An inventory of initial personal reactions to the museum includes sensations like eccentric, abstract, and exotic. The building is nice to look at. It has a good sense of movement caused by its wide openings throughout the bottom and cervices at the top and middle of the building. The bottom is wider and it gets smaller in different areas depending on where the domes are located. All the different angles and stunning designs sculpted on each section of the building seems edgy and innovative. The building does seem inviting, impressive, and influential. The specific structure of the building is unique. The cathedral is made up of four octagonal and four square towers, which were all constructed of red brick. Every tower and the church are topped
From the outside of the cathedral, I could see the scaffolding since it was going under construction. Even though the cathedral is beautiful on the inside, the outside does not do it justice. Approaching the cathedral, it is
The building is four stories high made of brick, tile, and concrete. The east façade also has Classical features such as a frieze, dentils, cornice, raking cornice, entablature and an architrave. The front of the façade was adorned with floral coffers, corbels, as well as post and lintels (Photo 2).
The interior is decorated with mosaics and marble pillars and coverings of great artistic value. Justinian oversaw the completion of the greatest cathedral ever built of its time. It has a complex interior structure; the nave is covered by a central dome which is about 182 ft. 5in. from floor level and rests on an arcade of 40 arched windows. The dome had some repairs made to it which made its diameter vary from 101 feet to 103 feet. There are arched openings extended by half domes of same diameter to the central dome carried on smaller semi-domed exedras. Also the interior surfaces are sheathed with polychrome marbles, green and white with purple porphyry, and gold mosaics. The exterior, clad in stucco, was tinted yellow and red during restorations in the 19th century at the direction of the Fossati
The main building of the Art Institute is constructed mostly of masonry, with few windows, and feels very heavy and overpowering. Grand staircases and large columns dwarf visitors as they move through the galleries. This is similar to the way the art in the space makes you feel: small, unimportant, and sometimes even afraid. The Modern wing in constructed of steel and glass, and is very open and bright (except when intended not to be). The large north wall facing Millenium Park is one large expanse of windows, letting in plenty of indirect sunlight, and opening the gallery to the park. The space feels very light, in both senses of the word. As with the old building, the art feels similar to the space in that it is more open and less opressive.
Chartres Cathedral is one of the most significant achievements of all the historical architecture. Additionally, it is entirely preserved with its original details. The unique features of the cathedral are intact, and thus when one visits the place, he or she is likely to encounter the authentic architecture work as it was done many years ago. Chartres Cathedral symbolizes an atmosphere of awe and holiness (Katzenellenbogen, 2). As such, it was built for religious purposes. However, it attracts the nonbelievers as well. As a holy building, it has many glass windows to light the building. Due to its height, a double flying buttresses is used to support the high nave. The cathedral was the first building in history that used buttresses since it was considered as necessary for the peoples’ culture and as a sign of authority. It was built to reflect a symbol of power since the religious leaders engaged in politics too. The cathedral has many statuses that represent the Biblical aspects such as Elijah, Isaiah, John the Baptist, Jeremiah, and Simeon (Katzenellenbogen, 9). The standings portray the Christian faith that was used by the architectures while building the cathedral. The interior floor stands thirty-six meters high and is one hundred and twenty-eight meters wide. The sizes show how vital it is and it can host many peoples who visit for religious functions.
The fascinating dome of the cathedral is constructed of brick, marble, sandstone, iron, and wood. Filippo Brunelleschi the master mind behind the dome roof, used vertical marble ribs to distribute the weight, wrapping the inner wall with sandstone and chain "barrel hoops" between the ribs to prevent them from
Paul. The exterior of saint Paul consists throughout of two orders, the lower Corinthian, the upper composite. On the north and south border, the uppermost form is hardly a curtain-wall, not comparable with height of the hallway and cover up the flying buttresses that backing the clerestory of the nave. The post along the top was added against the choice of Wren, who desperately mentioned it that ladies expect nothing well work without the edging, The west front has a lower portico of twelve columns’ and an uppermost one of eight columns. The cathedral beaux arts architecture is characterized by rounded domes and arches. The church body is made of granite stone from St. Cloud, in shape of Greek cross. It has three front entrances rest under a monumental
Next, each room of art were unique. When I get into each room, some things that surprise me that each room was very exclusive, original and uncommon. Also, the rooms were very enlightened and I personally felt that each room had something for everyone in the family. Another thing that I noted of the museum was the accessibility of each floor, so anybody can go and have a great time without
The Notre Dame Cathedral is certainly one of the most beautiful locations in the world, as the city of Paris as a whole and the building's surroundings contribute to making visitors acknowledge the importance of this monument. Construction on the cathedral started in 1163 and was largely finished by 1250, with most of its features emphasizing Gothic influences. The building's architecture, the sculptures present in it, and the impressive stained glass all stand as reminders that the French community invested most of its cultural values into the church at the time when it was constructed.
The Cathedral of Notre-Dame in Reims, northeast of Paris near Champagne was the coronation church of the kings of France and was an educational and cultural center. Also built of limestone, the architecture of the Reims Cathedral features Gothic style. It symbolizes an Early Gothic, Radiant Gothic and Flamboyant Gothic. The Reims Cathedral depicts a classic harmonic facade containing four levels. Its interior is defined by its towering heights and narrow proportions, and elaborate sculptural works. Because of the high quality of workmanship and materials used, Reims Cathedral features some of the most beautiful gothic art in existence. Five different cathedrals have been on the site on which Reims cathedral now sits since 401 CE. The current cathedral was built in 1211, after the previous cathedral had burned down. The new building was almost entirely finished by the end of the thirteenth century. 88 gargoyles were counted on the Reims Cathedral and are mainly used to drain off rainwater and are exceptional pieces of work, but do show the slight difference between Gothic and Romanesque styles. The stained glass windows are a beautiful part of Reims despite being damaged or ruined several times in the 18th century; the cathedral still has many 13th century stained glass windows, in the upper parts of the nave, choir and transept. On the opposite side of the great western portal, the Great Rose Window, dating from the end of the 13th century, represents “the Crowning
This mountainous structure is seen from about every point of Paris and beyond. From the front, you can see two towers jutting out of an ordinary street. The Cathedral also features large stained glass windows, that are one of the most beautiful features of the structures. From the side, you can see the long body of the Cathedral and the spire sticking out of the top. It is somewhat overwhelming being within feet of the structure, because of the immense height and width of the church. Looking at the back, one can clearly see the dome-like structures attaching to the organ room. From the outside, you can clearly see the sculptures depicting the scenes from the Catholic religion. The cathedral is gigantic, but it is easy to process all the sections because of the distinct styles of architecture. From an
What is the importance of this cathedral and how did the local people accepted the cathedral?
Never before have I seen a museum as grand as the Metropolitan Museum of Art in New York. From its architecture to its massive art collection, The Met has a little bit of everything and one is sure to find something that captures his or her interest. Considering that The Met is the United States' largest art museum, it is easy to get lost within its many corridors and wings. My visit to The Met took place during the last week of July. Despite the almost unbearable heat and humidity that hung in the air, visiting museums under these climate conditions is a welcome respite from a suffocating, yet bright summer afternoon.
The church was designed to have a total length of 110 m, and a height of 45 m, with twelve towers between 100 and 115 m high. The ground plan is a Gothic basilical plan in the shape of a Latin cross, with five naves connecting with a transept that connects to three naves, apse, and ambulatory. The rest of the church is conceived in an organic style,
The outside is made of white stone blocks. Inside the cathedral the masonry is filled with pieces of rough stone used in the walls to fill the cavities. The pillars, drums, and the alter wall are made out of brick. There are large paintings on the pillars stretching from the ground to the bottom of the domes.