“Bartleby, the Scrivener” by Herman Melville and “The Fall of the House of Usher” by Edgar Allen Poe both use isolated characters in a main role. These stories deal with how the isolation of man leads to the death of humanity. In a historical reference, the isolation of mentally ill men and women led to gruesome and inhumane practices while in the care of other people.
Through the Middle Ages and until the establishment of asylums, treatments for mental illness were offered by “humanistic physicians, medical astrologers, apothecaries, and folk or traditional healers” (MacDonald 175). Aside from secular exorcisms, prayers, charms, amulets, and other mystical treatments were available. Sedatives during the 17th century consisted of opium grains to “ease the torment” of mental illness (MacDonald 190).
Some treatment options existed beyond family custody and care, such as housing the mentally ill in workhouses or checking them into general hospitals where they were usually abandoned. Private ‘madhouses’ were established and run by members of the clergy to treat the mentally ill that could afford care. The clergy ran these facilities treating the mentally ill as “medical practice was a natural extension of ministers’ duty to relieve the afflictions of their flocks” (Houston). Catholic nations regularly staffed mental health facilities with clergy, and most mentally ill individuals “in Russia were housed in monasteries until asylums spread to this region of the world in the
In Herman Melville's short story, Bartleby, the Scrivener, the narrator's attitude towards Bartleby is constantly changing, the narrator's attitude is conveyed through the author's use of literary elements such as; diction-descriptive and comical, point of view-first person, and tone-confusion and sadness.
As with many of Edgar Allan Poe's pieces, "The Fall of the House of Usher" falls within the definition of American Gothic Literature. According to Prentice Hall Literature, American Gothic Literature is characterized by a bleak or remote setting, macabre or violent incidents, characters being in psychological or physical torment, or a supernatural or otherworldly involvement (311). A story containing these attributes can result in a very frightening or morbid read. In all probability, the reason Poe's stories were written in this fashion is that his personal life was fraught with depression, internal agony, and despair. Evidently this is reflected in "The Fall of the House of Usher." Conjointly, Edgar Allan Poe's "The
Melville’s short story Bartleby the scrivener, describes the narrator as an elderly old man that wishes to give details of the life of Bartleby the scrivener. Bartleby was a completely emotionless human being who refuses to interact with the world around him. These actions shape the short story, picking at its viewers mind as to why Bartleby is disconnected from society. Bartleby worked in the dead letters office this may have triggered his inability to relate to the world around him. This motionless docility covered his inner troubles that he withheld from the world. The narrator states “I have known very many of them, professionally and privately, and if I pleased, could relate divers histories, at which good-natured gentlemen might smile, and sentimental souls might weep.” (Melville’s). In this he means that many persons might choose to smile as they find pleasure in reading “Bartleby” as much as those who might weep because they find the short story to be discouraging. In the 1970’s adaptation is one of those sentimental souls that the narrator is talking about in that it weeps for Bartleby, however the narrator brings the humor to life as he becomes speechless to Bartleby preferring not to do his work.
Men and women are faced with inevitable walls as they go through their daily lives, the strength of their character is derived by how they tackle these walls. Herman Melville gives us a glimpse at how walls can eventually destroy us if we give into them. In his short story, Bartleby the Scrivener, the narrator tells the story of a clerk he once employed, Bartleby. At first, Bartleby seemed to be the perfect employee, but he eventually began to shirk his work and depart into himself. Through the narrative, the narrator gives his account of how he dealt with Bartleby and gives the reader a look at the walls Bartleby dealt with in part of his life. The walls Bartleby continuously encounters throughout the text are a symbol of his isolation
In the short story “Bartleby, the Scrivener,” which was written by Herman Melville, the character named Bartleby is a very odd, yet interesting individual. In the story, Bartleby is introduced when he responds to a job opening at the narrator’s office. Although there is no background information given about him, it becomes very apparent that he will be the antagonist in this story. Unlike the usual image put on the antagonist, Bartleby causes conflict with a very quiet and calm temperament. This character’s attitude, along with the fact that he is a flat and static character, makes him a very unique antagonist, and this fact is shown through the way other characters approach and deal with his conflict.
Throughout the ages, treatment of the mentally ill has evolved with distinct periods of progression, stagnation and regression. At various points in history, treatment of the mentally ill included cruel and inhumane acts, while at other times, consisted of compassionate and benevolent care. It was thought that mental illness was derived from organic causes and treated the same way as common health issues such as colds or constipation. The clergy of many religions took on the burden taking care of those with mental illnesses. Monastic monks found themselves attending to the care of those with mental illness. The monks prayed for them, touched them with relics and prepared potions for them to
What motivates you to go to work everyday? What motivates you to dress the way you do? What motivates you to be reasonable when it comes to normal requests? Ah, the ultimate question in need of an answer: Who determines what is reasonable and normal, and should we not determine these matters for ourselves? Chaos would result, you say, if every individual were granted that freedom. Yet, we all do have that freedom, and Herman Melville (1819-1891) through the interpretation of a man who prefers to follow his own path in "Bartleby, the Scrivener", subjectively conveys the mental anguish he experienced as a writer and man when the literary world attempted to steal that freedom.
Bartleby- The Scrivener In Herman Melville’s “Bartleby the Scrivener”, the author uses several themes to convey his ideas. The three most important themes are alienation, man’s desire to have a free conscience, and man’s desire to avoid conflict. Melville uses the actions of an eccentric scrivener named Bartleby, and the responses of his cohorts, to show these underlying themes to the reader. The first theme, alienation, is displayed best by Bartleby’s actions. He has a divider put up so that the other scriveners cannot see him, while all of them have desks out in the open so they are full view of each other, as well as the narrator. This caused discourse with all of the others in the office. This is proven when Turkey exclaims, “ I
When the term “isolation” is used, most people think of it as an action performed in solitude. It brings to mind an empty space in which one person resides, far from all others. However, isolation does not always occur in a singular sense. In “The Masque of the Red Death” by Edgar Allan Poe, isolation is used by a large population as a means of safety. In “The Thing Around Your Neck” by Chimananda Ngozi Adichie, isolation occurs among crowds of people and even in the company of someone close to one’s heart. In both aspects, isolation serves to exemplify the broken portions of life. Isolation is a destructive force and as a theme, isolation serves to exemplify a particular viewpoint and worldview while serving as both a cause and effect.
Hippocrates was the first to recognize that mental illness was due to ‘disturbed physiology’ as opposed to ‘displeasure of the gods or evidence of demonic possession’. It was not until about one thousand years later that the first place designated for the mentally ill came to be in 15th century Spain. Before the 15th century, it was largely up to individual’s families to care for them. By the 17th century, society was ‘often housing them with handicapped people, vagrants, and delinquents. Those considered insane are increasingly treated inhumanely, often chained to walls and kept in dungeons’. There are great strides for the medical treatments for the mentally
The Fall Of the House Of Usher is a short story written by Edgar Allen Poe in 1839. The short story is complexly written, with challenging themes such as identity and fear. Poe utilises many elements of the Gothic Tradition such as setting and supernatural elements to create a more mysterious story, and uses language to his advantage, employing adjective filled descriptions of literal elements that also serve as metaphors for other parts of the story.
In early American history, individuals with mental illnesses have been neglected and suffered inhuman treatments. Some were beaten, lobotomized, sterilized, restrained, in addition to other kinds of abuse. Mental illness was thought to be the cause of supernatural dreadful curse from the Gods or a demonic possession. Trepanning (the opening of the skull) is the earliest known treatment for individuals with mental illness. This practice was believed to release evil spirits (Kemp, 2007). Laws were passed giving power to take custody over the mentally ill including selling their possessions and properties and be imprisoned (Kofman, 2012). The first psychiatric hospital in the U.S. was the Pennsylvania Hospital where mentally ill patients were left in cold basements because they were considered not affected by cold or hot environments and restraint with iron shackles. They were put on display like zoo animals to the public for sell by the doctors (Kofmen, 2012). These individuals were punished and isolated and kept far out of the eyes of society, hidden as if they did not exist. They were either maintained by living with their families and considered a source of embarrassment or institutionalized
Herman Melville (1819-1891) is an American writer who is widely acclaimed, among his most admired works are “Bartleby, the Scrivener” and “Benito Cereno” which both first appeared as magazine pieces and only published in 1856 as part of a collection. “Bartleby” was a story reflecting on the business world of the mid-19th century se t in New York none of its most famous and sometimes dangerous street: Wall Street. Bartleby a strange but intriguing man becomes employed in a legal office and in his life and death provides a sort of enigma for his employer, the reader, and the story itself. Bartleby , the Scrivener is a story that examines the ideas of a modern working man who is trapped in a mundane cycle that society has put him
The mentally ill were cared for at home by their families until the state recognized that it was a problem that was not going to go away. In response, the state built asylums. These asylums were horrendous; people were chained in basements and treated with cruelty. Though it was the asylums that were to blame for the inhumane treatment of the patients, it was perceived that the mentally ill were untamed crazy beasts that needed to be isolated and dealt with accordingly. In the opinion of the average citizen, the mentally ill only had themselves to blame (Surgeon General’s Report on Mental Health, 1999). Unfortunately, that view has haunted society and left a lasting impression on the minds of Americans. In the era of "moral treatment", that view was repetitively attempted to be altered. Asylums became "mental hospitals" in hope of driving away the stigma yet nothing really changed. They still were built for the untreatable chronic patients and due to the extensive stay and seemingly failed treatments of many of the patients, the rest of the society believed that once you went away, you were gone for good. Then the era of "mental hygiene" began late in the nineteenth century. This combined new concepts of public health, scientific medicine, and social awareness. Yet despite these advancements, another change had to be made. The era was called "community mental health" and
Early-on specifically during the Middle Ages, mental illness was believed by many as demonic possession and religious’ punishment. Some trailblazers sought to cure mentally ill individuals by conducting non- religious techniques, and instead incorporating a change in environment, or even administering certain substances/medications that where heavily used during that time; that were thought of as medical treatment. The