When an artist claims to be using the “aesthetic alibi”, they justify their usage of “politically incorrect” or “offensive” language as a means to make an artistic statement. (Jay, 1972, p.14). This artist then has the ability to manipulate language in a variety of different ways, with the capacity to both empower and oppress. Because art is subjective, it is difficult to specify the point where an artistic statement or perspective becomes oppressive or hate speech. This can be attributed to the difficulty in knowing the motive of artists, as well as the intended message of the work. Hence, the use of the aesthetic alibi in satirical works transfers control of language to the artist. The aesthetic alibi has the power to elevate and subvert …show more content…
Artists can use the aesthetic alibi as a means of guaranteeing “freedom of speech”, which can give them the capacity to negatively reinforce negative language or trivialize it. For intense, the band “Black Pussy”, a stoner rock band who have no connection to “Black Pussy” except in name. Hamad (2015) argues that this trivializes the oppression suffered by black women and holds no artistic value whatsoever. An analysis of the band's discography does imply that they do not strive use their name for anything other than “free speech”, showing how the “aesthetic alibi” can assist people in controlling others through language. Controlling language in this manner gives the artists control of language that involves or attacks other groups, which can easily be abused. The article attempts to argues that this type of language control should be restricted because it would not change the art itself, but it would remove the negative effects. This is similar to the controversy around “Fallout 3”, where an in game item was named “Med-X” in an update for the global release of the game. This is instead of the original label, “morphine”, and it was changed in order to remove any positive references to drugs. By only changing the name of an item, and leaving the rest of the game. Hence, whilst the aesthetic alibi does facilitate a control of language that can be abused, its abuse is generally held in check by contemporaries and their belief in its artistic
While these white punks were able to return to their middle-class, financially stable lives, many minorities had no choice but to live in the cheap apartments they were offered at the time. Although the intention of the white punks may have been to unify all races under the label of ‘punk’, they actually reinforced clear differences between the two groups. The lifestyle became a desired object to white privileged punks into which they launched themselves head-on. The white punks desired to internalize the struggle rather than be contradictory by singing about it and not actually living it. White punks believed that by doing this, they were not only eliminating race within the punk subculture, but they were also furthering their own participation within the subculture by creating a “self-imposed minority”2 and an “appropriation of Otherness”2.
Humorists are present through multiple mediums such as talk shows, blog columns, and political cartoons. The different platforms humorists’ use lends different purposes for their content. For example, political cartoon artists have the creative liberty to create offensive content on certain political issues. The political cartoons
When I was very little, my dad would read “The Phantom Tollbooth” by Norton Juster to me. I was intrigued by the silly pictures and couldn’t care less what they meant. Later, when I was in middle school, I read the book again. I lived Milo’s adventure vicariously through the book, but I only saw the surface of the plot. It wasn’t until I became an adult that I read it again, and this time the satire, hidden meanings, and puns finally hit me. The book never changed; only the way I viewed the book changed. An image such as the one displayed on page 61 of the textbook can show how people’s interpretations of other people change over time. Painting the word “HERE” on all of the babies shows that racism is not inherent in people, but rather it is taught. The image of OJ Simpson on the cover of Newsweek is another example of using an image to change the perception of a person (Sturken & Cartwright, 23). Before looking at this image, people who do not follow sports-related news may not have heard of OJ Simpson; the first image they see is one with the words “Trail of Blood” plastered in front of Simpson’s mugshot. This will steer them to perceive Simpson as a threat and an example of violence. Before looking at this image, they just see a mugshot. After reading the article, when they look at the image again, they see the face of a man that has
The voice of writers and authors are the key components to their inner thoughts. It is a way of actually portraying what a person is trying to say. However the case is that their words silenced and put in period of exile away from the eyes of the public. Author Charles Lawrence goes on to state that racist speech is wrong simply because of the drastic agony it puts on a victim’s perspective. In the article “On Racist Speech,” the author, Charles R Lawrence III, effectively establishes credibility, logic and emotional themes to supports his argument which infers that the use of harmful language should not be protected by the First Amendment Law in order to stop racism.
Modern society allows humorists to touch upon offensive topics without receiving much criticism. As Alain de Botton claimed in his 2004 book, Status Anxiety, humorists’ role is not merely to entertain but “to convey with impunity messages that might be dangerous or impossible to state directly.” De Botton’s argument proves legitimate. Many humorists, such as cartoonists and television hosts, decide to use their humor as a tool to prove an idea or express a belief that cannot be voiced candidly in public.
Censorship has long been an issue in Rock and Roll music. Although our American society celebrates “classic” rock that emerged in the 60’s and 70’s, today, artists such as: The Rolling Stones, The Beatles, The Doors, The Sex Pistols, and Bob Dylan were harshly judged for their music and image they projected because some members of society feared they were too suggestive, or just completely inappropriate. These rebellious artists fought against their music being censored in the best ways for their bands.
The corruptness of music today seems to be linked to the crude language and aggression found particularly in hip-hop and rap music. Some rap artists use vulgar language in their lyrics that are easily adoptable by teens (Holden). Not only have certain lyrics influenced the way teens speak but also their actions. An article on Headliners.org stated that “lyrics in the music are too violent and are to blame for many problems.” The problems range anywhere from suicide and aggression towards women to underage drinking and drug use. Lyrics are not only to blame, but also what people see in artists’ music videos can affect what they do (Doaks). The urge to emulate these rap musicians has escalated quickly causing a spike in rebellious tendencies among teens.
Systematic racism continues to perpetuate the marginalization of people of color in the 21st century despite belief of living in a post racial society. This unfortunate reality is seen in many different forms of current culture. One of the ways systematic racism takes current form, is in the negative portrayal created by a single narrative, or the lack thereof, minority groups. This lack of representation or diversity of people of color in different forms of art and platforms, not only affects those subject to misrepresentation, but perpetuates negative attitudes and discriminatory behavior towards those subject to misrepresentation. It is necessary to look into the ways this single narrative in different art forms affects marginalized group, and the current move to dismantle the component power plays in who gets to tell these stories.
Throughout history, music has been seen as a medium in which different people all over the world can relate. Adorno criticizes, however, that songs that have the most “hits” on the top music charts or are most listened to, otherwise known as popular music, are being produced for and consumed by the masses as a commodity. He identifies popular music as being a part of a culture used for capitalism, and that we as listeners, are falling into a trap in which we believe songs have individuality and that we have the freedom to choose what we listen to. He argues that in reality these popular songs are all standardized and made to seem different through various elements that are added. In this paper, I will display how Adorno’s critique of popular music being used for capitalism applies to the song,1-800-273-8255, by hip-hop and rap artist Logic, through its standardized elements in both its content and marketing; however, I will argue that although it contains these elements, the audience is actively listening and responding to the song as it brings awareness to mental health and suicide prevention that is changing and saving lives all around us.
Satirical writing allows the author to express his or her opinion about a problem in society. A writing must follow three rules in order for
My first letter from my pen-pal came in the fall of 2000. It was terse, which I had assumed to be a product of the culture there. My pen-pal introduced herself as June, and said she was excited to learn about what America was like. My reply was understandably pretentious, as I sought to impress my brand new foreign friend with boasts about the food, the sports, the invariably superior American culture. June and I exchanged letters back and forth well into the winter. My letters were wordy and overdone; her’s displayed a taciturn personality that I struggled to understand.
Most popular music today is driven by violence and sex. These musicians put out albums that glorify violence and promote causal sex. When the albums are being produced, the artist does not think of how it will affect the perspective merchant. When
Emergency Management and Homeland Security have both been subjects of interest to me due to my certificate in International Studies. During my studies, I focused on Homeland Security and volunteering in medical related fields. Engaging in courses, such as National Security and Terrorism, allowed me to better understand how our government handles situations that can cause various outcomes for our country and its safety. Although it seems like a logical concept, it is truly amazing how planning and preparing are key elements in preventing a catastrophe. Volunteering in a hospital has shown me how important Emergency Management is; there are several items to take into consideration when thinking about scenarios concerning such a large and complex
After watching, ‘Waiting on Superman’ I thought differently about the public school system. I knew that the system was broken and that it wasn’t working, but I didn’t completely understand the damage it was causing. I learned so much about the broken system after watching this film to the point it disturbed me. The depiction of public schools compared to my school experience was not the same. I went to a ‘STEM Magnet’ elementary school that prepared me for STEM job fields. However thinking back on it now, a lot of kids around me in school were from low income families, many had family problems and lived in a negative neighborhood. I also noticed that my elementary school had ‘good’ teachers, ones that went out of their way to help us thrive.
Art has undoubtedly become a decisive aspect of our culture; embedded in the way we learn and grow on a daily basis. Art forms such as music, television and dance dominate our society as an outlet of freedom of speech for humanity. The evolution of music has rapidly exceeded its original classifications, developing new genres with greater appeal to an audience, hence its influence on society has expedited. In recent times, lyrics (specifically rap lyrics) have been introduced into the court room as a form of documented confessional evidence, evidently challenging law’s authoritative nature. This essay will closely follow the genre of rap and its relationship with law, through cases based in the United States of America (USA). In addition, the trial of Simon Bikindi in Rwanda and Smith v The Queen will be used to form an acute analysis on the influencing factors of relevance, identity, freedom of speech and current constitutional law.