Bill Viola's 'The Reflecting Pool'

The river represents the period between life and death. Another part of this symbol is the air representing life and under the rocks and waterfall representing death. Just as the transition from life to death is in motion, so is the rushing of the water. Both have a beginning and an ending point, but the part in the middle is constantly moving, swirling and churning. As the girl loses hope for survival and the waterfall is approaching, the narrator states, “[S]he becomes part of the river” (45). The girl now crosses over the borderline of life and death, and she is about to be swallowed up by the falls of death and can never return to life. However, when the diver goes into the river to save her, he comes out saying that “he’d never enter that river again” (47). He encounters the spiritual eccentricity of the edge of death when he looks into lifeless girl’s animated eyes, and he can not fathom that experience. Another symbol that is introduced twice is the gurgle of the aquarium, which symbolizes the attempt to understand nature’s cycle of life. As she floats downstream, the girl remembers “her sixth-grade science class, the gurgle of the aquarium at the back of the room”(45). During this moment, all of her thoughts are puzzled, and she cannot understand the death awaiting her. Later on, after sleepless nights, the diver is in the empty school where “the only sound the gurgle of the aquarium” (48). This moment is the point at which he decides

Sophie Masson was a French person, he was born in Jakarta, Indonesia, and came to Australia at the age of five. In here short story Bells Underwater, she reflected on the particular meaning of music to a thirteen year old boy. She is also interested in writing things which matters in the lives of people, especially if you are given something which you were not really looking forward to.

His most perfect love in all the world was on that train. So he’d run to the end of the earth if he had to(Pg. 120). Juan Villasenor, one of the two major characters in Rain of Gold, a nonfiction novel by Victor Villasenor, faces many problems throughout the book that have a significant impact on the skullduggery little boy we knew from the beginning to the scrupulous and surreptitious man at the end. In Rain of Gold, it follows the sides of 2 characters, Juan, Lupe, and their families during the time of the Mexican Revolution, as they travel from Mexico to America, and go through many struggles on this voyage. In these obstacles, Juan faces from beginning to end, he learns many things on this journey and meets new people that change his

The father does not like “the sound of the place, an unfamiliar nervous sound of the outboard motors [that] sometimes break the illusion and set the years moving.” He always talks about how “there were no years” and how everything was so constant. However, he is getting to the point where he is starting to know that his future is near. He starts to realize that when a thunderstorm comes. This brought the father “the revival of an old melodrama that [he] had seen long ago with childish awe.”He is no longer confused about who he is anymore, and he knows that he is getting old. As he starts to accept this, the lake which he saw was “infinitely precious and worth saving [is now] a curious darkening of the sky, and a lull in everything that had made life tick.” Although he realizes that it is what it is, he knows that this is something he will have to accept, and his son is the new generations who is going to hold the future. His son, whom he always got confused as himself, now sees his son for his child. When the son goes swimming, the father “languidly, and with no thought of [swimming]. . .saw [his son] winch slightly as he pulled up around his vitals the small, soggy, icy garment.” Seeing how his son is strong and independent gives him the “chill of death.” He finally realizes that he is no longer a child, he is an adult who is going to die. A new generation will take his place, and

Death is inescapable. In the same way, life is inescapable. The Appalachian short story, “Jake Pond”, portrays this inevitable cycle through the depiction of a young boy enjoying nature. Lou Crabtree writes of the many inner workings of life through symbolism. While some would say this story is a literal telling of a boy and his surroundings, it does, in fact, include a plethora of metaphors to display the complexities of life through figurative language (Crabtree). In Lou Crabtree’s “Jake Pond” symbols such as the young boy, black snakes, pond, hollytree, and other natural entities portray themes of life and death, while detailing multiple aspects of change.

I think that in the book The Wave by Todd Strasser David realizes what the wave has done to him is change him mentally and physically, and Laurie learns the powers of the wave and what it can do to people.

Ted Hughes illustrates a vital view in his poem to describe to his audience that what we perceive may not always be true. Often times, the first impression that nature gives is one that is calm and beautiful. However, as the artist prepares to paint the scene, he’s challenged with trying to fit in the entire view of nature. The artist’s task is to paint the water lily, but is having difficulty as there are many other features that are hard to see. Hughes reveals the speaker’s attitude toward nature as being not only beautiful, but also dark and violent.

Harlem Summer is a novel written by Walter Dean Myers. The story takes place in Harlem, New York in 1925 during the Harlem Renaissance. The author envelopes the reader into a rich African American culture of jazz musicians, poets, writers, Negro leaders, and surprisingly gangsters. Mark Purvis is a sixteen-year-old saxophonist. Mark resides with his parents and older brother. They live in the neighborhood with his idol, Fats Waller 's, sister - Edie. He has big dreams of becoming a famous jazz musician. When Fats offers Mark an opportunity to earn five dollars, he immediately accepts the job without any hesitation. Mark thought - why not? I can earn some money, and possibly become friends with Fats. With any luck, we will record an album together on Black Swan Records.

The thoughts and emotions that occur in connection with water are triggered by the lake, and they help Ruth choose transience over any other form of existence. When water floods Fingerbone, the boundaries are overrun, exposing the impermanence of the physical world, and the world’s own natural push towards transience. Water shifts the margins, warning us that the visible world only shows us part of the whole--or perhaps even a mere reflection of a false reality. After the fantastic train wreck in which Ruth’s grandfather perished, the lake sealed itself over in ice, changing boundaries again, while it concealed, like a secret, the last traces of the victims with the illusion of its calm surface. The lake, a source of beauty and darkness, life and death, is “the accumulated past, which vanishes but does not vanish, which perishes and remains” (172). Water carries the symbolic possibility for rebirth– the flood causes the graves in the town cemetery to sink, “so that they looked a little like…empty bellies," suggesting that the dead were born into the receding waters (62). As water and death are so pre-eminent in Sylvie’s consciousness, in dream, she teaches Ruth to dance underwater, to live a life of transience to be

In the She’s The Man (2006), Viola Hastings (Amanda Bynes) cross dresses for the majority of the film, pretending to be her twin brother Sebastian. She does this in order to play for Illyria’s men’s soccer team as her school, Cornwall, cut the women’s soccer team and wouldn’t allow her to play for the men’s team. Her main motivation is to beat her former schools team and prove to them that even though she is a girl, she can play on the same field as the boys. While pretending to be Sebastian, Viola initially struggles to hide her femininity, such as when it is discovered that she has tampons in her bag. As the movie progresses her ability to hide this femininity and express masculinity becomes easier. Her cross dressing has an effect on everything and everyone around her and it pushes the line on the comfort people feel when stereotypical gender norms are challenged/ She becomes interested in her roommate, Duke (Channing Tatum) and throughout the movie the two become closer on an intimate level even though Viola is still masked as Sebastian. Duke is obviously uncomfortable with this as made evident by the end of the movie, when it is revealed that Viola was pretending to be Sebastian the entire time. His look of relief reinforces this idea of stereotypical, heterosexual gender roles, as now that Viola is revealed as a female, it is socially acceptable to be attracted to her. She’s The Man reinforces the stereotypical gender roles that society expects out of

When Fish ‘feels the death coming unstuck from him with a pain like his guts are being torn from him’ his longing to stay with the water becomes evident. Coming back to life is described through the simile of ‘the most awful sickfeeling in him like his flesh has turned to pus and his heart to shit.’ Through Fish’s longing of death, Quick’s despair with life is emphasised through the metaphorical argot of ‘lonelysick wakefulness.’ The despair etched into Quick and Fish’s relationship is mirrored in the personification of the house ‘twisting its joists, hugging inwards, sucking in air.’ The agony Quick feels over his brother’s inability to grow up is reflected in his relationship with Fish, along with Fish’s despair for the water. The mirrored agony is the essence of the relationship, which can be closely understood by society’s desire for closure and peace.

‘Swan Lake' was re-choreographed by Marius Petipa and Lev Ivanov in1895, after initially being choreographed by Julius Reisinger in 1877. The musical score was composed by Pytor Tchaikovsky. ‘Swan Lake' was created towards the end of the romantic period, so the culture and style of romanticism was prominent, with glimpses of the beginning of the classical era. Because of this, it contains elements of both eras. Some of the romantic characteristics include the pursuit of the unattainable, romance, fantasy, focus on the female role, gas lighting and simple sets, pointe work, soft and feminine technique for females and the bell tutu. Some of the classical features include the length of the ballet, the classical tutu and more

Silver Water Silver Water by Amy Bloom is a short story about a family dealing with mental illness. One of the daughters, Rose, suffers from schizophrenia. She develops this illness at a young age of fourteen where she has her first mental breakdown. Her mother is the first to realize Rose’s mental state, and so she begins to take Rose to the hospital. Rose’s battle with schizophrenia, trips to the hospital, and stays at halfway houses lasts ten years before she finally commits suicide.

in front of the pond and looks in to see his reflection is no longer

Some may confine to societies expectations, rebel, or even enforce them; however, Alice Walker “dances” over the categories that society has believed she should be placed in to find something more meaningful and significant about herself. Alice Walker, known for her numerous awards and 1983 Pulitzer Prize winning work, The Color Purple, is an American novelist, poet, and activist. Her essay, Beauty: When the Other Dancer is the Self, is an autobiographical account of an incident that caused her to go blind in one eye when she was eight years old. Walker’s thoughts, feelings, and emotions, which were cultivated by the standards and pressures of society, are described in her story. While some may overlook its purpose, the metaphor of dance is significant because it represents her individual liberation of societal standards and categorization, which in turn influences readers to consider their oppressors and realize their self-worth.