Catch 22 By Joseph Heller

Milo landed another contract with the Germans, this time to bomb his own outfit (257). Milo s aspirations have swayed away from providing his men with the best food possible, and now he wants money and power. A capitalistic approach is being taken by Milo, without regard to his own squadron and American soldiers. He willingly accepted money from the Germans to use his own syndicate planes to bomb his own squadron. Clearly, all Milo cares about is money and power, which conveys his selfish intentions.

Catch 22 is a story about the different personalities that can be involved in a war. Out of all the different archetypes, the three I’ve chosen are John Yossarian, Albert Tappman, and Milo Minderbinder, although, not in that order. The first character being analyzed is Yossarian, the unwilling hero of this book. Although the book labels Yossarian as the main character, he constantly tries to coward out of going to battle. The second character that will be described is Milo Minderbinder, the archetypical business person of Catch 22.He runs the camp mess hall and controls what everyone in the camp is buying, selling, and eating. Milo is constantly trying to control or manipulate the economies around him, and after he gets a large commission

To be engaged in war is to be engaged in an armed conflict. Death is an all too ordinary product of war. It is an unsolicited reward for many soldiers that are fighting for their country’s own fictitious freedom. For some of these men, the battlefield is a glimpse into hell, and for others, it is a means to heaven. Many people worry about what happens during war and what will become of their loved ones while they’re fighting, but few realize what happens to those soldiers once they come home. The short stories "Soldier's Home” by Ernest Hemingway and "Speaking of Courage” by Tim O'Brien explore the thematic after effects of war and how it impacts a young person's life. Young people who

Don’t leave me here alone.’ The narrator simply shakes him off and moves on. The soldiers have been trained like beasts and they have been dehumanised; they have been taught that no life is to be spared. Death is now the norm and they have been desensitized to it. The narrator relates an incident where he volunteers for a raid on the German trenches. He experiences much trauma; he kills a soldier, Karl. Karl’s death is terrible- the bayonet is trapped in Karl and eventually the narrator has to shoot him. When he returns to the trenches with two German prisoners he tries to suppress what has happened: ‘It is better not to think’. The narrator knows that he would indubitably go insane if he thinks about his action. Karl’s death epitomizes the fact that soldiers on both sides are killed in horrific way for no discernible reason. There is definitely nothing glorious or heroic about war.

Catch-22, by Joseph Heller, is a fictitious novel that depicts life on an American bomber squadron on Pianosa, an island off the coast of Italy, during the closing years of World War II. A bombardier by the name of Yossarian, the main character in the story, is joined by many others to create a comic drama unlike any other. But aside from the entertainment, Heller uses Catch-22 to satirize many aspects of everyday life that consist of hypocrisy, corruption, and insanity. From the laziness of policeman to the fake happiness brought about by money, the novel is painted with a great number of points targeted against the faults of modern society. However, along with these smaller targets, a majority of the Heller’s satire in the novel is

"Battleground America," written by Jill Lepore, provides a strong history of guns and the way they have changed in the eyes of the American through the years. She proves her point with strong evidence throughout her article, sprinkling it with opinion and argument that is strongly supported. She presents her argument to convince her audience that the open availability of guns allows citizens to undeservingly purchase them by displaying the credibility in her sources, using negative connotations in her speech, and the strength and objectivity only a strong logos appeal can provide.

Whenever people go to the movies or read a book, they long for an interesting story to be entertained by. Whether it is action filled or suspenseful, they want a stimulating plot that makes them feel good. In 1952, Carl Foreman wrote the screenplay for a movie called High Noon; a classic tale of when the hunter becomes the hunted. Then in 1924, Richard Connell wrote another classic, called "The Most Dangerous Game". Although both stories demonstrate similar examples of the setting and conflict, the main characters react very differently to the unusual situations they find themselves stuck in.

Is punishing and killing inmates the best way to reduce crimes? Stephen Chapman’s “The Prisoner’s Dilemma” and Piers Hernu’s “Norway’s Ideal Prison” from the anthology One World, Many Cultures will show two very different prison conventions. Bastoy is one of Norway’s experimental “Ecological Prison”. Most prisoners who were imprisoned in Bastoy noticed compared to other prisons they have served in that Bastoy is the best. In Islam, committing a crime normally results with severe punishments. For example, if someone were to have unlawful sex, their punishment according to the Koranic law, would be stoning or a severe whipping. The two stories that will be compared is Stephen Chapman’s “The Prisoner’s Dilemma” and Piers Hernu’s “Norway’s

     According to The Merriam - Webster Dictionary "Irony is 1.) the use of words to express the opposite of what one really means 2.) incongruity between the actual result of a sequence of events and the expected result" (380) In Catch-22 the type of irony that Heller uses is the second definition "incongruity between the actual result of a sequence of events and the expected results" (Merriam - Webster Dictionary 380). For example in Catch-22 Heller writes "Actually, there were many officers clubs that Yossarian had not helped build, but he was proudest of the one on Pianosa" (18). You would have expected Heller to write he was proudest of the club that he built but he says the opposite and that

C.S. Lewis one said “Hardships often prepare ordinary people for an extraordinary destiny”. Facing hardships and breaking free from their normal world allows the hero inside of people to come out. Many stories document this journey of a hero through the Hero’s Journey Archetype. In the short story “The Most Dangerous Game” by Richard Connell, a man named Rainsford stumbles upon an island where humans are hunted by a crazed man. The hero’s journey archetype is implemented throughout Rainsford’s experiences in the story. Richard Connell used the Hero’s Journey Archetype to structure the plot and develop the theme that with clever thinking and the use of past experiences, one can succeed at anything.

On the side, Milo Mindbender sends food all over Europe and profits greatly from it. While Milo says, “everyone has a share” he is proven wrong, but people all over Europe revere him for his actions. After these incidents, a troubled Yossarian wants to leave the military for good. He is given an option of one way out of the military. He has to fly eighty missions, in order to be honorably discharged, however, this goes against Yossarian’s philosophy of not hurting others.

Richard Edward Connell was an American author, who was probably most famous for the short story “The Most Dangerous Game.” Connell started writing at the age of 10 covering baseball games for his father 's paper. By the age of sixteen he had become the editor of the Poughkeepsie News-Press. Connell was a very smart man who studied at Georgetown and Harvard.While at Harvard he was the editorial chairman. Connell 's writing style was usually action-adventure. Some of his works were probably inspired from his time working as a homicide journalist, and serving in World War I. By the time Connell passed away he had published over 300 short stories. Richard Connell was a very unique author from experiences he had through out his life, and so was the writing style that he portrayed.

The Forever War by Joe Haldeman is a classic work of military science fiction depicting a war between the human race and an unfamiliar alien entity known as the Taurans. The overall plot line follows a fairly typical path, but Haldeman’s real genius is realized through the interactions that take place between the protagonist, William Mandella, and the Earth he returns to between military operations. Developing beneath the ever-present war of the two species lies a much subtler conflict between generations of human thought and culture. Brought about by the way troops are transported in space, time dilation creates an interesting dichotomy between the early soldiers of the war and the rapid evolution of human society and culture remaining on Earth. The Forever War questions the stability of human nature by creating a scenario where its fluidity is exposed through an invariable link to time. The expression of human nature changes as cultural and personal identities adapt to new situations; viewing these changes through Mandella, we begin to see how different expressions of human nature can impact human nature itself.

“In modern war... you will die like a dog for no good reason.” - Ernest Hemingway.

Published in 1961, Joseph Heller’s satire novel Catch-22 has established itself as a prominent work in American literary history. Heller bases the novel on his own experiences as a bombardier on the Italian front during the Second World War, following the story of an American Air Force squadron stationed on the fictional island of Pianosa, Italy. The plot is centered around the anti hero Yossarian, whose fear that everyone is trying to kill him drives him to insanity. In Catch-22, Joseph Heller uses irony, humor and a non-chronological and repeated syntax to convey themes of the insanity of war and breakdown of communication in order to make his greater argument against war.