Biographies Of Hegemony Susan Faludi Summary

Karen Ho, in “Biographies of Hegemony” explains how investment bankers, the high forces on Wall Street, influence undergraduates while negatively contributing to societal norms. In “The Mega-Marketing of Depression in Japan,” Ethan Watters illustrates and explains how the Western conception of an illness has been deliberately exported to Japan. In both of these texts, there is a clear overlap between the themes of cultural narratives and personal choices. Cultural narratives in a given society help shape the community and allow an individual to get a better understanding of the general principals and societal norms. For examples, narratives such as a culture of smartness in Ho’s essay and marking strategies in Watters’ essay, allow an

This was one reverse too far, for Iran's young “cherish a packet of grievances, ranging from the acute shortage of jobs to the social restrictions that ban most boy- and-girl outings. Restrictive though it is, the system allows discussion of these complaints, and many niggling rules have been quietly eased since Mr. Khatami took over” (Anonymous Iran's second revolution? 13). It was, however, after the police and their allies, the Islamist bully-boy militia, raided the dormitories in Tehran University, where they killed at least one student and probably more, that the shout for change began to penetrate “out-of-bounds areas. The students started to call for fundamental reforms, questioning the legitimacy of clerical control” (Anonymous Iran's second revolution? 13). They even went so far as to challenge the sacrosanct heart of Iran's Islamist edifice, the ultimate authority of the “supreme leader.”

Ever since its inception, human civilization has been run by a pecking order; a small group of elitists on the top of the chain of command dictate the social norms for the remaining individuals on the antithetical end of the spectrum. Individuals with traits outside these norms are ostracized and looked down upon by the hierarchy. Cathy Davidson’s, Project Classroom Makeover, promotes the use of customization in the education system to accommodate every students’ learning habits over the current use of standardization and curriculum based teachings. On the other hand, Karen Ho’s, Biographies of Hegemony, is about how one’s environment is engineered by institutions, which in turn establish hierarchies who set standards for society. However, Son by Andrew Solomon describes how horizontal identities, traits influenced by peer groups that separate individuals from their families, are seen as abnormalities and those with such identities are on the bottom of the said hierarchy. Based on Davidson’s, Solomon’s, and Ho’s works, individualism does into question because society forces individuals to conform to the standardized norm in which they are not allowed to have unique identities.

During her childhood, Marjane was influenced by many different sources telling her many different things, including how she should act, how she should dress, and what was right and wrong. Her Uncle Anoosh, for one, was a hero in Ms. Satrapi’s eyes and she listened to the stories of his past with great interest. While Marjane greatly admired her Uncle Anoosh, her mother held a more important role in Marjane’s life, the role of parent and teacher. Marjane’s mother was an icon of independence and idealistic freedom for her daughter, as well as a voice of forgiveness towards the ignorant. This was important for Marjane while she was growing up because she was being heavily influenced by the world around her to believe things that were not true and to give up freedoms that most people today take for granted. While Mrs. Satrapi was very protective of her daughter, as seen on page 145 of Persepolis, she also allowed her daughter to venture out on her own at a rather young age, as seen on page 131. Marjane’s parents raised her to formulate her own ideas and to be obedient to her elders. This became an issue when the government of Iran changed to a fundamentalist government and strict religious ideals were imposed. When this happened, Marjane’s mother told her to wear the veil and to

Marji’s hatred towards the new Islamic government due to the oppression her loved ones have had to endure, causes her to act out and rebel against the law. There are many instances of Marji’s defiance against the government and religion. One example of her rebellious nature is exemplified when she and her maid, Mehri, decide that “tomorrow [they] are going to demonstrate” (Satrapi, 38). She makes this decision after discovering the truth on social hierarchy and the government in Iran. She wants to support the Iranian citizens in fighting against the rules and religion to make Iran a free country again. Another example

Karen Ho writes very a informing passage about Wall Street and the recruitment process in “The Biographies of Hegemony”. She speaks about the type of “families” Wall Streeters tend to form by only selecting specific types of people to work for them. An atomic family is composed of parents and their children and with aunts, uncles, grandparents, etc. as the extended family. The “constructed family” created by Wall Street is similar to an atomic family to the extent that Wall Street itself poses as the parent of its children Harvard and Princeton and has the other Ivy League schools acting as their “extended family”. Just as an atomic family has trust, loyalty, and inclusion, Wall Street’s “family” has the same in order to succeed as a

Women's rights in the Middle East have always been a controversial issue. Although the rights of women have changed over the years, they have never really been equal to the rights of a man. This poses a threat on Iran because women have very limited options when it comes to labor, marriage and other aspects of their culture. I believe that equal treatment for women and men is a fundamental principal of international human rights standards. Yet, in some places like Iran, discriminatory practices against women are not only prevalent, but in some cases, required by law. In this essay I will explain to you the every day life of an every day Islamic woman living in Iran. You will be astonished by what these women have endured through the

An individual’s biographical surroundings hold power over their behaviour and awareness of society, this can be otherwise called the “sociocultural perspective” which was developed from Lev Vygotsky, a Russian Psychologist who believed culture alongside family and peers had an enormous effect on the individual. It is argued that society not only controls our movements, but “shapes our identity out though and our emotions” (Punch et al,22). Throughout history individuals have shaped and moulded their involvement in society, be it premediated or otherwise. However, C. Wright Mills stated that we are “seldom aware of the intricate connection between the patterns of their own lives and the course of world history” (Mills,

Though the veil forms an inconvenience in the lives of all Iranian women, it serves as a form of protection in their lives against the dangerous religious extremists fighting for the revolution. Marjane and her mother did not believe in the religious importance of wearing the veil but knew they had to wear them for their own protection against radical religious men that could try to take advantage of them. The president claimed that “women’s hair emanates rays that excite men” (74). Supported by this proposition, men could claim that a woman without a head scarf excited him and he would rape her because that is what she deserved for being a “little

Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel that provides insight into a young girl living in Iran during the hardship of war. Persepolis takes place during the childhood of Marjane Satrapi. It gives a background of the Islamic Revolution and the war in Iran. Satrapi attempts to guide herself in a corrupted world filled with propaganda. She tries to develop her own morality concerning religion, politics, and humanity. Satrapi was blessed enough to have high class status and parents who had an open mindset about the world around them. Thanks to her slightly alternative lifestyle, she is able to reconstruct gender norms that society has set by depicting the different ways women resist them. “Do Muslim Women Really Need Saving? Anthropological Reflections on Cultural Relativism and Its Others” by Lila Abu-Lughod is an essay detailing the misconceptions surrounding the veil. Through this essay we can see how colonial feminism, the form of feminism in which western women push for a western way of living on their third world counterparts, has shined a negative light on cultures all around the world - particularly Islamic women. The essay shows how women who don’t conform to American societal structures are labeled as women who urgently require saving. Through this essay one can develop a thorough understanding of the veil itself and the many representations it holds to different entities. Although in Persepolis: The Story of a Childhood Satrapi

Another historical event that we see is the rise and effects of the Islamic regime in Marjane’s life. This event is arguably the central issue that affects Marjane during her upbringing in Iran. Marjane shows how the regime begins to control schools, and how this affects her life by separating her from her friends (4, 3-4). We also see how the regime decides to close universities as they “educate future imperialists.” (73, 1-3) This demonstrates the negative effects that the regime has on society, as they prioritize Islamic values over education. The Islamic leaders portrayal shows them as upset and bored, and are given much different facial expressions than those that Marjane sees as intellectual (such as Uncle Anoosh (54/3) or Marjane’s grandfather (23/8)). This imagery communicates the backwards-thinking of these leaders, and as such, also effectively communicate Marjane’s opinion of the leaders without needing to discuss it with text. Additionally, we see both of Marjane’s views: Marjane not understanding the veiling and separation (3/5) as well as Marjane’s depression over the closing of the universities (73/7). The text here illustrates her opinions on the situations that she experiences, and the imagery allows us to see a visual representation of her basic thoughts and emotions, which are well communicated. A final example of the regime’s changes is the difference between the fundamentalist and modern women

One of these incidents occurs when Marjane is in art school. When the students were told that they needed to wear longer headscarves, Satrapi immediately responded that “as a student of art…I need to move freely to be able to draw.” She further questions “why is it that I, as a woman, am expected to feel nothing when watching these men with their clothes sculpted on but they, as men, can get excited by two-inches less of my head scarf?” here Marjane questions the restrictiveness of the veil and comments on the injustice in Muslim society and the gender inequality. The veil represent the repressions and the gender injustices in Iran. By revolting against the veil Marjane is able to protest the repressions. On hearing Marjanes complaint, the school administrators asked Satrapi to design her own veil. Marjane accepts this offer while still in the confines of the veil. Marjane designs the veil to suit the needs of the students and

Evident in the abundant arguments regarding freedom and to the extent of which these freedoms are protected by legislation, Americans typically believe that their fellow citizens can be trusted with almost unlimited freedom. Americans exercise many privileges such as speaking freely and having access to news media (whether true or fictitious) that we assume are our basic human rights. We believe that the more freedom we have the better and that we can control ourselves rather than relying on external pressures on freedom However, these are not given to all people and were in fact punishable offenses for Marjane Satrapi in her childhood and young adulthood as a woman in Iran as revealed in Persepolis. While at first she despises the constraints on her freedoms put in place by the government and her family, after struggling on her own with virtually unlimited freedom she goes back to the more restrictive environment in Iran. Satrapi argues that while we should not allow extreme government control of freedom, so restraints made by parents and other family members is crucial in the development and bettering of a person’s upbringing. With too strong of governement restriction of freedom, one has no outlet of self expression or individuality and with too much freedom Satrapi is unable to create a safe environment for herself and remains emotionally unstable and she therefore argues that an environment with some restrictions is best.

During the Iranian Revolution in 1979 transformed Iran’s political,social,and economic structure. Secular Laws were replaced with Islamic laws creating an outburst. Women were often abused,raped,treated as slaves,and accused of false imprisonment. These tortures things that most women had to face are against the Islamic religion.

When she sends Marjane away from Iran, she assures her: “I know how I brought you up. Above all, I trust your education” (147). Marjane’s mother doesn’t want her daughter to live in such an oppressive time. When the veils become mandatory, Marjane’s mother wishes to take her to an opposition demonstration: “She should start learning to defend her rights as a woman right now!” (76) In growing up with such strong female role models, Marjane learns to express her opinion and always stand by her beliefs. They taught her to stand up for herself as a woman, and in doing so, introduced her to a feminist perspective on life.