Additionally, Celie after her tragedies is able to reconstruct herself to love life again and give back to the world through learning to accept Albert and crafting her lovely pants. Once she returns to Georgia, after a long conversation with Albert Celie writes, “He ain’t Shug, but he begin to be somebody I can talk to. And no matter how the telegram said you must be drown, I still get letters from you.” (276). For this reason, Celie is one who channels out forgiveness and love onto her surroundings. Even though Celie encounters cruel treatment and a poor life at first she is able to respond in wholeness without attempting to hurt anyone. In contrast, Maleficent does not end up accepting her attacker. In the film, there is a huge clash between
In the movie, Celie was one who had very low self-esteem since childhood. She felt worthless within her first marriage which was forced on her because she was sold to a man she called Mister who only needed someone to care for his kids. Perhaps if she would have had the opportunity to address those issues within her life with these few stages she might have thought more of herself. One article listed some stages that should be examined in one’s life to determine where to find one’s self. It stated,”
Celie practically struggled for happiness her whole existence. Her father sold her to a man who had no intent of loving or caring for her. Celies’ husband whom she refers to as Mr. physically and verbally abused her. Mr. felt that the only way to keep a woman in check was to beat her and he did just that throughout the movie. Like any woman would though the abuse Celie lost herself and respect for herself. Living with Mr. was a life full of darkness and hatred. Life with her husband was no better life than life with her stepfather. It took years for Celie to become brave enough to fight back for what she accept as true and gain understanding of how to convey amusement and have little outlook on life. After years of abuse, Celie no longer was afraid of Mr. She no longer cared for her husband or the
Told repeatedly that she is ugly and stupid, she hardly knows better" (Cheung 165). Cheung understands Celie to believe lies told to her face about herself, causing her to have no voice in her own life.
Celie has been emotionally abused by multiple characters in The Color Purple. Celie was frequently told she was an undesirable, ugly woman only meant to be used by other. She believed this, leading her to hate her physical appearance, and her self. After being impregnated by her father Celie was forced to quit attending school which broke her down even more. She began to feel very stupid and illiterate. The day her sister Nettie was forced to leave her side had destroyed her emotionally. Nettie was the only person she loved, other than her children, and the only person she felt loved her back. Celie was also given away unwilling as a wife. to Mr.______ who treated her terribly. While living with
Celie is not a typical protagonist. In Alice Walker's The Color Purple, the main character Celie is an ugly, poor girl who is severely lacking in self-confidence. However, Celie transforms throughout the course of the novel and manages to realize herself as a colorful, beautiful, and proud human being. Celie becomes a powerful individual.
Celie, in The Color Purple, goes through certain events in her life in which she finds hope. Although she has a terrible life, Celie manages to escape from all of the evil. When she was younger she was emotionally scarred by her father after her mother had passed due to being very ill (James Web). Her father would brutally rape and slap her to mourn the loss of his wife. Celie’s father then sells her to a man named Mister,
It is clear that Celie’s father commits several forms of violence against her when she quotes, “he [Pa] never had a kine word to say to me… First he put his thing up gainst my hip and sort of wiggle it around… When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. But I don’t never get used to it.” (Walker, 1-2). As a results of this, Celie finds herself in situations where she has trouble identifying with her sexual orientation as well as, becoming numb to sex after repeated sexual abuse. Moreover, not only is he physically violent with her by raping her, but later on in the novel, one discovers that he sells Celie’s children away- just like Aminata’s children- causing her to face emotional damage as well. Moreover, Celie’s father does not respect her as a human being, for the fact that he calls her ugly and does not say anything kind to her, but he also forces her to keep quiet about the way he is treating her, thus dehumanizing her. All in all, numerous forms of abuse have severely crippled Aminata and Celie, displaying oppression caused by men in their daily lives.
Similarly in The Color Purple, Celie struggles to fit into the society she was born into, suffering from low self-esteem and very little self-worth throughout the entirety of the book. This is evidenced in letter seventeen when Celie explains she “don’t feel nothing for them” and how they “don’t love” her “neither”, after suffering many brutalities it is as though she is dead inside, unable to love or be loved. Having noticed she does not sign her name at the end of her letters, is quite unusual. Most people would find pride in signing their name, especially when addressing God, reinforcing the idea that she has no confidence in the person she is or wishes to be. Being a victim of the ‘double oppression’, her ‘Pa’s’ anger and hostility towards the treatment of black people at the time, meant that Celie faced countless acts of extreme violence throughout her life. In letter five Celie explains her fathers ‘reasoning’ in giving her one of many ‘beatings’ after reportedly winking at a boy in church. Celie explains she
The abuse that Celie suffers for so many years has changed her, making her into a submissive young woman who can’t stand up for herself, even when she is not at fault; “He beat me today cause he say I winked at a boy in church.
Celie and the women surrounding her struggle for bondage. Celie finds a bond with many females. Walker introduces the hint of Celie's sexual attraction to women in church. Afraid of men because of the cruel treatment by her father, Celie turns more and more towards the company of women, who represent love, warmth, and feelings of solidarity to her. Celie affirms her sexual identity in her relationship with Shug Avery. For now, it is manifested merely as what men cannot offer.
Celie is able to accept her past and establish a clear vision of herself and fulfillment through the acts of love. She meets other women who tell her that she should stand up for herself and fight, but Celie feels that it’s better to survive than to fight and risk not surviving. However, there are certain triggers that lead Celie to stand up. Like a true fighter, Celie proves herself to be willing to stand up for the people she loves. Even as a downtrodden victim of her Pa, Celie sacrifices herself and offers herself to her father so that he keeps his hands off of Nettie. As mentioned in this quote, where Pa is sexually abiding Celie, “First he put his thing up gainst my hip and sort of wiggle it around. Then he grab hold my titties. Then he push his thing inside my pussy. When that hurt, I cry. He start to choke me, saying You better shut up and git used to it. ” (Walker, 4). Celie has the potential by putting her efforts into other people, but not realizing she is able to stand up for herself the same ways he does for Nettie. Relating it back to the novel, “Beloved”, Sethe does the same representation when she is trying to save Beloved even though the idea is bizarre of her killing her own child, but she only does it so that she would not have to suffer the way Sethe did. Celie is introduced with Shug Avery a blues singer, who she was first found “rude”, but as the story moves along, Shug Avery becomes the reason Celie learns to love herself. Because Celie is finally opening herself up by loving someone, Celie becomes more lovable. Through Shug’s love, Celie begins to realize her own self-worth, from the minute when Shug Avery wrote a song for Celie, as said in this quote: “This song I'm bout to sing us call Miss. Celie's song.”(Walker, 73).By the end of the novel, Celie loves more
Being a black female in the south during the early 1900’s, at a time when white and blacks were socially segregated and women were absolutely inferior to men, was one of the many challenges Celie would be faced with in her lifetime. Born in 1895, Celie was raised on a farm in a small town in Georgia where formal education took a back seat to physical labor and household maintenance, and the Church was the main focal point of socialization among local town members.
Celie also values her sister Nettie greatly and protects her when it comes to their step-father, Alphonso raping the girls. Celie says “I ast him to take me instead of Nettie while our new mammy was sick.” the casual tone of the preceding line adds to Celie's lack of self-worth; she is so used to being raped by Alphonso that it no longer makes any difference to her. As Celie transitions to the Mister’s household, she is still treated with disrespect by the Mister himself and even one of his sons. In a letter to God, she writes “I spent most of my wedding day running from the oldest boy… He picks up a rock and laid my head open.” Celie grows older in this household and submits to more abuse from her new husband.
Mr. is controlling and self centered without showing any regards to how Celie is feeling. He beats and conditions her to be submissive. For this is how he was led to believe to treat women by his father viewing them as objects. At the end of the movie he has a turn around. After Cellie left he realized without her every thing falls apart. ‘until you do right by me
Because Celie seeks to protect her younger sister Nettie from being degraded by Pa, Pa frequently targets Celie to be the subject of his physical and sexual abuse. Pa constantly rapes Celie and eventually impregnates her twice. Pa also physically abuses Celie. In one letter, Celie references an incident where Pa punches her because she accidently winks at a boy in her church (12). On top of the physical and sexual abuse that Celie suffers from, Pa also verbally abuses her. He frequently tells Celie that she its ugly and unwanted. Eventually, Celie internalizes these words and begins to think view herself as though she is ugly and unwanted, so she believes that the things that happen to her must be normal. All of the abuse that Celie suffers from at the hands of Pa causes her to characterize all men as violent and