Bleikasten’s Literary Analysis of Faulkner’s The Sound and the Fury
By focusing on the figure of Caddy, Bleikasten’s essay works to understand the ambiguous nature of modern literature, Faulkner’s personal interest in Caddy, and the role she plays as a fictional character in relation to both her fictional brothers and her actual readers. To Bleikasten, Caddy seems to function on multiple levels: as a desired creation; as a fulfillment of what was lacking in Faulkner’s life; and/or as a thematic, dichotomous absence/presence.
The first section of the essay, “The Most Splendid Failure,” examines The Sound and the Fury as a(n) (ironic) modern recognition of the novel as a failed art form – if not language as a failed communicator.
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Bleikasten concludes that Faulkner, like many of his contemporaneous authors, recognized the inability of language to express beauty, truth, and perhaps womanhood, and so could only explain by not explaining, narrate by not narrating, and write by not writing. I think one could additionally argue that this is why Faulkner does not “write” Caddy, or give her a voice, because language would (apparently) spoil her beauty (which I cannot help reading as an excuse). When Bleikasten insists that Faulkner’s “insistence on his failure was no pose,” I get frustrated with him, because I simply want to ask, “How do you know?”. I already have trouble taking Faulkner’s introductions seriously when he describes the development of The Sound and the Fury for they seem to include much idealization and dreamy hindsight.
“Desire at Work” reveals the shared attention paid to both death and sex in The Sound and the Fury, and especially in Faulkner’s (supposed) initial image of the story: Caddy, in dirtied underwear, climbing a pear tree to catch a glimpse of her dead grandmother. While the boys yearn to know more about her “muddy” drawers, Caddy yearns to know more about the death of “Damuddy.” I’m not sure if this correlation in phonetics is a stretch, though I must admit I find it interesting. The main point of
The short story,”Barn Burning”written by William Faulkner is about a 10 year old boy named Sarty, who gets called to the stand of the court; his father, Abner Snopes, is accused of burning a barn down. Sarty knows that his father is guilty of arson and wants justice to be served, but, his father wants him to stay loyal to his family and blood. The conflict of morals vs. family goes on for the entire story,Sarty’s moral beliefs are embedded in justice and peace, while his father wants him to protect his family no matter the circumstances. Literary devices used in the story are symbolism and diction, the symbols of blood and fire being, family and a chain.and being told from the perspective of a timid ten year old boy. One of the major themes present throughout the story is courage, wanting to tell on his father for arson but, being shot down by his intimidating father. William Faulkner illustrates the theme of courage through the use of symbolism and diction
Analyzing character in a Faulkner novel is like trying to reach the bottom of a bottomless pit because Faulkner's characters often lack ration, speak in telegraphed stream-of-consciousness, and rarely if ever lend themselves to ready analysis. This is particularly true in As I Lay Dying, a novel of a fragmented and dysfunctional family told through fragmented chapters. Each character reveals their perspective in different chapters, but the perspectives are true to life in that though they all reveal information
If we compare William Faulkner's two short stories, 'A Rose for Emily' and 'Barn Burning', he structures the plots of these two stories differently. However, both of the stories note the effect of a father¡¦s teaching, and in both the protagonists Miss Emily and Sarty make their own decisions about their lives. The stories present major idea through symbolism that includes strong metaphorical meaning. Both stories affect my thinking of life.
Loyalty should be considered a quality that is supposed to keep family ties together and use the shield of bravery to protect it. It is proven that devotion in families of today, are lost and bravery shows no character in a person. It is a personality that each individual has in them only to be used in the most courteous way and should not be used selfishly. Loyalty cannot be purchased and must be earned. If it used in the wrong way, it can climax to a disaster.
actions to show that no one will own or control him. He has no regard
There are several ways in which William Faulkner's short story "Barn Burning" is indicative of literary modernism. It depicts a relevant historical period and is part of the frontiersman literary tradition (Gleeson-White, 2009, p. 389). The author utilizes a number of purely literary approaches that were innovative for the time period in which the tale was originally published (in 1932), such as employing a young child as a narrator complete with misspelled words and broken, puerile thoughts. However, the most eminent way in which this story embraces the tradition of literary modernism is in the author's rendition of dynamic social conventions that were in a state of flux at the time of the writing. Specifically, his treatment of race is the inverse of how race is generally portrayed in American literature prior to the early part of the 20th century. An analysis of this integral component of "Barn Burning" reveals that Faulkner's unconventional rendering of African American characters in a desirable social status particularly as compared to that of the Snopes clan is crucial to this tale's inclusion as part of the tradition of literary modernism.
Edith Wharton’s Atrophy is a centred around protagonist Nora Frenway, who is faced with several difficulties on her journey to see her ill, clandestine lover Christopher at Westover. The story is written in third person narration, where it was first published in 1927. The Sound and the Fury (1929) by William Faulkner is a novel told in four sections about the affairs regarding the Compson family. In this novel the first three sections focus on the consciousness of each of the brothers in the novel; Benjy, Quentin and Jason. The fourth section is told in third person narration highlighting the experiences of the family servant Dilsey. In each section of this novel each person has some fragment of their own version of the truth, while Caddy, the sister and daughter of the Compson family is a central female figure in the novel. Thus, in both texts there are issues that arise such as race relations and gender inequality, due to this, there is always an effect on relationships and events in the novel. During the time these texts were written there were issues regarding women and equality, and the society was governed by patriarchal thought and influence. Women were seen as lesser to men and they had to attend to household duties and obey the societal rules. Other issues such as class and status were also factors in regard to how women were expected to behave. Both authors effectively capture gender differently showing how the effect of gender ideologies impacted relationships and
Faulkner uses a system of italics to show Quentin's innermost revelations; as he shifts from thoughts of virginity to more personal memories, the language changes from an encompassing statement about women to a singular elucidation of his sister. The first piece of italic language punctuates a piece of dialogue and immediately implies a question of virginity. "ever do that Have you ever done that In the gray darkness a little light her hands locked about" (93) is the repetition of Caddy's question to Quentin on whether or not he had ever had sex. Faulkner continuously inserts the image of Caddy sitting on the ground next to her brother with her hands locked around her knees. Strangely, the image brings a sense of chastity to a sexually charged situation, as if she is locking her knees together to insist against any improper movements towards the contrary. The next piece of language, again interrupting a friendly dialogue between friends, has "her face looking at the sky the smell of honeysuckle upon her face and throat." Faulkner sets the reader up for the continuation of a few themes be these beginning interceptions into normal conversation. Her face looking up at the sky, the smell of honeysuckle, the gray darkness or light - all these descriptions continue to be executed in the remaining consciousness language. Moreover, honeysuckle and gray light
This device helps him convey that people need to start writing about emotional conflicts with themselves because that alone can make good writing. He also uses a metaphor to compare the writing of something meaningful and important to something not when he states, “He writes not of the heart but of the glands”. This helps the effectiveness by comparing something major and meaningful such as the heart to something less meaningful and pity as a gland. These were effective by helping Faulkner relate to everyday situations and thing we are familiar in life therefore aiding him in connecting with his audience.
In Faulkner's story, an onlooker tells of the peculiar events that occurred during Miss Emily's life. The author never lets the reader understand Emily's side to the story. Instead, the reader is forced to guess why Emily is as strange as she is. In the story, Emily had harbored her father's dead body in her house for three days (par. 27). The reader is told of how the town looked upon what Emily had done, but the reader is never able to fully understand Emily's actions until the end of the story.
His actually education only goes as far as one year at the University of Mississippi. After leaving Oxford and living in New Haven, Connecticut for a few years, Faulkner joined the British Royal Flying Corps. He never served active duty, as the war ended before his training did. Faulkner returned home and began writing poetry. But his early writing was more of the traditional style- a mix of Shakespeare, Victorian, and Edwardian. It wasn’t until a trip to New Orleans in 1925 that he began to fiddle with his writing style, after a friend encouraged him to write more Southern based prose. His style also grew as he began reading James Joyce, a “high” modernist writer, and Sigmund Freud, and also took a trip to Europe- the center of modernist writing. With these influences, Faulkner began writing novels about Southern society, with an emphasis on the psychology of the characters. For example, in his novel The Sound and the Fury, Faulkner writes from four different points of view; the first three sections are of each of the three brother’s point of view, and the last section is omniscient. His writing also plays with chronology, not always following a specific timeline. The disjointedness of time is very prominent in As I Lay Dying. About the death of a mother, the 59 inner monologues and fifteen characters make the book more about the characters psychology rather than a
Faulkner’s use of southern gothic writing style helps the reader build a mental depiction of Miss Emily. When the town sent their ambassadors to discuss the taxes that were owed, Faulkner described Miss Emily as “bloated, like a body long submerged in motionless water” (2182). This description gives the reader the sense that the character is not well. Faulkner’s description that Miss Emily looked bloated achieves the desired effect on the reader to show how hideous she appears. This graphic description, combined with the author’s depressing description of the parlor (2182), makes the reader think of death. The reader gets the sense of being in a funeral parlor which helps to strengthen Faulkner’s narrative.
At first talking about the author can be essential to go through the topic. William Faulkner was born in New Albany, Mississippi in 1897. He became Famous from the set of novels that explore the South’s historical legacy, fraught and violent present. His works are usually rooted in his fictional city in the county of Mississippi, Yoknapatawpha. This setting which was the microcosm of the south he imaginarily knew it very well. He could look into as binoculars which he could go through the society and people. He was particularly interested in the moral implications in the history. It - “A ROSE for Emily”- was first published on April 30, 1930. This is the time of the high modernism with the rise of its elements. Faulkner once
Faulkner’s works consisted of many dark touchy topics such as war, racism, mental illness and suicide in all of books, short stories, William Faulkner wrote about almost every part of life, from something that could be absurd at his time, to something real like racism in the American South. Throughout his life, Faulkner was kind of a rebel, notorious for his confidence, drinking, and he would often make up stories about himself. Faulkner wrote from experience and as a person who lived in the south during times of racism, he wrote about a lot of things in the south. To be exact his specific genre or style in which he wrote in is what some call “southern gothic”. Southern gothic is a unique style of writing and only expressed by very few authors. These stories usually take place only in the south and have darkness to them. His stories would use irony to examine the values of the American south. Instead of solely trying to add suspense with the style it is also used to explore social issues and cultural character of the south. Which leads me to one of Faulkner’s first important novels “Sartoris”. In Sartoris Faulkner focuses on a family during the world war era in the south. In the book the Sartoris family is one of the more important families in Yoknapatawpha County where the book is set. The Old Colonel, John Sartoris, represents an old and dying out order dating back to the mid 1900’s. His world revolves around his plantation home, his slaves and his
The manner that Faulkner applies point of view in "A Rose for Emily" provides the readers with the idea of the dying values, traditions, and customs of the “Old South”.