Blackfish Summary

The rhetorical situation of the documentary is presented by director and writer Gabriela Cowperthwaite when she brings to light the history of Seaworld and it’s famous orca, Tilikum by recruiting former trainers and whale experts. The context of the film is explained when it dives into the orca attacks, the most recent victim being Dawn Brancheau who was killed by Tilikum in 2010. The principle aim to this documentary is that orcas should not be held in captivity because it is detrimental to their mind citing past incidents throughout Tilikum’s life. I found this “text” to be effective because it highlights the developed brain of an orca, former incidents with Tilikum, and consistent concealment of blame from

The most relevant issues discussed in Blackfish and SeaWorld’s response are the health of the Orcas in captivity, the Orcas’ aggressive behavior and the trainer’s death. Blackfish and Sea World’s response in Blackfish, Ethos Pathos and Logos are used to present information about the health, treatment about the Orcas in captivity and the safety of the trainers. Through blackfish and SeaWorld’s views, Ethos

Stories that were told by former Seaworld employees and by people who were close to those who got killed was personal and heartbreaking, and pulled at the heartstrings of the audience. Those interviews allowed viewers to connect emotionally with what the whales and their trainers had endured. There was also interviews of individuals that were in the audience while the whales were misbehaving from stress leading up to them eventually attacking their trainers. This emotional appeal allows viewers to emphasize with the innocent civilians that were affected by these

Theme Parks such as SeaWorld confine dolphins and orcas, who are capable of swimming up to more than one hundred miles a day, in tank that are 50 feet deep and 350 feet in length. To put it in perspective, that’s equivalent to the size of a standard bathtub. SeaWorld portrays itself as a loving, fun, and family based establishment; however, certain activities can harm the killer whales emotionally and physically.

Since 1961, 157 orcas, or killer whales, have been ripped from their homes and shoved into captivity. 127 of these orcas are now dead. With the number of captured orcas plus the number of those born into captivity, The W.D.C. (Whale and Dolphin Conservation) reports that, “At least 162 orcas have died in captivity, not including 30 miscarried or stillborn calves” ( “The Fate”1). Out of the 127 taken into captivity, 44 have died in SeaWorld. There are currently 58 orcas residing in 14 marine parks in eight different countries. 24 of those orcas are held in SeaWorld’s three parks in the United States. Since 2002, 14 have been taken out of the wild and put into these marine parks. (“The Fate”1) It is not fair for these innocent creatures to be physically and mentally manipulated and damaged. Such brutality would not be condoned if it were targeted towards a human, and it should not be condoned when targeted toward an animal. Orca whales should not be held in captivity because they are forced to live in subpar conditions, they are mistreated while in captivity, and they are led to aggressive behavior.

I never saw how businesses like SeaWorld worked until watching this documentary, the amount of effectiveness, it has changed my mind about how we see animals in shows differently. The title is a hook, Blackfish, it draws an audience in, the documentary was released July 19, 2013 in New York City, and it was directed by Gabriela Cowperthwaite. Blackfish is about the orcas that have performed at SeaWorld in Orlando, Florida and San Diego, California, former SeaWorld trainers also gave their testimonials about their experiences and the experiences of the orcas. The main points were about the biggest male orca there named Tilikum and the death of SeaWorld's poster girl, Dawn Brancheau. After analyzing this documentary, the form on how we see these

In 2013 a documentary called “Blackfish” (a documentary explaining the illnesses of orcas and the weaknesses of seaworld) was released to inform the world why seaworld was not all fun and games. In fact after the release seaworld lost $31.6 million the second-quarter income. Just one of the many things “Blackfish” told us is that capturing the orcas doesn't always go as smoothly

Orcas are complex social creatures deserving freedom and respect, not captivity in theme parks under the guise of public education and entertainment. Aquarium staffs say captive whales are priceless educational tools. However, people can educate their children by bringing them to the wild instead of bringing the wild to them at the expense of the Orcas health and well-being. "The price of a family admission ticket is what continues to drive this cruel spectacle," according to Michael O' Sullivan, the Executive Director of The Humane Society of Canada (Whales in Captivity, 2010, Para. 3). Orcas suffer in many ways in

SeaWorld’s mission statement states that they are committed to bring excitement, wonder, and awe of the natural world into our home, school, business, or place of recreation. SeaWorld strives to provide an ever-evolving kaleidoscope of animal and environment information. SeaWorld decided to purchase their first orca whale in her name was Shamu. Shamu was the first whale to ever be held in captivity for entertainment purposes.

A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.

Anderson’s “Orca Behavior and Subsequent Aggression Associated with Oceanarium Confinement” states that, “a fundamental refocusing of our relationship with orcas is warranted, in favor of a new era characterized by mutual friendship, understanding, and much greater appreciation of these remarkable creatures than has been the case to date” (Anderson). In 1961, the practice of capturing wild orca whales to use for entertainment and educational purposes in amusement parks began; however, the captors knew little about the social complexity and strength of orcas. During this time, investors saw this magnificent animal as the proper investment to allocate revenue during the boom of amusement parks. After nearly forty years of orca captivity, researchers begin to unravel the nature of orca whales, and scientists now raise the question of if these powerful and intelligent mammals belong in captivity. Captors argue that captivity provides insight on a species is nearly impossible to study in the wild and promotes respect for the species. Activists and scientists plead that due to scientific data it is senseless to hold captive such a highly intelligent animal. Although activists and scientists create a convincing argument against orca captivity, millions of people flock to see orcas in captivity proving that

Throughout the documentary, the director has elucidated how victims are accused of their own deaths by corporation in order for the corporations to maintain the positive reputation and confine their financial success. One of the focus of Blackfish is Dawn Brancheau's death which is critical about keeping orcas in captivity. Director Gabriela Cowperthwaite has argued that the claim that orca had targeted Brancheau because she had worn her hair in a long ponytail was conjecture and that "there had to be more to this story". Archival footages of various news reports were used and had juxtaposed with actuality footage of experts’ inference. By evaluating the news report, experts and ex-trainers had said the converse and justified the logic. Non diegetic sound was also used to further portray corporations as villainous and incorrect. Low, fast beat and suspenseful music was played in the background the news report. With effect, these techniques had drawn the audience to agree to the idea and had mock corporations on how they have institute reason to unjustly blame to sustain their

Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.

“Blackfish” the documentary film was created to reveal how confinement of killer whales can lead to dangerous behavior toward human trainers. The main claim this film displayed is how the captivity of Killer Whales triggers aggression and is unsafe for humans and other marine mammals. Blackfish uses the story of Tilikum (most aggressive killer whale who killed the most amount of Sea World trainers), interviews of previous trainers, and court hearings regarding OSHA and Sea World to support their claim.

The documentary starts out with conversations of the trainers who were formerly associated with the SeaWorld, how they became interested in the job and what acted as the impetus behind for them to realize that a trainer was all they wanted to be. We get to know that as a little kid, each of these trainers was inspired by the commercials they watched including the TV Channels and visiting SeaWorld for the first time; from this we get the idea that it is such a perfect and an acceptable job, and that is only because they do not know or take for granted where and how these killer whales were captured. However, once these trainers begin seeing