Cask Of Amontillado

Edgar Allan Poe is a famous writer in writing detective stories and horror stories. One of his horror stories, “The Cask of Amontillado” was talking about how a man took his revenge to his friend. However, to look deeply in this story, I found that this story was not just simply a horror tale about how a man gets his revenge in the safest way. Instead, it also demonstrates much irony in several areas: the title, the event, the season, the costume, the environment, the characters’ personalities, a man’s dignity and cockiness and at the end, the public order. he are

This is one of the most memorable lines of the story, because he was sure that the cause of his death would not be his cough. Another quote to look at deeper is "You are a man to be missed", it is clear that he was already warning Fortunato of his near death. The narrator also says while asking him to go back "I cannot be responsible", but he was conscious that he would be the only one responsible for that murder. Other examples can be seen when Montresor toasts Fortunato's long life, while he knew that it was close to an awful end, as well as when he says that he is a mason, but not in the sense that Fortunato means. Fortunato wanted to verify if Montresor was a member of the Freemasonry, but when he said he was what he really means is that he is a bricklayer about to brick him in for all of eternity.

Fortunato’s jester attire becomes his funeral attire. He is masquerading as a fool, and he is taken for one.

<br>The way the narrator treats his enemy is one of the clearest examples for ironic elements. When the characters meet, Montresor realises that Fortunato is afflicted with a severe cold, nevertheless he makes a point of him looking "remarkably well". Montresor acts in the most natural and friendly way towards the man object of his revenge, and even praises his "friend's" knowledge in the subject of wines. Also upon their meeting, Montresor begins a psychological manipulation of Fortunato. He claims that he needs his knowledge to ascertain that the wine he has purchased is indeed Amontillado. Furthermore, he acknowledges that Fortunato is engaged in another business (i.e.: the celebration of carnival), so he would go to Luchresi, who, one is made to believe, is a competitor of Fortunato's. To these words, Fortunato is forced by his pride to accompany Montresor to the vaults (where the Amontillado is kept), dissipate his doubts and also to prove his higher status than Luchresi as a connoisseur of wine. In fact, during their way down under in the catacombs, the twisted mind of Montresor, dares to give Fortunato the chance to go back, due to the almost unbearable dampness and foulness rampant in the vaults and Fortunato's state of health. The narrator clearly knows about the stubborn nature of Fortunato, and is

"The Cask of Amontillado" is one of Edgar Allan Poe's greatest stories. In this story Poe introduces two central characters and unfolds a tale of horror and perversion. Montresor, the narrator, and Fortunato, one of Montresor's friends, are doomed to the fate of their actions and will pay the price for their pride and jealousy. One pays the price with his life and the other pays the price with living with regret for the rest of his life. Poe uses mystery, irony, and imagery to create a horrifying, deceptive, and perverse story.

For example, when Fortunato says he will not die of a cough, Montresor knowingly replies, “True, true.” When Fortunato drinks a toast to the dead lying in the catacombs around them, Montresor ironically drinks to Fortunato's long life. When Fortunato makes a gesture indicating that he is a member of the secret society of Masons, Montresor claims that he is also and proves it by revealing a trowel, the sign of his plot to wall up Fortunato.”(May) Montresor offers De Grave, a wine, to Fortunato; at one point, Fortunato makes an elaborate and —to the narrator's eyes —grotesque gesture with an upraised wine bottle. When Montresor appears not to recognize the gesture, Fortunato asks, "You are not of the masons?" Montresor says he is, and when Fortunato, disbelieving, requests a sign, Montresor displays a trowel he had been hiding.

Edgar Allen Poe uses dramatic irony as one of the literary device. The story itself is dramatic irony because Fortunato is not aware of any of Montresor’s intentions to kill Fortunato, but we are aware of this intention of his. Montresor goes through an elaborate plan to lure Fortunato to the catacombs beneath his house in order punish him for an unknown insult Montresor feels Fortunato has inflicted upon him. We know what Montresor is doing, but poor Fortunato has no idea until it’s too late. Poe’s use of dramatic irony allows us, the readers, to be a part of Montresor’s plan and to how he skillfully carries it out. We see Fortunato’s reaction when he realizes what is happening. We know what’s coming, but it adds suspense to see how Fortunato will react to it. Another example where Poe uses dramatic irony is in the beginning of the story, “It must be understood that neither by word nor deed had I given Fortunato cause to doubt my good will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation” (1). This quote refers to Fortunato not expecting this could happen, because Montresor always being friendly, and just always holding it in. Another time Poe uses dramatic irony, is when he sends all the workers home, “There were no attendants at home; they had absconded to make merry in honor of the time. I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned”(2). He sent the

Vengeance and murder infects the minds of Montresor and Fortunato upon an exchange of insult in Edgar Allan Poe’s "The Cask of Amontillado”. This is the story of pure revenge after Forturano disrespects Montresor. The story follows the characters meeting up at a carnival and eventually the disguised Montresor lures Fortunato into the catacombs of his home by convincing him that he acquired something that could pass for Amontillado, a light Spanish sherry. Fortunato grows eager to taste this wine and to determine for Montresor whether or not it is truly Amontillado. He leads him back to the catacombs of his home and carries out his plot to bury him alive. Edgar Allan Poe writes from a mysterious first person perspective, uses colorful symbolism and situational irony to present the man's inner self, in turn revealing that revenge is fundamentally infeasible.

“The Cask of Amontillado” composed by Edgar Allan Poe is one of the precise examples of Poe’s hypothesis of solidarity of the short story. Poe’s utilization of language helps the reader to understand the conflict between two men, Montresor and Fortunato. In the story, Montresor, cunningly, wants to take revenge from Fortunato. Although the two men are seen in an unexpected way, they both need a similar thing; to fulfill the desire for something that has long past due. Montresor is confessing his crime in front of someone. The story broadens Montresor character but limits Fortunato’s character. The theme of trickiness and revenge, is explained with the utilization of symbolism and irony, Montresor seeks peace

Edgar Allan Poe’s The Cask of Amontillado is thought to be one of his most popular vengeful short novels. The two main characters, Montresor and Fortunato are re-acquainted friends who meet each other at The Carnival. Montresor has intentionally planned to lure Fortunato to his own death by deceiving him to believe that Fortunato is coming to Montresor's family catacombs to taste a fine wine “Amontillado”. After Montresor leads Fortunato into the crypts, Montresor eventually chains Fortunato up in a secluded section and mortars him behind a brick wall while he is still alive. The story ends with Montresor throwing a flaming torch into the small opening while he continues to put the last brick in place, essentially burning Fortunato alive. Edgar Allan Poe creates conflict between characters Montresor and Fortunato which primarily creates the major theme of revenge in this story. Edgar Allan Poe depicts setting in this novel by portraying death by illustrating human bones, within a cold and damp crypt to contribute to the eerie theme of revenge. Montresor's characterization is expressed through the betrayal of his friend, which adds another element to the theme of revenge in this story. In Edgar Allan Poe’s The Cask of Amontillado, Edgar Allan Poe utilizes conflict, setting, and characterization to create a theme of revenge.

“The Cask of Amontillado” is a short story published in 1845 by a famous horror writer, Edgar Allan Poe. The story describes an event which Fortunato, the victim, is murdered by the evil protagonist, Montresor. The plot of this story is driven by the character development of Fortunato, which reflects his ignorance that eventually puts himself in the grave. Fortunato’s character is oblivious to his own actions, which were developed and stated throughout the story. One of the key characteristics

In the short story “The Cask of Amontillado”, the author Edgar Allan Poe allow the reader to be a participant in the story. The story is told by Montresor who shows a rancor against Fortunato for a displeasure that is never textualized defined. Montresor leads an intoxicated Fortunato into a series of halls under his palazzo with the promise of a taste of Amontillado. Throughout the story the, the author uses the first-person point of view to describe Montresor surroundings and show us his thinking, and his feelings.

A type of dramatic irony in the story can be seen in Fortunato’s attire at the carnival. Fortunato was dressed as a jester, though it was actually Montresor who was laughed at and ridiculed. Professor Charles N. Nevi, of the department of English in Medford, Oregon, writes about the irony in Fortunato’s dress when he says, “Fotunato’s dress is ironic, for a jester is not just a man to be laughed at; he is a man who makes others laugh by being aware of the frailties of mankind and then ridiculing them, but Fortunato is aware of very little and who ridicules nothing. It is Montresor who came closer to the role of jester,” (Nevi par.8). Here Professor Nevi suggests that Montresor is the one who is actually ridiculed and should be a better fit in the jester dress. These examples demonstrate Fortunato’s ironic misfortunes that lead to his eventual death.

Montresor tells the story in detail of how he leads a man, Fortunato, to his death. Montresor repeatedly expresses the need to kill Fortunato because he has done something to insult him and he must pay for it with his life. Montresor tells readers early in the story that he is going to be lying to Fortunato’s face by acting one way, but thinking about killing him the whole time. He says "I continued, as was my wont, to smile in

A story that aims to frighten will attempt to develop an ambience that evokes uncertainty. It must create scenes that exhibit verisimilitude; it is a necessity to contain details that add to realism. The Cask of Amontillado is a fictional horror that presents the act of premeditated murder, biased revenge, and injustice. All of which are elevated by the imagery presented within the setting. The setting of The Cask of Amontillado plays a crucial role in the narrative; it is not merely a backdrop setting, but it is integral.