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Bourdieu's Power

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In order to analyze power within the context of David Mamet’s Oleanna and Shakespeare’s Measure for Measure, I will use Bourdieu’s theory of power. Bourdieu perceives power to be shaped by social, cultural and symbolic forms which are constantly changing through the relationships of agency and structure. The primary way this happens is what Bourdieu termed ‘habitus’ or socialized norms which guide behavior and thinking. Habitus happens without consciousness and is often recreated as social norms change. The setting of these agents and social positions are located in a ‘field’. Within the field, there is a hierarchy of capitals to gain such as social, cultural and symbolic. Shakespeare’s Measure for Measure and Mamet’s Oleanna are plays where …show more content…

The Duke can enforce any of the laws in Vienna but chooses to enforce the law surrounding chastity. By restoring laws on virginity the Duke is synonymously enforces patriarchy. The habitus in the world of play forces the characters to abide the laws surrounding sex and marriage. If citizens disobey laws and have sexual intercourse before marriage then there will be heavy consequences such as public shame, prison and ultimately death. The Duke holds the most power in Measure for Measure because of his cultural, social and symbolic forms of capital. His cultural capital comes from his skills of persuasion and prestige of being both the Duke and Friar. He persuades Angelo to take power so that he is not shamed by society in enforcing laws. He also convinces Isabella to publicly shame herself with the intent that it will serve his greater interest. The Duke's social power stems from his gender and social ranking because he is male he has gained power in Vienna as well as the power to enforce patriarchal norms onto Vienna. When the Duke masks himself as a Friar he gains more power by holding a religious prestige and uses it to control Isabella. Through his power and privilege, the Duke pulls the strings throughout the …show more content…

As she tried to negotiate with John she says she’ll stop if he will resign his book. By attempting to rid of Johns book she is taking away his cultural, social, material and symbolic capitals. If John does not ban his book then Carol will proceed with her case and he will lose his job as a professor at the college along with his prestige, power, house and income. Carol is able to gain this power because of her gender. Her femininity gives her cultural capital in the way of making accusations against John of sexual assault especially since he beats her at the end in Act three. At this point in the play, the reader can see how easily the power shifted from the John the male professor to Carol the female

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