Benedick In Shakespeare's Much Ado Nothing

Needless to say, Benedick and Beatrice are the antithesis of each other, for Beatrice is reasonable which means she is always trying to come up with a reason for what somebody has done or for what she is going to do, but Benedick is irrational which means he never needs a reason for what he does. Beatrice is crying because her cousin, Hero has just been slandered and killed by Claudio. Which is why she is asking Benedick to kill Claudio. Benedick laughs it off like it´s a joke the first time she asks. But, then he realizes that she is serious. ¨ As I have a thought”, “That’s enough for me”, “I’ll challenge him”, “I’ll kiss your hand”. This impacts the

By using the intense phrases like ‘I lose more blood’ this could also convey that love is something he knows he may be hurt by. Similarly Beatrice states that no man is good enough for her and then also declares her intentions of remaining bachelor. However Beatrice’s confident chatter can be just a cover of her inner insecurities. She may talk as if she definitely will not marry when really she is afraid of this as her age is rapidly increasing; this is a feeling of desperation. Overall, the similarity between their views and feelings sparks a kind of sweet compatibility between them. This shines through their obstinate attitudes reflecting the idea that a love relationship has the potential to evolve. However, this is also makes the end (where they are indeed in love) more surprising therefore presenting their relationship as quite volatile.

‘Tis certain so; the prince wooes for himself” (II.i.556-558). Here Claudio is led to believe, by Don John, that Don Pedro has wooed Beatrice for himself rather than for Claudio. This makes Claudio very upset. Claudio is deceived once in the play for a good cause. After he slanders Hero at their wedding, he needs to prove his worth:

He lists some of the qualities he would like to see in a woman and says to himself that he will never fall into the same pit as others have “till he have made… such a fool” (act 2, scene 3, line 25-26). This is in high contrast to the concluding dialogue of the same Scene. In the last dialogue, Benedick speaks of how he will love no one other than Beatrice and repeats the same

However, upon hearing of Beatrice’s love for him he is suddenly perplexed and it does not take him long to decide that he will give that affection back in return.  How easily persuaded Benedick is.  This may come from the way Claudio, Don Pedro, and Leonato (Benedick’s associates) depict Beatrice as the most wonderful woman in Messina.  They talk of Beatrice as if she were the most magnificent woman so that Benedick will do exactly what he does indeed do.  When Benedick hears of this he must be thinking of what he has said before about his desire for the perfect woman.  In his speech he says that “the lady is fair . . . / . . . And virtuous. . . / . . . And wise[,]” which is exactly what Benedick demands in the woman that he will choose to be his wife.  However, Benedick only believes these things about Beatrice because of what Claudio, Don Pedro, and Leonato have said about her.  They only said them to convince Benedick that Beatrice was deserving of him and that she loved him with all her heart.  They told Benedick just what he wanted to hear.  It is a scheme made of lies, but it works because Benedick is persuaded and begins to agree with what they have said.  By doing this he is already influencing himself to follow the opposite path from the one that he has adhered to for years.  Here he is already starting to fool himself into believing Beatrice is the one for him

Beatrice is a powerful, outspoken women who break gender stereotypes. Her battles with Benedick highlights her strong personality from the way she replies back and her body language. The purpose of Act 1 scene 1 is to watch the conflict between Beatrice and Benedick but the audience also gets a view on how the two dislike each other. Some insights the audience will gain of Beatrice is the fact that she is no Elizabethan women. She has a husky personality and she responds in a flick when Benedick tries to battle with her.

Like many of Shakespeare's other heroes, Benedick has a comic and serious side. I think he combines everything Shakespeare seems to like in a character; he is amusing (his witty banter with Beatrice is where most of the humour in this play revolves around) and he is also able to laugh at himself- he takes in good humour like the teasing of his friends about his cynicism about matrimony. He is loving too, (an example of this is his poem to Beatrice) and also deadly serious is his love for her- he renounces his male comradeship to "kill Claudio" as she demands- he is prepared to give up his current, enjoyable way of life for her. He is also loyal to the prince, in that he despises Don John, but he is most loyal to the one he loves, something the majority of Shakespearean heroes personify (even those who go astray eventually return to their love- Romeo never wavers from his purpose in loving Juliet). His relationship with Beatrice is another ideal held up to us by the playwright. Beatrice chooses Benedick, she pleases herself, not her family, and as a result, their relationship is much more equal and evenly balanced. It is this relationship, and not the other, quite stereotypical romance, which Shakespeare makes the main thread of this drama.

In Much Ado About Nothing, Leonato quotes, “There is a kind of merry war betwixt Signior Benedick and her. They never meet but there’s a skirmish of a wit between them.” What this quote represents is that there wasn’t a time when Benedick and Beatrice weren’t arguing this relates because in today’s time couples fight over the littlest things. Another reason for which they are the most realistic couple is because they play hard to get with each other. Benedick also says in the play , “It is certain I am loved of all

The Love between Benedict and Beatrice is a strong love hate relationship after their previous ties had failed between each other. Heros plan is to trick Beatrice into entering the orchard and overhearing their conversations about her. Through their conversation Hero, Ursula praises the virtues of Benedick and to point out the flaws in herself(Act 3 Scene 1). By doing this Hero is able to convince Beatrice to her love of Benedick. However the same time Claudio and Don John are talking of Beatrice's secret love for Benedick. After this occurred both characters realize their true feelings and began to fall for one another through the deception played out by Hero and

The result of the tricking scene and the way that they are so easily duped creates humour because they now seem desperately in love with each other 'Benedick love on. I will requite thee'. As a modern audience we feel satisfied at this union. Kenneth Branagh creates unity between Beatrice and Benedick with a montage. When Benedick is in the fountain splashing and laughing and Beatrice is on the swing smiling. These scenes make the audience smile and anticipate the positive ending.

She throws away her old self, stating "Contempt, farewell! and maiden pride, adieu!"(3.1.109). She also choses not to be so protective of her independence and declares love for Benedick, claiming "I will requite thee, Taming my wild heart to thy loving hand"(3.1.111-112). However, the true change in Beatrice does not show until the first church scene in which Claudio publicly humiliates Hero. Beatrice shows deep concern for her cousin Hero, the first time in the play where Beatrice shows concern for another. She is the first to claim Claudio is a liar and declare "on my soul, my cousin is belied!"(4.1.145). Beatrice then proves once again that she is a better person by demanding justice for Hero is met. Through Benedick, Beatrice plots to right the wrong and asks Benedick to "Kill Claudio"(4.1.290). It is in this scene as well that Beatrice, proving a complete turnaround in behavior, confesses to Benedick that "I love you with so much of my heart that none is left to protest "(4.1.287-288). This shows Beatrice transforming from someone who would scoff at marriage and love, declaring things like "I may sit in a corner and cry heigh-ho for a husband"(2.1.312-313), to someone who easily embraces love from the person she once mocked. But such a dramatic change is seen in her love as well.

He continues with another soliloquy after he overhears the news of Beatrice’s feelings. The differences in the tone and attitude of the two soliloquies gives perfect insight to his capricious state of mind. This is comical because immediately before he overhears the three men speaking, he demeans men who fall in love so quickly and foolishly. He scorns at how one man, after “seeing how much another man is a fool when he/ dedicates his behaviors to love, will, after he hath/ laughed at such shallow follies in others, become the/ argument of his own scorn by falling in love” (II.iii.8-11). This becomes ironic just moments later in the play when Benedick becomes the very thing he describes in his speech. Shakespeare included this soliloquy to exemplify Benedick’s indecisive nature, and to show great insight to his internal struggle.

Here, Beatrice compares Benedick to a fool; someone who makes his living by entertaining others. As well, she describes him as a dull and unpleasant person who is disliked by men. These lines truly depict Beatrice as a nasty and cruel character but in reality, she is deceiving Benedick and herself of her true feelings toward him in order to protect herself. However, this deception seriously hurts Benedick because although he will not admit it, he truly cares about her opinion. This is demonstrated when he complains to the Prince about the verbal abuse he received during the masquerade party: “She speaks poniards, and every word stabs (2.1. 244-245)”. However, Beatrice is not who she appears to be. Although she treats Benedick with utter disdain and contempt, she has strong feelings for him which she hides. This is seen when at the beginning of the play, she suddenly interrupts Leonato to inquire about Benedick's safety: “I pray you, is Signior Mountanto returned from the wars or no? (1.1.30-31)” This symbolizes her interest in him and her genuine feelings toward Benedick. Though she certainly comes off as a malicious and hurtful person, Beatrice does not want to be vulnerable again and we learn this from a reference made about a past relationship. When

All throughout the beginning of the play, both Beatrice and Benedick use sarcasm and hide their true feelings for each other, which is the first example of tricky in their relationship. Both of them have vowed never to marry anyone; Benedick stating: "Because I will not do them the wrong to mistrust any, I will do myself the right to trust none; and the fine is, for the which I may go the finer, I will live a bachelor." (1.1.232–35), while Beatrice says, "No, uncle, I'll none. Adam's sons are my brethren, and truly I hold it a sin to match in my kindred." (2.1.59–60.) Their friends see that they are the perfect match for one another, and plan to trick them into confessing their love for each other. When Benedick is in the orchard, he overhears Don Pedro, Claudio, and Leonato talking about how Beatrice is in love with him but is afraid he will mock her if she tells him. Benedick believes them, saying, "This can be no trick." (2.3.217.) He then goes on to say, "I will be horribly in love with her." (2.3.230–31.) Later, Beatrice hears Hero and Ursula talking about how they can't tell her that Benedick loves her because she is a scornful person. After Hero and Ursula leave, Beatrice states:

Benedick's feelings for Beatrice become more obvious after the masqued ball, in Act 2 Scene 1. He reacts quite strongly to Beatrice' comments about him. Shakespeare uses the dramatic device of the masqued ball, and the inherent confusion of identity, to allow Benedick to believe that Beatrice intended to speak ill of him to another person, when all along Beatrice knows whom she is speaking to. The fact that Benedick reacts in the way he does to these comments shows he is hurt by the thought that Beatrice might feel this way about him. There is a suggestion that he does not mind such comments when directed at him in a 'skirmish of wit', but the idea that she may speak ill of him to another person is quite different, as he must have previously thought that she shared whatever secret feelings he had