Change In Smoke Signals By Chris Eyre

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Throughout “Smoke Signals”, one of the first genuine Indigenous films directed by Chris Eyre, the main character Victor Joseph undergoes various personal changes and growth in which he learns to accept the death of his dad, Arnold Joseph, and forgive him for his destructive behaviour. In the beginning, Victor is full of resentment and anger towards his father for abandoning him and his mother as a child. He carries a deep emotional burden due to his absence, making him skeptical and distrustful of others. He and his childhood companion Thomas Builds-the-fire embark on a journey to retrieve the ashes in Phoenix, Arizona. Their personalities tend to clash – Thomas looks at Arnold through rose-coloured glasses, despite his circumstances. The trip serves as an opportunity for …show more content…

Your dad left her, sure, but you left her too. And you’re worse ‘cause you still live in the same house with her!” (01:05:11) He’s criticized for his emotional unavailability, and urged to confront his behaviours in order to acknowledge the impact they have on those surrounding him. After an accident and a trip to the hospital, they reconcile, deciding that scattering the ashes and letting go will be for the best. Before their departure, Victor holds his arms out and says “Let me hold Dad.” This is the second time he refers to Arnold as a parental figure, and it can be inferred that with this, he is also accepting Thomas into his family. He could have instead asked, “Let me hold my Dad.” Their bond has strengthened significantly; two children born of flame and ash are now heavily implied to view each other as brothers. Following this, Victor takes the small tin of ashes to a bridge overlooking the river. He pours them over the edge. He had just been given the analogy of his father rising as a salmon by being released this way. He screams, collapsing and assuming a fetal position, letting go of all the pent-up emotions he’d let build up over the course of his

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