Sethe, the mother of four is tormented everyday by the attempt to make her children safe. Her two boys left home long ago and now she resides in her home at I24 with her only living daughter Denver. In the novel Beloved, written by Toni Morrison the character Beloved seeks to gain power over a her family, and those around her.
Sethe is always in a constant power struggle with the ghost baby the haunts her house. “Full of baby’s venom. The women in the house knew it and so did the children. For years each put up with the spite in his own way” (Morrison 1). This quote is talking about the ghost baby in the house that haunts the family that resides in it. It seeks power over the whole house in the beginning. This caused her two boys to leave the house because the baby was out to get them. “Made him trust her enough to step inside her door smack into a pool of pulsing red light… a wave of grief soaked him so thoroughly he wanted to cry” (Morrison 11). A visitor Paul D is talking about how it felt to walk into the house, this is how the baby is seeking power over everyone in that house because this is how it feels most of the time in the house. Constantly causing pain, and grief in a way. The ghost baby causes this type of pain and torment throughout the whole novel, seeking power and control over Sethe inpartiular. This power struggle is shown at an even bigger even when the ghost baby is reincarnated as a real young women known as Beloved. She is the oldest daughter of Sethe.
In Toni Morrison’s novel, Beloved is a character whose identity is primarily unknown. She retains some of her memories, although they are mostly obscure and symbolic. Even though she become increasingly obsessed with Sethe, her true objectives are only later revealed, when Sethe realizes that she is most likely the reincarnation of the daughter she killed to protect from slavery. Beloved uses Sethe’s guilt to subjugate her, she forces her mother to give, and then forfeit, everything she has to her, including her own sanity. “Beloved didn’t move; said, ‘Do it,’ and Sethe complied. She took the best of everything – first” (Morrison 277). Beloved starts wearing her mother’s clothes and mimicking her behaviors; Beloved becomes the mother, and Sethe the child. “The bigger Beloved got,
Another grotesque, a spiritual representation, was shown the character Beloved. ?The character Beloved is not just the ghost of Sethe?s dead child, she is a succubus, a female demon and nightmare figure that sexually assaults male sleepers and drain them of semen.? (Barnett 68) The character Beloved is able to take on different shapes to different people and haunts their dreams. At first driven out by the strong willed Paul D ?Beloved
First, she “moves” him to the rocking chair in the kitchen, then to Baby Suggs’ old room, then to the storeroom, and then finally to the cold house. Her “moving” of Paul D meant that he wasn’t physically near Sethe as much as he once was, fulfilling Beloved’s selfish intentions to have Sethe for herself. For Paul D, the fact that Beloved was “moving” him meant that he was being controlled once again, as shown in the passage, “he had come to be a rag doll—picked up and put back down anywhere any time by a girl young enough to be his daughter” (Morrison 148). Being controlled like this, much like he once was by the hands of the schoolteacher, was a source of shame and humiliation for Paul D, for “there was nothing he was able to do about it” (Morrison 148), making him feel like he was back at Sweet Home and a “slave” once again. In addition to moving him, Beloved also requests that Paul D, “touch [her] on the inside part” (Morrison 137) and to call her by her name. For Beloved, this is sexual action symbolizes Paul D’s betrayal of Sethe and shows that he does not truly love her, perhaps giving Beloved the idea that the relationship between the two will eventually end and she will have her mother to herself. Paul D, on the other hand, wants to believe that the requests mean absolutely nothing. However,
Sethe says she believes she won't even have to explain her motives for killing her (a love so great she can't let her be taken into a life of slavery). "I don't have to remember nothing," Sethe tells herself on page 183. "I don't even have to explain. She understands it all." Sethe believes the one true way she will find restitution and understanding with Beloved, is by knowing the mark she has left on her daughter. "I only need to know one thing. How bad is the scar?" Sethe feels that by knowing the scar, by touching the "memory of a smile under her chin," she can feel her daughter's pain and connect with her.
Even after she acknowledges Beloved's identity, Sethe shows herself to be still enslaved by the past, because she quickly succumbs to Beloved's demands and allows herself to be consumed by Beloved. Only when Sethe learns to confront the past head-on, to assert herself in its presence, can she extricate herself from its oppressive power and begin
Destruction of identity, another theme of the novel, relates to the violent scenes. In the second part of Beloved, Sethe takes a stand and expresses her feeling on the violent acts being performed on her. “Nobody will ever get my milk no more except my own children. I never had to give it to nobody else—and the one time I did it was took from me—they held me down and took it. Milk that belonged to my baby” (Morrison 200). Sethe finally comes to terms with her past and vows to never let such a horrendous act happen to her again. Beloved’s reincarnation occurs because Sethe needs to face her dark past head on and free herself from living in shame. It took time, but, Sethe eventually overcomes the odds and begins to live freely and peacefully in her house.
Beloved is consumed by her cruel acts, and simply drains more and more of Sethe’s health. In the beginning of the novel, Beloved appears to be a pretty, young, and lost girl that wanders into Sethe’s house. However, as time passes, she began to display signs that she is Sethe’s past daughter, the daughter that was killed. As Beloved is induced more and more into the family, she begins to feel
Beloved is seen as the resemblance of Sethe’s dead baby. Beloved is portrayed as a teenage girl, however she is different from other black teenager, “…and younger than her clothes suggested – good lace at the throat, and a rich woman’s hat. Her skin was flawless except for three vertical scratches on her forehead so fine and thin they seemed at first like hair, baby hair before it bloomed and roped into the masses of black yarn under her hat.” (Morrison 62). Beloved unexpectedly came to 124, the house where Sethe, Denver, and Paul D lived. However, Sethe became attracted to her, “Sethe was deeply touched by her sweet name; the remembrance of glittering headstone made her feel especially kindly toward her. Denver, however, was shaking. She looked at this sleepy beauty and wanted more.” (Morrison 63) represent Sethe’s fascination towards Beloved, because she made Sethe recall her dead baby, which also has the word Beloved engraved in the gravestone. The name Beloved itself makes Sethe sentimental from
Sethe lives in the shadow of her act of infanticide throughout the entire length of the book. This is because its legacy pervades itself throughout the entire novel, showing events leading up, and ways the future has been affected. The novel begins as such: “124 was spiteful. Full of a baby’s venom. (Page 1)” This baby refers to Beloved, who became a ghostly presence in Sethe’s house and continuously terrorizes the house
The theme of isolation as in many of the other pieces of literature that we have read this year can been seen in this novel Beloved. The theme can be seen in the isolation of Sethe and her inner self. It can also be seen with Denver and her separation from society because of the children at school. There is also the detachment of Sethe’s family from the rest of the world because of her past and what people think of the house and
In the novel, “Beloved” it is about a slave woman, Sethe, who before the book even begins kills her baby
Through character development, the story also portrays the theme of escaping the past. Sethe’s actions are influenced heavily by her dead child, Beloved. When the “human” form of Beloved arrives while sleeping
When Sethe finally arrives at 124 Bluestone Road, she is greeted with her loving mother-in-law, Jenny Whitlow, known to her as Baby Suggs. A second healing takes place when Baby Suggs tends to her mutilated body. “She led Sethe to the keeping room and bathed her in sections, starting with her face…Sethe dozed and woke to the washing of her hands and arms…When Sethe’s legs were done, Baby looked at her feet and wiped them lightly. She cleaned between Sethe’s legs…”(Morrison, 93). The methodical washing of Sethe’s body emphasizes the sympathy and love that fills Baby Suggs’ heart. Putting her trust in Baby Suggs for the relief of physical and emotional torment, is the only way Sethe is able to relieve herself of her haunted past and suffering body. Baby Suggs knows as well as Sethe, the haunting miseries of black men and women who have been brought low by slavery, yet she urges her daughter-in-law to keep going and be strong.
Knowing the value of this rarity, Sethe was extremely attached to her children, and refused to lose them, lest she lose herself. The link between mother and child, then, is an important underlying theme throughout Beloved, and one with which Sethe became obsessed.
The main focus of Beloved is the death of Sethe’s eldest daughter. When Sethe noticed the arrival of the four white horsemen, she made life-altering decision. The choice she made forever drove a wedge between Sethe and her children. She thought she was choosing the lesser of two evils, while her children were left to fear that their own mother would eventually kill them. The life of a slave was not something Sethe wanted her children to endure, so much so that she thought death would be an easier fate than slavery. The pain and suffering of slavery led Sethe to do the unthinkable, kill her own