Herman Melville’s “Bartleby, the Scrivener”, demonstrates the theme of isolation and going against the working world through his use of characterization and setting in 1853. Similarly, it was also around the same time when Marxism was causing a commotion, and the essay of “Critique of Marxism” in 1964 will explain the theory behind it. Naomi C. Reed’s “The Specter of Wall Street: “Bartleby, the Scrivener” and the Language of Commodities” and Anderson’s “Imagined Communities” will help make connection between Herman Melville’s story and Marxism. Naomi C. Reed’s article will provide additional interpretation on Herman Melville’s work and historic content of what it was like during that time period. Anderson’s paper on “Imagined Communities” …show more content…
As proof, the lawyer never seen Bartleby reading the newspaper and just staring at the wall, nor saw him going to a restaurant, and drinking alcohol, coffee or tea, he is always thin and pale (Melville 14). Bartleby never did anything that requires the participation in the circulation of goods. In addition, another way that Bartleby is not following the system is that he doesn't care about money which is the foundation of capitalism. An example, ““you have not even touched that money yet,” pointing to it, just where I had left it the evening previous” (Melville 20). Money are used to buy everything in the economy and to earn money people are required to work. This is his way of rejecting the system, by isolating himself from money “what miserable friendlessness and loneliness are here revealed! His poverty is great; but his solitude, how horrible” (Melville 13). Bartleby, not only refuse to work and accept the money the lawyer is giving him, he is also alienating himself from the rest of society. As Benedict Anderson has mentioned before how a person from the community can imagined how the rest of the people lived their lives, but by not following the most basic principle of Bartleby’s society, shows that he is rebelling against …show more content…
“In a word, will you do anything at all, to give a coloring to your refusal to depart the premises” (Melville 21). When the new owner of the building where the lawyer moved away from, tried to get Bartleby to leave, he was refused, and that is disrupting with other people living there. In Naomi Reed’s essay Bartleby was described as “not just an apparition; he is also a corpse” (250). Even though, Bartleby is not contributing, or doing anything, he is still somebody that can easily disturb other. For apparition, people can just ignore it, but for corpses, they draw attention. In Herman Melville’s work, he mentions that the lawyer could not get Bartleby to leave so he had to move his office (23). The reason why the lawyer would not just let Bartleby stay, because his presence is causing mental stress for the lawyer. When moving office to another location, with the type of work that the lawyer owns, he could not make any profit during this time. This is Bartleby way of paralyzing the lawyer’s business for a while, and since the room was ownerless now, than someone got to move in. So, with Bartleby refusing to leave the area he is also disturbing the people that moved in. Before, Bartleby is working for the lawyer, and now he is causing trouble than those affected people will complain to him, further causing problems for the lawyer. This is a type of
The character of Bartleby in Herman Melville’s novella “Bartleby, the Scrivener: A Story of Wall-Street” is a person who refuses to become an object in capitalistic society. Initially, he is the perfect example of the objectification and mechanization of humans in the workplace. In essence, Bartleby is a machine that continually produces. Ultimately, he begins to resist the mind numbing repetition of his tasks and the mechanization of his life. The other main character, the narrator, is a facilitator of the capitalistic machine. He dehumanizes his employees by ensuring that their free will is denied in the workplace using objectifying nicknames, providing a workplace devoid of human touch and connection,; and perpetuating mechanized, repetitive work. Melville’s “Bartleby, the Scrivener” shows the dehumanizing effects of working in a capitalistic environment and ultimately suggests that one must conform to a standard way of life or will cease to exist.
At first, the story ''Bartleby, the Scrivener'' by Herman Melville was unusual for me. Moreover, I thought that at the conclusion, we would know the Bartleby's secret. Why he is the ''riddle'', what he is hiding and what caused him so different from any other people from Wall Street.
The secondary title for the novel, A Story of Wall-Street, sets the stage for what has become another moral dilemma of man — the importance of commerce placed over the importance of life. Melville plays with the role of commerce continuously throughout this work, which takes place inside of a Lawyer's office on Wall Street. The Lawyer states, very simply, that he is "a man who, from his youth upwards, has been filled with a profound conviction that the easiest way of life is the best," revealing that at the very core of his being is an ideal that anything strenuous he may come across in his path should be quickly avoided, as to not cause any disturbance in his daily routine (Melville 1). This accurately sums up the general mindset of those on Wall Street at the time, and perhaps America as a whole -- that anything out of the ordinary was considered a nuisance to those focused entirely on the generation of wealth. The Lawyer recognizes this, and even considers himself a part of this crowd. However, he has taken the time to write this account of Bartleby, the Scrivener that arrives one day to fill a position in the office. While Bartleby may represent this "nuisance" exactly, the Lawyer finds himself drawn towards the mysterious quality he brings, unaware whether he will be beneficial to the firm or
“Bartleby, the Scrivener” is a remarkable short story written by author Herman Melville. The narrator of the story is a lawyer who owns his own law practice located on Wall Street and has various scriveners who work for him. The first scrivener he describes is named Turkey. He is an excellent worker in the morning, but as the day goes on his work begins to become messy and sloppy. He also has an ill temper in the afternoon. The lawyer tries to have Turkey work only in the morning, but of course Turkey argues with him so the lawyer just decides to give him less import work in the afternoon.
The narrator of the story becomes shocked when he discovers that Bartleby, who only feeds on ginger nuts, has never left the office. This is actually the first time that the narrator experiences the spiritual power that Bartleby possesses. The narrator is so much business oriented that he only looks at the world in terms of profits. However, when he encounters this aspect of the spirit of Bartleby, his attitude towards life changes. He begins appreciating the fact that Bartleby deserves better treatment, not in the capitalist way. The narrator even sees what is a right, just as an asset, but this perception is later changed by Bartleby’s spirit: “What earthly right have you to stay here? Do you pay any rent? Do you pay my taxes? Or is this property yours?” (Melville, 41).
Individuality is essential to expressing our desires, passions, and talents to those around us, and the lives of Turkey and Nippers, two of the lawyer’s other scriveners, possess none. For example, in describing Nippers, the narrator includes he suffers from “a certain impatience of the duties of a mere copyist, an unwarrantable usurpation of strictly professional affairs.” Since the characters never express themselves, they can never begin to understand each other, a process that is essential to forming meaningful relationships. Furthermore, the lives of Turkey and Nippers, are dictated by submission to the rules and expectations of the Lawyer. Turkey even begins any questions addressing the narrator with the preface, “with submission, sir.” Working in an environment requiring one to solely follow the orders of a superior inevitably initiates dissatisfaction with one’s inability to ever voice their opinion and feel they’re a meaningful part of their community. As a result, the breakdown of the office community, or the nonexistence of community altogether, is
Bartleby, the Scrivener, is a story written by Herman Mellvile. It is about a successful lawyer who hires a homeless, depressed man named Bartleby to transcribe documents for him. The narrator of this story is the lawyer. Throughout the story, Bartleby declines at his job, saying he would “prefer not” to perform his duties. Eventually, the lawyer learns about Bartleby’s homelessness by discovering he has been living in the office. After a while, the lawyer feels it would be best for the business to just move to a different office, so he does. To his surprise, Bartleby follows him there. Bartleby ends up getting arrested and eventually dies while in prison. This story has great meaning to it. The main character displays a great character of
Bartleby tells his own boss and owner of the law office to leave his own property while he remains inside. This event solidifies the fact that the boss has no backbone for himself or the company. The boss cannot stand up for himself and tells Bartleby to leave, but rather takes the command of one of his incompetent workers. Bartleby at this point has gained complete control over his own boss.
In the narrator’s office, Bartleby is faced with being holed up by his employer. The narrator tells us “I resolved to assign Bartleby a corner by the folding-doors, but on my side of them… I placed his desk close up to a small side window in that part of the room, a window which originally had afforded a lateral view of certain grimy backyards and bricks, but which owing to subsequent erections, commanded no present view at all, though it gave some light… Still to further satisfactory arrangement, I procured a high green folding screen, which might entirely isolate Bartleby from my sight…” (Melville, 301). He has essentially cut Bartleby off from any forms of communication by this set-up, alienating him from the other workers in the office and the narrator as well. We see Bartleby deteriorate through his time in the office, starting off as a hard worker, to denying to do certain parts of his job, and finally, to completely cutting himself off and not doing any work, much to the chagrin of the narrator and the others. The work itself could also be compared to that of what he did in the Dead Letter Office, copying dead letters day in and day out for the law. There is no real destination for what he does, the works he copies will end up gathering
The lawyer is not able to focus on anything because Bartleby will not move from the office or do any work. The lawyer then decides to pay Bartleby a “twenty-dollar bill over and above whatever [is in Bartleby’s account] and tell him his services” are not necessary (674).The lawyer throws money at Bartleby instead of handing it to him in his hands. The lawyer is trying to get rid of Bartleby to let the law firm make money. Melville portrays a constant war of conscience in the lawyer's mind regarding Bartleby's actions and the lawyer's reactions. The lawyer goes to church regularly yet does not show the Christian beliefs and ethics.
By the end of the story, the constant refusals wear everyone down and he is left alone. When new people move into the building, Bartleby still refuses to move from his office, leading to his arrest. Locked away in prison, Bartleby still refuses to eat, saying that “I prefer not to dine today”. This is significant because it shows that he still uses polite wording even though he has given up living. He courteously refuses to eat and chooses to live for as long as he prefers to live and curls up against one of the prison walls. This refusal, even in the face of death, shows an almost courageous side of Bartleby. He knows that he will most likely die, but he still musters up the courage to continue his fight. Due to his refusal of food, he will be buried without sustenance for the afterlife, a final nod to his status as a man without power, appetite, or
Paragraph 95 proceeds with the Lawyer contemplating on what to do with Bartleby. Here, readers gain insight on the Lawyer’s perspective concerning morality and moral responsibility. The Lawyer feels a sense of helplessness and is convinced that he can no longer be accountable for Bartleby. He realizes that he “could not reach” (137) Bartleby’s soul and Clark explains that he is unable to make that connection because “like the money in his
Herman Melville is an acclaimed author of the American Renaissance period and his most commendable works include “Bartleby, the Scrivener”. The story of “Bartleby” is not only a revelation of the business world of the mid-19th century but at the same time, it is also the manifestation of the emerging capitalistic lifestyle of perhaps New York’s most prominent street, Wall Street. Bartleby is a rather peculiar yet captivating figure. Bartleby’s life and death contribute to a sort of enigma for the reader and his employer. “Bartleby, the Scrivener” is a story that criticizes the monotonous day-to-day cycle that the modern working man is forcibly put in by society. With that being said, the death of Bartleby not only serves as a reflection
In a society where work is portrayed as needed, individuals that prefer not to are seen as rebels and enemies of the capitalist way of life. I think that Bartleby is a victim of this capitalist way of life, him and the Queen are cultural rebels, they represent the absurdity of work and the necessity of identity.
In a sense, the lawyer's entire life revolves around objects and ideas which do not make sense to him although he is not aware of this.