Catcher In The Rye Identity Quotes

Holden tells Phoebe that what he actually wants to do when he 's older is he wants to be the "catcher in the rye". He tells Phoebe the lyrics to the song that the boy was singing, "If a body, catch a body, coming through the rye." Phoebe corrects him telling him that the song he is referring to is actually a poem, and the correct lyrics are "If a body, meet a body, coming through the rye." He acknowledges her, but he believes he is right, being as he 's the older brother and all. Using the lyrics that he believes are right as his inspiration he creates a fantasy world, making himself the

The carousel and gold ring finally allow Holden to accept change as a natural part of life and that it is necessary for one to grow as a person. Holden buys a ticket for Phoebe, his kid sister, to ride the carousel but refuses her offer to go on as well. Instead, he sits and watches: “ I went over and sat down on this bench and she went and got on the carousel” (211). By doing this, Holden chooses to no longer be a child. He starts to accept that he needs to start maturing and watches Pheobe, like the other adults are watching their children. This is a step in the right direction for Holden as up until this point in the novel, he has refused to change because of his fear. While Holden watches Phoebe ride the carousel, he watches her reach for the gold ring. As she reaches, Holden thinks to

Holden’s contempt for adults goes deeper than teen angst or a need to rebel. Rebellion is done out of a need for attention, however in Holden’s case he acts upon a fear and unresolved childhood trauma. Throughout the novel, we see our character Holden bouncing around denial, anger, bargaining, depression, and finally acceptance. Holden lost his brother to leukemia; Holden was 13, while Allie was 11. Holden was left devastated. At the beginning of this book we see Holden in isolation watching the football game on his own atop a hill after a long disappointing day in New York. Holden tells us about when he found out about Allie’s death, and in a fit of rage punched the windows out of the garage of their summer home, breaking his hand with the desire to punch the car windows out. Holden was unable to reconcile the loss of Allie. He missed the funeral because of his accident and continues to not visit the grave because of his denial of the situation. Holden used bargaining when he asked Allie to catch him in his fall through depression. Holden perceived the children of the rye as falling, while he was the only one actually falling with no one to catch him. Throughout the entire novel except in short bits, Holden claims to be depressed and hates being around those with less than himself. Finally, at the end of the book, Holden reaches an acceptance that he can’t control everything and life continues. He has to let go and allow others to reach for that carousel's golden ring even if they do fall along the

Holden wants to be the catcher in the rye and save the children from falling off the cliff. This cliff, however, is the real world, and Holden himself is afraid of it so he wants to protect children from it. This is also demonstrated when Holden visits his sister 's school and sees swears written on the wall. This makes Holden very mad, "It drove me damn near crazy. I thought of how Phoebe and all the other little kids would see it, and how they 'd wonder what the hell it meant…But I rubbed it out anyway, finally"(201). Holden was able to protect the children for a short while but a few moments later he sees the same thing written on the wall again. Only this time it is scratched in with a knife or something and Holden is unable to rub it away like before and realizes "It 's hopeless, anyway…it 's impossible" (202) he indicates here that growing up and facing certain reality is inevitable. Holden finally realizes that he can 't protect the kids from the real world when he watches Phoebe ride a carrousel at the zoo. "All the kids kept trying to grab for the gold ring…this thing with kids is, if they want to grab for the gold ring, you have to let

The relationship between Holden and Phoebe forms a major theme that the novel aims to deliver. The fact that he is having this conversation with Phoebe, a child who is anything but simple and innocent, reveals the oversimplification of his worldview. Holden himself realizes this to a degree when he acknowledges that his idea is “crazy”, yet he cannot come up with anything more pragmatic; he has trouble seeing the world in any other way. His “catcher in the rye” fantasy reflects his innocence, his belief in pure, uncorrupted youth, and his desire to protect that spirit. On the other hand, it represents his extreme disconnection from reality and his naïve view of the world. Phoebe exposes to Holden a living embodiment of childhood. And it is a scene with her where she exposes to Holden the illogical nature of his supervisory actions, indicating that his desire to preserve her innocence will only halt her own inevitable development. Phoebe is the Greek word for “protector of children” (Bloom 2009, p185). Within the novel she is Holden’s protector. She comforts him, provides him with financial security, and protects him from getting in trouble with their mother. Reiff describes this reversal of roles between Holden and Phoebe as “Now, instead of saving the world by protecting the children, Holden wants to reject the world and shut himself off from evil by becoming a ‘deaf-mute’ in the West. It is Phoebe who rescues him from this total withdrawal” (Reiff 2008, p71). Phoebe forces Holden to view her as a human—living and progressing— rather than as a forever preserved child, and it is this humanization that causes Holden to accept her eventual progression into

However, as the novel nears the end, Holden experiences his pivotal moment and takes on a different perspective of life. Rather than just going through with his plan of isolating himself from the superficial society, Holden decides to stay and face it, with its adulthood and phoniness. Seeing Phoebe attempt to grab the gold ring along with other kids, Holden thinks to himself, “I was... afraid she’d fall off... but I didn’t say anything or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it... If they fall off, they fall off” (211). Holden reaches the conclusion that he can’t be a catcher. He can only watch the children and in no way can he avert them from committing their own wrongdoings; he is not able to save them from shedding their innocence as they grow older and they will eventually. Releasing himself from the task, “[Holden] felt so damn happy” (213). A burden has lifted as he liberates himself from such a responsibility. He doesn’t have to carry the weight of executing the responsibility he shackled himself with, one that greatly affected him mentally. He knows that he does not have to keep up this pretense anymore.

Salinger uses this gold ring as a metaphor for adulthood. Holden remarks that “the thing with kids is, if they want to grab the gold ring, you have to let them do it and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them,” (Salinger 274). Even if Holden doesn’t know it, he is admitting that parents have to let their children grow up at their own pace, and reach for the gold ring when they chose to, because you cannot stop children from doing so and it is bound to happen sometime. Earlier in the novel, Holden speaks of having “to catch everybody if they start to go over the cliff… [and that he has] to come out from somewhere and catch them” (Salinger 225). Initially, Holden thinks that he has to prevent the children from falling into adulthood in order to maintain their innocence, but now Holden realizes that parents have to let their children fall. It is better for parents to let their children reach for the gold ring and risk falling than to constantly catch them, because every child will fall one way or

In The Catcher in the Rye, Holden Caulfield resists the idea of growing up. Throughout the book Holden struggles with the transition from childhood to adulthood. This is partly because the only times he remembers being happy is in places he made childhood memories in. For example, the Carousel in Central Park is where he has many happy childhood memories with his siblings. As the book goes on, the setting of the Central Park Carrousel is the place where Holden ultimately accepts that he has to grow up. His reasons for accepting that he has to grow are Phoebe’s actions at the carrousel , the rain, the symbolism of the golden ring and the Carrousel music.

sees hanging on the wall the gold seal in the gold frame, “which matched the dream that was hung

Throughout the story Holden emphasizes his love for childhood innocence. In a passage he says “The thing with kids is, if they want to grab for the golden ring, you have to let them do it, and not say anything.” (Salinger 211) This immediately points to his affinity for innocence and not having the limits of being and adult. The

1) The literary term being used is speaker where the main character, Holden, was speaking when it read "I said" to his little sister Phoebe.

The quote, “The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.” This quote relates to Holden’s seeing himself of becoming the catcher in the rye. Told to him by Mr. Antolini, the quote represents Holden being immature, and that he should not dwell on one cause and live his life. Mr. Antolini believes Holden is still immature and needs to realize his reality.

After Phoebe asks what he wants to be when he grows up, Holden goes into detail and illustrates, “… I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff—I mean if they’re running and they don’t look where they’re going I have to come out from somewhere and catch them. That’s all I’d do all day. I’d just be the catcher in the rye and all”(Steinbeck 191). Holden values a child’s security in the highest regards and is willing to save one from hitting the bottom of a cliff. As the bottom of the cliff represents the unpleasant and demanding world of adulthood, Holden is finally separating himself from childhood and accepting that he is an adult. After Holden encourages Phoebe to enjoy the carousel, he observes, “All the kids kept trying to grab for the gold ring, and so was old Phoebe, and I was sort of afraid she’d fall off the goddamn horse, but I didn’t say anything or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but its bad if you say anything to them…”(Steinbeck 232). Holden is overprotective over his younger sister Phoebe, except when she is on the carousel and he learns that she can develop her own independence. Noting that children also have risks and decisions they have to make themselves without adult interaction, like reaching for a gold ring but knowing the risk of falling. Holden can finally completely separate his adult self and his child self, and only look back with nostalgia. Earlier, Holden regards himself as “the catcher”, the savior who protects children from frightening reality of adulthood, but after seeing a lot of maturity in Phoebe he encourages her to reach for “the gold ring”, without any need for safety and

It causes him to be even more depressed facing this issue, but he needs to solve it. Similarly when Phoebe is on the carousel, Holden is worrying about her falling, but it causes him to recognize that “the thing with kids is, if they want to grab for the gold ring you have to let them do it, they fall off, they fall off." (211). This causes Holden to understand that this is life and he must accept everything. One might object that this does not cause Holden to mature. However, to Holden from how he despises the society and avoiding it to now being about to at least admit this issue, not avoiding it and later start to go to school. He might not fully mature, but it is a huge step for him to becoming mature. Children will grow up including Holden and follow the way life works no matter what. Hence, Phoebe induces Holden 's way of viewing the world. Hence, the relationship with Phoebe changes Holden 's perspective of the world.

Throughout the novel The Catcher in the Rye Holden sees the world as an evil and corrupt place, however it is clear that he gradually comes to the conclusion he cannot change it. The first instance demonstrating Holden’s progression is when he sees the profanity written all over Phoebe’s school. In this moment he finally understands that it is inevitable to enter adulthood and realizes the impossibility to try to rid even half of the profanity within the world if given a million years. The first majority of the novel displays Holden’s pessimistic view on everything in life and his desire to contain the innocence he has left. Holden’s evolution as a