Betrayal, Justice and Passivity in Roald Dahl's "Lamb to the Slaughter"

Murder, one of the worst crimes a human could commit, is not taken lightly and most times the primary suspect is a male. In the 2 stories, “Lamb of the Slaughter”, and “The Landlady”, the reader learns just how murderous man’s counterpart can be. Roald Dahl, the author of these 2 stories, wrote “Lamb of the Slaughter” from the perspective of Mary Malony a loving housewife who gets terrible news, and wrote“The Landlady” from the perspective of Billy Weaver, a 17 year old businessman who stumbles across a Bed and Breakfast run by our next “Mistress of Death”. The reader will learn that even though these 2 stories are different in many ways, they still have plenty of similarities.

In the short story “Lamb To The Slaughter”, written by Roald Dahl, the two main characters, Mary and Patrick Maloney, show many emotions and the emotions are portrayed in certain ways depending on how Dahl uses word choice and figurative language. Throughout the story the emotions of the characters change and alter depending on how specific events happen and show how the character will react in the situation, whether it be good or bad. Mary and Patrick Maloney have very different emotions towards each other and it’s very surprising to see how the emotions change during the course of the story.

The author uses the characters in the story as a big climax, to show evil throughout the text. The two stories are very different and are very much the same all at once and they both play big parts with the main points using the characters. Lamb to the slaughter is written by Roald Dahl and The possibility of evil is written by shirley jackson. The characters in the stories play dramatic parts in the story, to make the story interesting.

In the short story “Lamb To The Slaughter” written by Roald Dahl, the protagonist Mrs. Maloney, shows change in many aspects of her life. These aspects include her overall feelings toward her husband, main motivations to keep living and moving forward, social status, and her outward appearance. By undergoing these changes, Mrs. Maloney can be identified as a dynamic character.

Traumatic news can lead to traumatic actions. In Roald Dahl’s ”Lamb to the Slaughter,” main character Mary Maloney is told very shocking new that causes her to overreact and kill her husband Patrick Maloney. Their blissful life turned upside down in a matter of five minutes. Mary was a great wife to Patrick. She loved him very much and is even carrying his child. Mary always catered to Patrick and was very loyal to him. Mary Maloney is a sympathetic character because she was very loving, compliant, and only lied to protect her baby.

Mary Maloney appears to be a peaceful, pregnant wife who adores her husband. She seems to be at peace with herself and her life serving her husband’s every need. Roald Dahl, the author, creates this innocent, young character to surprise and keep the readers in wonder of what happens next. Dahl also uses the literary device of irony to develop his story. In the short story, “Lamb to the Slaughter,” Roald Dahl uses verbal, situational, and dramatic irony to construct an amusing murder story.

Roald Dahl’s “Lamb to the Slaughter” utilizes satire and humor to critique domesticity and the life of a housewife. His use of detail and perspective allows us to view the eager, submissive, and anxious housewife, Mary Maloney. These traits are evident when she glanced at the clock again and again, waiting for her husband, “she merely wanted to satisfy herself that each minute that went by made it nearer to the time when he would come home” (Dahl 1). The exaggeration and descriptive imagery humorously depicts Mary Maloney as a submissive housewife, eager to please her husband in any way. The story satirizes domesticity by portraying an obsessive wife, Mary, who sits like a dog waiting to greet her husband at the door, fetching a drink for him like a toy, crying “I’ll get it” as she jumps out of her chair, and gazing at him “all the time with large, puzzled

Mrs. Maloney gets away with the murder in the end. This caused by a revolting ending in which he police detectives eat the leg of lamb that was used to kill Patrick. The writer creates an unbelievable ending by making the story, up to the murder, set in a very normal family house. It is not somewhere you would associate with a morbid killing. The writer builds up an impression that the marriage may not be as good as it could be, and both were under strain not to release the tension onto each other.

First, Dahl begins creating betrayal in the story. The theme is shown for the first time in the “Lamb to the Slaughter.” Patrick is telling the Mary that she will be surprised and not be excited if she hears what's on her husband’s mind. She will feel sad and angry. “This is going to shock you (Dahl 319).” This is breaking a trust because Patrick is telling his pregnant wife Mary that he’s leaving her and doing something that Mary doesn’t know about.

expected them to be. From what I saw of the wife I expected Patrick to

Dahl’s use of dramatic irony during the story helps displays the actions of Mary Maloney and other characters. Mary Maloney swings the leg of the lamb to the back of the head of her husband. Dahl says, “ she swung the big frozen leg of lamb high in the air and brought it down as hard as she could on the back of his head” (Dahl 320). As a result, this quote is effective because the lamb was used as a weapon, instead of food; which shows that Mary could use anything to harm someone without her trying or when it was her attempt to hurt that someone. The story writes, “Probably right under our very noses. What you think, Jack”. In the same way as the first quote, this sets back to Mary because she sabotages the police to eat the lamb. With the police eating the lamb she is getting rid of the evidence so she does not get caught. From the use of dramatic irony in the story, Dahl's builds Mary as a character; he also uses different irony to create her.

In the short story Lamb to the Slaughter by Roald Dahl the husband that comes home early one day with bad news. He told his pregnant wife something. It was really shocking to her, and in the story it said that she got really sad. He then says that he would give her money and see that she is looked after. When she heard the news she went downstairs to the basement and got a frozen lamb to cook him. When she came up, he heard her and could tell that she wanted to make him supper. So he told her that he was going out so she doesn’t have to make it, but he said it in quite a rude manner and she seemed bothered by this because right after he said that she hit him in the head with the frozen lamb and he died. After she seen what she has done,

Literary elements and writer’s craft are essential to a well written story that gives understanding and meaning to the readers. Authors use these elements to add deeper meaning to a story that otherwise is as dull and same as the rest. The short story Lamb to the Slaughter is about a wife who kills her husband and then tries to cover it up. The Leap, another short story, is about a girl who is telling stories about her mother’s life. Both short stories portray and utilize literary elements and writer’s craft but Lamb to the Slaughter uses them more effectively and clearly.

Emotive language and dialogue was a literary technique that Roald Dahl used in order to explore the idea of stereotypical gender roles which was a common societal issue particularly in the 1950s. Lamb to the Slaughter tells of a couple during the 1950s who followed the stereotypical couple concept of having a housewife and a husband working a middle-class job. Through the Maloney’s relationship it can be seen how Mary Maloney fulfilled and had a desire of wanting to provide and care for her husband using her skills of a housewife. This can be perceived in the quote; “I’ll get you cheese and crackers.” This informs readers that her nature and manner of wanting to please and satisfy the needs of her husband is very important to her. In response to Mary her husband replied with “I don’t want it”. The issue of gender roles/gender hierarchy in this particular situation encouraged Mary’s contentment of wanting to murder her husband which may have been initiated because of the imbalance within their relationship. Patrick Maloney’s reply to his wife portrays a disrespectful and inconsiderate attitude which represents the dominance and power that he has within the relationship. His authority within their relationship may have been generated because of his role as a provider for his wife. Another quote by Mr. Maloney states “sit down, just for a minute sit down,” this represents the type of relationship and interaction that the couple reflects. Their relationship shows no negotiation and inequality within the relationship; Patrick who is an educated detective, whereas Mary was just a

Maloney’s facade of innocence can be seen through Dahl’s characterization of a typical housewife. Within the text, Mrs. Maloney is perceived as a loyal housewife that “[waits] for her husband to come home from work” (Roald 1), or a loving wife who cares for the well being of the love of her life that right after greeting asks: “Tired darling?” (Roald 1). This seemingly harmless dialogue builds an image of loyalty as she faithfully waits for her husband to return abandoning all other activities to elucidate her dedication to her husband comes first before all. In general, she is portrayed in a “tranquil” (Roald 1) mood inside her house with her words bringing forth an innocent and loving tone. Nevertheless, all what Roald has built up to make the audience believe that Mrs. Maloney is a loving wife breaks down when she “[walks] up behind [Mr. Maloney] and … swings the big frozen leg of lamb… on the back of [Mr. Maloney’s] head” (Roald 3). After she had physically assaulted and murdered her own husband, she officially filled the role of being the “lamb leg”. Dahl portrayed Mrs. Maloney as innocence and loving, just like what a lamb connotes: innocent with white fluffy fur, loving to his/her mother, and Dahl also portrays Mrs. Maloney as a “lamb leg”, the transmutation of an animal that embodies innocence into a food item procured through the murder of a baby