Bram Stoker's 'Foul Things Of The Night'

While this idea when taken literally can be terrifying enough on its own, Dracula has a much darker and deeper messages written in between its lines. Stoker’s novel was written and published in the Victorian period, an age dominated by societal constraints and restrictions of expressing individual and sexual desires. Dracula affirms the lustful acts and sexuality that was oppressed for most Victorians by the norms of the time; the fear of feminine sexuality, the Victorian’s stereotypical attitudes toward sexuality, becomes a prominent theme within the novel. Stoker created the figure of the vampire as a being capable of releasing characters’ repression of sexual desires. Dracula, the main protagonist, is a being who is able to reveal the sexual desires and lusty actions that lie dormant within the characters.

The notion of separate spheres serves to set up the roles of men and women in Victorian society. Women fulfill the domestic sphere and are seen as submissive and emotionally sensitive individuals. Conversely, men are intelligent, stable, and fulfill all of the work outside of the home. In Bram Stoker’s novel, Dracula, the Count seems to actually embody the fear of the breakdown of such separate spheres. However, Stoker breaks down these separate spheres and the fear associated with their breakdown through the theme of the “New Woman” intertwined with the actions and behaviors of the characters in the novel.

A product of the contextual values of the Victorian Era, the epistolary novel, “Dracula” written by Bram Stoker, explores the societal anxieties of the erosion of traditional Victorian values. With the onset of the Industrial Revolution and Modernism, along with the declining value of the Christian faith, Stoker challenges the contextual values of religion and female sexuality, along with the repercussions for the individual who strays away from societal constructs and expectations. 19th century England had its foundations built by the Church, where Christian ethics and morals were imbedded and intertwined within the social fabric of society. Despite this, religious influence was plummeting with the development of technology and science. New

Bram Stoker’s “Dracula” is a story about a Vampire named Count Dracula and his journey to satisfy his lust for blood. The story is told through a series of individuals’ journal entries and a letters sent back and forth between characters. Bram Stoker shows the roll in which a certain gender plays in the Victorian era through the works of Dracula. This discussion not only consists of the roll a certain gender takes, but will be discussing how a certain gender fits into the culture of that time period as well as how males and females interact among each other. The Victorian era was extremely conservative when it came to the female, however there are signs of the changing into the New Woman inside of Dracula. Essentially the woman was to be assistance to a man and stay pure inside of their ways.

Of course, throughout the novel we see that vampirism most equates with sexuality.  Without overdoing a Freudian analysis of the story, there are enough sexual references to satisfy the least Victorian in nature among us.  However, the Victorian repression theme plays a role in the sexuality of the novel because though good women and men were able to control their sexual appetites in Victorian society, we see them unable to resist giving into their desires in Dracula.  As Carrol Fry writes "Mina says:  'Strangely enough, I did not want to hinder him'.  But perhaps the most suggestive passage in the novel occurs when Jonathan Harker describes his experienced while in a trance induced by Dracula's wives.  As the fair bride approaches him, he finds in her a 'deliberate voluptuousness which was both thrilling and repulsive,' and he feels 'a wicked, burning desire that they would kiss me with those red lips'" (Carter  38).

Bram Stoker’s Dracula is a story of horror, suspense, and repulsion. The main antagonist, Count Dracula, is depicted as an evil, repulsive creature that ends and perverts life to keep himself alive and youthful. To most onlookers that may be the case, but most people fail to see one crucial element to this character. Dracula is a character that, though it may be long gone, was once human, and thus has many human emotions and motives still within him. Let us delve into these emotions of a historically based monster.

Gothic literature is dominated by gothic horror, for instance dark and mysterious objects or events. It is a type of literature that combines fiction, horror, and romanticism. As Bram Stoker wrote his famous novel, Dracula he makes sure to include many different characteristics of gothic literature. Three important motifs that are stated in Dracula which also fit into the gothic literature category would be; blood, dreaming or nightmares, and superstition. This particular novel has many gothic motifs, but these are three that I believe really stand out.

Bram Stoker's Dracula is a true Gothic novel that belongs on any gothic literature course. Focusing in on the recurring themes, characters and settings used throughout the novel one sees how Dracula has set the standard for Gothic literature today.

In Chaucer’s Canterbury Tales, social class is the backbone of the book. This is shown countless times through stories told by the pilgrims as well as how the story is structured. It is noticeable off the bat that the upper class is shown respect and given priority over the middle and lower class pilgrims, the prime example being the knight telling the first tale, and the host attempting to have stories told based in order of class. It should also be noted that it is very hard to move up the social ladder, so many of these pilgrims are not only used to being put in their place, but tend not to argue about their social ranking with exception to the drunk Miller. This idea of respecting the upper class is still strongly shown in today’s world as the upper class is viewed as higher than everyone else. In E*TRADE’s commercial, this is strongly shown as the upper class is depicted as luxurious, peaceful, and most importantly exclusive.

Critical analysis of the novel reveals the themes of sexuality and the buried symbols held within the text. Due to feminism and sexual ideas presented in the book, the stories focus the attention on men who fall victims of the forbidden female pleasures and fantasy. From the setting of Dracula, Victoria Era, the novel encompasses all social prejudices and beliefs regarding the roles assigned to women and men. Men used to have enough freedom and lifted up to authority while women were suppressed socially. Bram Stoker uses the two women; Lucy Westenra and Mina Harker and Professor Van Helsing to express the ideal women should be and should not be in the ideal society. The dissenting opinion gives threat to the patriarchal Victorian society to end in ruins.

Bram Stoker's novel Dracula, published in 1897, explores various sexual erotic possibilities in the vampire's embrace, as discussed by Leonard Wolf. The novel confronts Victorian fears of homosexuality; that were current at the time due to the trial of playwright Oscar Wilde. The vampire's embrace could also be interpreted as an illustration of Victorian fears of the changing role of women. Therefore it is important to consider: the historical context of the novel; the Victorian notion of the `New Woman' specifically the character of Lucy Westenra; the inversion of gender roles; notions of sexuality; and the emasculation of men, by lessening their power over women; in the novel Dracula. In doing this I will be able to explore the effects

Arguably, Dracula’s wives are guilty of another of Bertens’ proposed stereotypes, that of utter dependence on man. They rely on Count Dracula to bring them their food, and therefore without him they would presumably die. This seems to reflect the well-established idea of public and private “spheres” that pervaded so much of Victorian domestic life. In this system, the woman was effectively condemned to the role of homemaker, while the man became the breadwinner. The inability of Dracula’s wives to resist feeding on Jonathan when he falls asleep in the study could also reflect on the – once again, Victorian idea – that women were too hysterical and so inept at keeping control of themselves that they were unfit for a vast range of careers. However, while Stoker does indubitably include these stereotypes in his work, it does not necessarily mean that he agrees with them.

The story of Dracula is well documented and has stood the test of time since it’s Victorian age creation. More times than not, literature writings are a reflection of the era from which they are produced. In the case of Dracula, Vampire literature expresses the fears of a society. Which leads me to the topic I chose to review: sexuality. The Victorian Era was viewed as a period diluted in intense sexual repression and I believe that Dracula effectively exploited this as the fear of sexuality was commonplace in the society. In this paper I will examine Bram Stoker’s Dracula and highlight his use of sexuality. I will analysis the female sexuality that is prevalent throughout the book, the complexities are at work within the text, and the

The term democracy comes from the Greek language and means "rule by the people."(Democracy Building 2012) The democracy in Athens represents the events leading up to modern day democracies. Like our modern democracy, the Athenian democracy was created as a reaction to a concentration and abuse of power by the rulers. Philosophers defined the essential elements of democracy as a separation of powers, basic civil rights, human rights, religious liberty and separation of church and state. The most current definition of a democracy is defined as a “government by the people; a form of government in which the supreme power is vested in the people and exercised directly by them or by their elected agents under a free electoral

The jurisdiction of the federal courts is defined in Article III, Section 2, of the Constitution, as extending in law and equity to all cases arising under the Constitution and federal legislation; to controversies to which the U.S. shall be a party, including those arising from treaties with other governments; to admiralty and maritime cases; to controversies between states; to controversies between a state, or its citizens, and foreign governments or their subjects; and to controversies between the citizens of one state and citizens of another state. The federal courts were also originally invested with jurisdiction over controversies between citizens of one state and the government of another state; the 11th Amendment (ratified